Elizabeth Connell
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Frances Elizabeth Connell (22 October 1946 – 18 February 2012) was a South African-born operatic mezzo-soprano, and later soprano, whose career took place mainly in the United Kingdom and Australia.
Connell was born in Port Elizabeth, South Africa in 1946, to a Catholic father from South Africa and a Protestant mother from Port Elizabeth, one of five children. She read music at the University of the Witwatersrand, and after taking her degree, taught music and geography in secondary school.
Connell attained an opera scholarship to the London Opera Centre, and came to the UK in 1970. Her teachers there included Otakar Kraus, who told her that 'one day you'll be a dramatic soprano'. In 1972, she was a winner of the Maggie Teyte prize for young musicians, and also made her professional debut at Wexford Festival Opera in Ireland, as she was initially not able to appear in British opera houses, as a white South African during the era of apartheid. She attained Irish citizenship via her grandfather. She read music at the University of the Witwatersrand, and after taking her degree, taught music and geography in secondary school. At the invitation of Edward Downes, she sang at the opening of the Sydney Opera House in Prokofiev's War and Peace in 1973, as Princess Marya, and continued to have a special relationship with Opera Australia for the rest of her career. Her UK career attained greater prominence after her appearance at the 1975 First Night of The Proms in Mahler's Symphony No 8. She then had a regular five-year association with English National Opera.
In 1983, Connell transitioned to singing full-time as a soprano, by cancelling all of her engagements for mezzo parts, and taking time to avoid speaking or singing, with subsequent gradual transition into soprano roles. Her early performances as a soprano included Corine from Luigi Cherubini's Anacréon, Fiordiligi (Così fan tutte) and Julia in Gasparo Spontini's La Vestale. Her Metropolitan Opera debut was in 1985, as Vitellia (La clemenza di Tito), and her Opéra de Paris debut was in 1987 as Senta (The Flying Dutchman). In 2004, she sang Leonore in a performance of Fidelio by Cape Town Opera staged at Robben Island, 10 years after the release of Nelson Mandela from prison there.
Connell's final performance was a recital on 27 November 2011 in Hastings. She had intended to retire to Australia, but the diagnosis of her cancer prevented this. She died in London on 18 February 2012, aged 65. She married baritone Robert Eddie in 1987; the marriage ended in dissolution. Her three brothers John, Peter, and Paul, and her sister Rosemary survive her.
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- Mahler: Symphony No. 1 in D Major "Titan": I. Langsam. Schleppend - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 1 in D Major "Titan": IV. Stürmisch bewegt - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 3 in D Minor: I. Kräftig. Entschieden - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mässig - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 3 in D Minor: III. Comodo, scherzando. Ohne Hast - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso. Durchaus Leise - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 3 in D Minor: VI. Langsam. Ruhevoll. Empfunden - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 4 in G Major: I. Bedächtig, nicht eilen - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 4 in G Major: III. Ruhevoll - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 4 in G Major: IV. Sehr behaglich - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenen Schritt. Streng. Wie ein Kondukt - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit größter Vehemenz - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 5 in C-Sharp Minor: III. Scherzo. Kräftig, nicht zu schnell - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 5 in C-Sharp Minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 6 in A Minor "Tragic": II. Scherzo. Wuchtig - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 6 in A Minor "Tragic": III. Andante moderato - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 6 in A Minor "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energico - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 7 in E Minor: I. Langsam - Allegro risoluto ma non troppo - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 7 in E Minor: II. Nachtmusik. Allegro moderato - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 7 in E Minor: III. Scherzo - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 7 in E Minor: IV. Nachtmusik. Andante amoroso - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 7 in E Minor: V. Rondo-Finale - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": I. Veni, Creator Spiritus - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": II. Imple superna gratia - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": III. Infirma nostri corporis - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": IV. Accende lumen sensibus - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": V. Veni, Creator Spiritus - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": VI. Gloria sit Patri Domino - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": I. Poco adagio - Waldung, sie schwankt heran - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": II. Ewiger Wonnebrand - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": III. Wie Felsenabgrund mir zu Füssen - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": IV. Gerettet ist das edle Glied - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": V. Uns bleibt ein Erdenrest - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": VI. Hier ist die Aussicht frei - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": VII. Höchste Herrscherin der Welt! - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": VIII. Dir, der Unberührbaren - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": IX. Bei der Liebe, die den Füssen - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": X. Neige, neige, du Ohnegleiche - Mahler: Symphonies - Elizabeth Connell
- Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": XI. Blicket auf zum Retterblick - Mahler: Symphonies - Elizabeth Connell
- Symphony No. 1 in C Minor, Op. 11, MWV N13: I. Allegro di molto - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 1 in C Minor, Op. 11, MWV N13: II. Andante - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 1 in C Minor, Op. 11, MWV N13: III. Menuetto. Allegro molto - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 1 in C Minor, Op. 11, MWV N13: IV. Allegro con fuoco - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Octet, Op. 20, MWV R20: III. Scherzo (Version for Orchestra) - Abbado A-Z: Mendelssohn - Elizabeth Connell
- A Midsummer Night's Dream Overture, Op. 21, MWV P3 - Abbado A-Z: Mendelssohn - Elizabeth Connell
- The Hebrides Overture, Op. 26, MWV P7 "Fingal's Cave" - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Meeresstille und glückliche Fahrt, Op. 27, MWV P5 - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": I. Sinfonia: a. Maestoso con moto - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": I. Sinfonia: b. Allegretto un poco agitato - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": I. Sinfonia: c. Adagio religioso - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIa. Chorus. Alles was Odem hat lobe den Herrn - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIb. Solo and Chorus. Lobe den Herrn, meine Seele - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIIa. Recit. Saget es, die ihr erlöst seid - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIIb. Aria. Er zählet unsre Tränen - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IV. Chorus. Sagt es, die ihr erlöst seid - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": V. Duet & Chorus. Ich harrete des Herrn - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": VI. Solo. Stricke des Todes hatten uns umfangen - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": VII. Chorus. Die Nacht ist vergangen - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": VIII. Chorale. Nun danket alle Gott - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IX. Duet. Drum sing ich mit meinem Liede - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": X. Chorus. Ihr Völker, bringet her dem Herrn Ehre und Macht! - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": I. Andante con moto - Allegro un poco agitato - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": II. Vivace non troppo - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": III. Adagio - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Die schöne Melusine Overture, Op. 32, MWV P12 - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Trumpet Overture, Op. 101, MWV P2 - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Ruy Blas Overture, Op. 95, MWV P15 - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": I. Allegro vivace - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": II. Andante con moto - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": III. Con moto moderato - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": IV. Saltarello. Presto - 1984 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": I. Andante - Allegro con fuoco - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": II. Allegro vivace - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": III. Andante - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": IV. Andante con moto (Chorale "Ein feste Burg") - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Overture for Wind Instruments, Op. 24, MWV P1 - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56 "Scottish": I. Andante con moto – Allegro un poco agitato - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56 "Scottish": III. Adagio - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo – Allegro maestoso assai - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Symphony No. 4 in A Major, Op. 90 "Italian": IV. Saltarello. Presto - 1968 Recording - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato - Abbado A-Z: Mendelssohn - Elizabeth Connell
- Poliuto, IGD 59: Sinfonia con Coro - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Scendiam… Silenzio! - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Tu sei commosso! - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Ove m'inoltro? - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Un turbamento arcano - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Mira… Donna! - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Plausi all'inclito Severo - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto I: Finale - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Inoltra il pié - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Donna… Che!... Possenti Numi!... - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Il più lieto - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Quest'alma - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Veleno è l'aura - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Sfolgorò divino raggio - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Celeste un'aura - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Fermate. Oh, Numi! - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto II: Finale - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto III: Vieni, vieni… - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto III: La tua sposa infelice - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto III: Il suon dell'arpe - Donizetti: Poliuto - Elizabeth Connell
