Pulcinella
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Pulcinella (Italian: [pultʃiˈnɛlla]; Neapolitan: Pulecenella) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude has captivated audiences worldwide and kept the character popular in countless forms since his introduction to commedia dell'arte by Silvio Fiorillo in 1620.
His visual appearance includes a humpback, a crooked nose, gangly legs, a potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a pointed hat (conical hat). When depicted as a member of the upper class, Pulcinella is a cunning thief and schemer. When depicted as a member of the servant class, Pulcinella is a perverted bumpkin. In either case, he is a social climber, striving to rise above his station in life. He is an opportunist who always sides with the winner in any situation and who fears no consequences. His main motivations are self-interest and self-preservation, yet Pulcinella tends to rescue other characters from trouble. He is said to be every character's savior, despite acting as a rebel and a delinquent.
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Tatekieto - 2025-01-04 00:00:00
Grifone - 2021-06-25 00:00:00
- Isis, LWV 54, Acte 2, Scène 7: Entrée pour la Jeunesse - Aparté baroque - Pulcinella
- Armide, LWV 71, Acte cinquième, scène I: Passacaille - Live - Aparté baroque - Pulcinella
- Armide, LWV 71, Acte cinquième, scène II: Les Plaisirs ont choisi pour asile (Choeur, un Amant fortuné) - Live - Aparté baroque - Pulcinella
- Le Bourgeois Gentilhomme, LWV 43: Marche pour la cérémonie des Turcs - Aparté baroque - Pulcinella
- Phaëton, LWV 61, Acte V, Scène 5: Dieux ! Quel feu vient partout s'étendre ! - Aparté baroque - Pulcinella
- Zaïs, RCT 60, Acte III, Scène 2: Coulez mes pleurs, l'ingrat que j'aime (Zélidie) - Aparté baroque - Pulcinella
- Armide, LWV 71, Acte second, scène IV: Au temps heureux où l'on sait plaire (une Naïde) - Live - Aparté baroque - Pulcinella
- Alceste, LWV 50, Prologue: L'Art d'accord avec la Nature (La Nymphe des Tuileries) - Aparté baroque - Pulcinella
- Isis, LWV 54, Acte 2, Scène 7: "Aimez, profitez du temps" (Deux nymphes) - Aparté baroque - Pulcinella
- Castor et Pollux, RCT 32: Air "Brillez, astres nouveaux… !" - Aparté baroque - Pulcinella
- Zaïs, RCT 60, Acte II, Scène 4: Zéphyrs, calmez la terre et l'onde (Cindor, Chœur des Génies élémentaires et des Empires, Sylphes et Sylphides) - Aparté baroque - Pulcinella
- Violin Partita No. 3 in E Major, BWV 1006: I. Preludio - Aparté baroque - Pulcinella
- Suite in D Minor: IV. Volte - Aparté baroque - Pulcinella
- Pygmalion, acte de ballet, RCT 52, Scène 5: Contredanse - Aparté baroque - Pulcinella
- Isis, LWV 54, Acte 4, Scène 1: "L'hiver qui nous tourmente" (Chœur des peuples des climats glacés) - Aparté baroque - Pulcinella
- Concerto grosso in D Major, Op. 6 No. 4: II. Adagio - Aparté baroque - Pulcinella
- Alceste, LWV 50, Prologue: Ouverture - Aparté baroque - Pulcinella
- Isis, LWV 54, Acte 1, Scène 5: "Échos, retentissez dans ces lieux pleins d'appas" (Chœur des Échos) - Aparté baroque - Pulcinella
- The Well-Tempered Clavier, Book 1: Prelude No. 1 en Ut, BWV 846 - Aparté baroque - Pulcinella
- Isis, LWV 54, Prologue, Scène 3: Air pour les trompettes - Aparté baroque - Pulcinella
- Zaïs, RCT 60, Acte I, Scène 4: Ces sons harmonieux m'annoncent sa présence (La grande Prêtresse, Zélidie, Zaïs, Chœur des Bergers) - Aparté baroque - Pulcinella
- Cello Concerto in A Minor, Wq 170: I. Allegro assai - Aparté baroque - Pulcinella
- The Well-Tempered Clavier, Book II: Prelude in F Minor, BWV 881 - Aparté baroque - Pulcinella
- The Well-Tempered Clavier, Book II: Fuga in F minor, BWV 881 - Aparté baroque - Pulcinella
- Les Fêtes de Polymnie, suite d’orchestre, RCT 39: X. Air fort gai - Aparté baroque - Pulcinella
- Piccolo Cello Sonata in D Major, Wq. 137: I. Adagio, ma non tanto - Aparté baroque - Pulcinella
- Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande - Aparté baroque - Pulcinella
- Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Aparté baroque - Pulcinella
- Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 15. Aria "Denke nach, du arme Erde" (Die Andacht ) - Aparté baroque - Pulcinella
- Amadigi di Gaula, HWV 11, Acte II, Scène 5: "Pena tiranna" (Dardano) - Aparté baroque - Pulcinella
- Violin Partita No. 2 in D Minor, BWV 1004: I. Allemanda - Aparté baroque - Pulcinella
- Deuxième livre: La Felix - Aparté baroque - Pulcinella
- Pièces de clavecin, Livre III, Dix-huitième ordre en Fa Majeur: VI. Le Tic-toc-choc ou Les Maillotins - Aparté baroque - Pulcinella
- Rinaldo, HWV 7a, Act II: Aria "Lascia ch'io pianga" (Almirena) - Live - Aparté baroque - Pulcinella
- Tamerlano, HWV 18: Acte I, Scène 2, Tamerlano: Vo' dar pace a un' alma altiera - Aparté baroque - Pulcinella
- Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 7. Choral "Dein Blut, der edle Saft" - Aparté baroque - Pulcinella
- Violin Sonata No. 2 in A Minor, BWV 1003: IV. Allegro - Aparté baroque - Pulcinella
- "Sovvente il sole" (from Andromeda liberata, RV Anh. 117) - Aparté baroque - Pulcinella
- Les Nations, Second Ordre, L'Espagnole: IX. Bourrée, Double - Aparté baroque - Pulcinella
- Seht, wir gehn hinauf gen Jerusalem, BWV 159 - Aparté baroque - Pulcinella
- Concerto grosso in C Minor, Op. 6 No. 3: V. Allegro - Aparté baroque - Pulcinella
Ça - 2019-09-20 00:00:00
3/4 d'once - 2017-05-26 00:00:00
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