Lodovico Viadana
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Lodovico Grossi da Viadana (usually Lodovico Viadana, though his family name was Grossi; c. 1560 – 2 May 1627) was an Italian composer, teacher, and Franciscan friar of the Order of Friars Minor Observants. He was the first significant figure to make use of the newly developed technique of figured bass, one of the musical devices which was to define the end of the Renaissance and beginning of the Baroque eras in music.
- La manza mia si chiama - L'art vocal de la renaissance italienne - Lodovico Viadana
- Fa una canzone - L'art vocal de la renaissance italienne - Lodovico Viadana
- Matona mia cara, LV 663 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Sfogava con le stelle, SV 78 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Christe adoramus te, SV 294 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Tra verdi campi a la stagion novella - L'art vocal de la renaissance italienne - Lodovico Viadana
- Madonna, sua mercé, pur una sera - L'art vocal de la renaissance italienne - Lodovico Viadana
- O occhi manza mia, LV 666 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Occhi dolci e soavi - L'art vocal de la renaissance italienne - Lodovico Viadana
- Cantate Domino, SV 293 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Crudel perché mi fuggi, SV 55 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Adoramus te, SV 289 - L'art vocal de la renaissance italienne - Lodovico Viadana
- A un giro sol de' bell' occhi lucenti, SV 84 - L'art vocal de la renaissance italienne - Lodovico Viadana
- Exultate justi - L'art vocal de la renaissance italienne - Lodovico Viadana
- Con voce dai sospiri - L'art vocal de la renaissance italienne - Lodovico Viadana
- So ben mi ch'ha bon tempo - L'art vocal de la renaissance italienne - Lodovico Viadana
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