Leonard Bernstein - The Harvard Lectures

"Leonard Bernstein - The Harvard Lectures album by Various Artists on BeMusic"

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Release Date: 2018-08-24 00:00:00

  • Vol. I - Musical Phonology: First of All
  • Vol. IV - The Delights and Dangers of Ambiguity: Every Diminished Seventh Chord
  • Vol. II - Musical Syntax: Every Once in a While
  • Vol. I - Musical Phonology: But Let's be Careful
  • Vol. III - Musical Semantics: The First Would Show Us One Meaning
  • Vol. II - Musical Syntax: Last Week
  • Vol. I - Musical Phonology: And there is Always that Blue Note
  • Vol. I - Musical Phonology: Perhaps the Principal Thing
  • Vol. V - The Twentieth Century Crisis: What a Way to Enter the Twentieth Century
  • Vol. I - Musical Phonology: But Even these Twelve Tones
  • Vol. I - Musical Phonology: Let Me Start
  • Vol. II - Musical Syntax: Amen, says Noam Chomsky
  • Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote
  • Vol. I - Musical Phonology: I Trust You Realize
  • Vol. II - Musical Syntax: I Suppose What Chomsky is Really After
  • Vol. II - Musical Syntax: So, Let's Pull Up Our Socks
  • Vol. I - Musical Phonology: And Again Comes a Great Leap
  • Vol. I - Musical Phonology: From this Time
  • Vol. V - The Twentieth Century Crisis: These Troubling Presentiments
  • Vol. II - Musical Syntax: All Right, Let's Try Another One
  • Vol. I - Musical Phonology: But How do we Investigate
  • Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words
  • Vol. IV - The Delights and Dangers of Ambiguity: But Ultimately
  • Vol. I - Musical Phonology: Now this Means
  • Vol. II - Musical Syntax: Why Am I Taking Your Time
  • Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes
  • Vol. I - Musical Phonology: Now You Can See
  • Vol. I - Musical Phonology: Universality is a Big Word
  • Vol. II - Musical Syntax: Well Then
  • Vol. IV - The Delights and Dangers of Ambiguity: But, Mind You
  • Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age
  • Vol. II - Musical Syntax: I Think it Follows
  • Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventure
  • Vol. I - Musical Phonology: Other Linguists
  • Vol. V - The Twentieth Century Crisis: The Unanswered Question
  • Vol. I - Musical Phonology: And All by Those Progressions
  • Vol. II - Musical Syntax: But First, What are These Principles
  • Vol. I - Musical Phonology: I Began by Imagining Myself
  • Vol. VI - The Poetry of Earth: For Our Purposes
  • Vol. V - The Twentieth Century Crisis: But While Restudying this Work
  • Vol. I - Musical Phonology: Well, Then I Thought
  • Vol. IV - The Delights and Dangers of Ambiguity: In Fact, the Ending of this Piece
  • Vol. II - Musical Syntax: Tranformational Grammar
  • Vol. I - Musical Phonology: Now, I Must Point Out
  • Vol. IV - The Delights and Dangers of Ambiguity: And Then, in The Same Little Mazurka
  • Vol. V - The Twentieth Century Crisis: The Twentieth Century
  • Vol. II - Musical Syntax: But Now Just Think of that Sentence
  • Vol. I - Musical Phonology: Let's Make a Simple Analogy
  • Vol. I - Musical Phonology: Do you Realize
  • Vol. II - Musical Syntax: Since this is not a Linguistics Class
  • Vol. I - Musical Phonology: Maybe Even a Divine One
  • Vol. IV - The Delights and Dangers of Ambiguity: This New Episode that Proceeds
  • Symphony No. 40 in G Minor, K. 550: I. Allegro molto
  • Vol. IV - The Delights and Dangers of Ambiguity: For Instance, Hardly Have We Had Time
  • Vol. I - Musical Phonology: But Where do these Notes Come from?
  • Vol. V - The Twentieth Century Crisis: It's Very Strange, How the Pieces
  • Vol. V - The Twentieth Century Crisis: But For All These Reasons
  • Symphony No. 40 in G Minor, K. 550: II. Andante
  • Vol. I - Musical Phonology: This Acoustical Phenomenon
  • Vol. IV - The Delights and Dangers of Ambiguity: Listen To This
  • Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto
  • Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
  • Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema
  • Vol. V - The Twentieth Century Crisis: Now You Look at Those First Two Bars
  • Vol. I - Musical Phonology: All These Upper Notes
  • Vol. I - Musical Phonology: The First Overtone
  • Vol. V - The Twentieth Century Crisis: As You Listen to This Finale
  • Vol. IV - The Delights and Dangers of Ambiguity: But Notice, Too, that the Example
  • Vol. I - Musical Phonology: But More of that Later
  • Vol. IV - The Delights and Dangers of Ambiguity: So it is After All Not So Surprising
  • Vol. I - Musical Phonology: But Let's Not Make the Mistake
  • Vol. III - Musical Semantics: We All Recognize Antithesis
  • Vol. IV - The Delights and Dangers of Ambiguity: Both Works Have Definitive Beginnings
  • Vol. I - Musical Phonology: And that's how the Tempered Clavichord
  • Vol. I - Musical Phonology: Now this is a Substantive Universal
  • Vol. IV - The Delights and Dangers of Ambiguity: You See, the Music Is Trying Hard
  • Vol. IV - The Delights and Dangers of Ambiguity: So That Instant in Musical Time
  • Vol. IV - The Delights and Dangers of Ambiguity: Some Crazy Modern Music
  • Vol. VI - The Poetry of Earth: You Can See How the Transformation
  • Vol. III - Musical Semantics: But What of the More Obvious Melodic Material
  • Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed
  • Vol. IV - The Delights and Dangers of Ambiguity: Is It, Says Wagner
  • Vol. VI - The Poetry of Earth: It's the Essence
  • Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added