- Poliuto, IDG 59, Atto III: Finale - Donizetti: Poliuto - Elizabeth Connell
- Ave Maria, CG 89 - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Ave Maria, D. 839 "Ellens Gesang III" - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Ave verum corpus, K. 618 - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Requiem in C Minor: VI. Pie Jesu - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Requiem in C Minor: VII. Agnus Dei - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Messiah, HWV 56, Pt. 2: No. 44, Hallelujah (Chorus) - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Rinaldo, HWV 7a, Act II: Lascia ch'io pianga - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Requiem, K. 626: III. Sequenz, No. 6, Lacrimosa - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Herz und Mund und Tat und Leben, BWV 147: X. Jesu, Joy of Man's Desiring (Arr. Thalben-Ball) - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Serse, HWV 40 Act I: Frondi tenere...Ombra mai fu - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Messe solennelle in A Major, Op. 12: V. Panis angelicus - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Ave Maria, WAB 6 - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Bist du bei mir, BWV 508 "Aria" - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Sechs Lieder, Op. 48: No. 4, Die Ehre Gottes aus der Natur (Majestätisch und erhahen) - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Elijah, Op. 70 Pt. 1: No. 14, Lord God of Abraham, Isaac and Israel! - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Silent Night, H. 145 - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Messa da Requiem: No. 5, Agnus Dei - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Mass in C Major, K. 317 "Krönungsmesse": I. Kyrie - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Christus factus est, WAB 11 - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Caro mio ben - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Die Schöpfung, Hob. XXI:2, Pt. II: No. 15, Auf starkem Fittiche schwinget sich der Adler stolz (Gabriel) - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Tantum ergo in E-Flat Major, D. 962 - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Gloria in D Major, RV 589: VI. Domine Deus - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- War Requiem, Op. 66: IIh. Dies irae, Lacrimosa dies illa - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Christmas Oratorio, BWV 248, Pt. 4: No. 38, Immanuel, o süsses Wort! - Jesu, du mein liebstes Leben - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Exsultate, jubilate K. 165: No. 4, Alleluia (Molto allegro) - Ave Maria: Sacred Arias and Choruses - Elizabeth Connell
- Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Dido and Aeneas, Z.626, Act III: Thy Hand, Belinda... When I Am Laid In Earth - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Tristan und Isolde, WWV 90, Act III: Liebestod "Mild und leise wie er lächelt" - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Rusalka, Op.114, B. 203, Act I: Song to the Moon: Mesicku na nebi hlubokém - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Madama Butterfly, Act II: Un bel dì vedremo - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Vier letzte Lieder, TrV 296: 4. Im Abendrot - Live At Hamer Hall, Melbourne, 2014 - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Spartacus, Act II: Adagio Of Spartacus And Phrygia - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Adagio for Strings - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Orfeo ed Euridice, Wq. 30, Act III: Che farò senza Euridice? - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Lakmé, Act I: Sous le dôme épais (Flower Duet) - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Madama Butterfly, Act I: Viene la sera - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Variations on an Original Theme, Op. 36 "Enigma": Variation 9. Nimrod. Adagio - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Symphony No. 5 in C sharp Minor, Pt. 3: 4. Adagietto - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Così fan tutte, K. 588, Act I: Soave sia il vento - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Thaïs, Act II: Méditation - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- L'incoronazione di Poppea, SV 308, Act III: Pur ti miro - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Carmen, WD 31, Act I: L'amour est un oiseau rebelle - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Suite bergamasque, L.75: 3. Clair de lune - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Romeo and Juliet, Suite No. 1, Op. 64bis: 6. Balcony Scene - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Concerto for 2 Violins in D Minor, BWV 1043: 2. Largo ma non tanto - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Nocturne in E-Flat Major, Op. 148, D. 897 - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Trois Gymnopédies: 1. Lent et douloureux - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
- Eugene Onegin, Op.24 TH.5, Act I, Scene 2: "Puskai pogibnu ya, no pryezhde" - The Classic 100: Love – the Top 10 and Selected Highlights - Elizabeth Connell
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