Albert Lance
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Albert Lance (12 July 1925 – 15 May 2013) was an Australian tenor, also holding French citizenship. He was Australia's principal tenor during the 1950s and later enjoyed a highly successful career in France.
He was born in Medindie, South Australia as Lancelot Albert Ingram, but was usually known as Lance Ingram. He began singing as a child, in school and in church choir. His mother made him study voice at the Melbourne Music Conservatory. After graduation, he sang in cafés and night clubs, and joined a touring company and performed throughout Australia, singing popular songs. The director of that company was impressed enough to send him for an audition at the Melbourne Opera, where he was immediately offered a contract. He made his debut there, as Cavaradossi in Tosca, in 1950, and went on to sing Rodolfo in La bohème, and Pinkerton in Madama Butterfly, to considerable acclaim. He then appeared as the lead in The Tales of Hoffmann given in honour of Queen Elizabeth II in 1953.
Ingram was noticed by the wife of the famed voice teacher Modesti, who invited him to France, for further study. Under Modesti's guidance, and with the help of his assistant, Simone Féjart, he acquired considerable refinement, both vocal and musical. Having changed his professional name from Lance Ingram to Albert Lance, he made his Paris debut at the Opéra-Comique in 1955, as Cavaradossi. The following year, he made his debut at the Palais Garnier, in the title role in Faust, and the success was immediate. He quickly established himself as one of the leading "French tenors" of the time, at both the Opéra-Comique and the Opéra until 1972, singing the great French roles such as Roméo in Roméo et Juliette, des Grieux in Manon, Werther, Don José in Carmen, etc. He was also invited to perform at the opera houses of Lyon, Bordeaux, and Marseille, as well as London, Vienna, Moscow, Leningrad, and Buenos Aires. Lance was also much appreciated in the Italian repertory, adding to his repertory the lead tenor roles in Rigoletto, La traviata, Cavalleria rusticana, Pagliacci and others.
Lance made his American debut at the San Francisco Opera in 1961, in the creation of Norman Dello Joio's Blood Moon. He also appeared in Los Angeles and Philadelphia.
Lance became a permanent member of the Opéra national du Rhin in Strasbourg from 1973 until his retirement in 1977. After his retirement from the stage, Lance turned to full-time teaching, first at the Music Conservatory of Nice, and later Antibes. Lance became a French citizen in 1967.
Lance left a few recordings, notably a complete Werther made in 1964, with Rita Gorr, Mady Mesplé, Gabriel Bacquier, conducted by Jésus Etcheverry. There is also a complete Madama Butterfly (in French) from the Opéra Comique de Paris conducted Albert Wolff from 1957 with Lance as Pinkerton, and scenes from Hérodiade conducted by Georges Prêtre from 1963 with Lance as Jean alongside the Salomé of Régine Crespin and Hérodiade of Rita Gorr.
EMI has published the kinescope of the 1958 Paris debut of Maria Callas, "La Grande Nuit de l'Opéra," in which Lance appeared, on DVD. He is heard in an excerpt from Il trovatore, and is seen in a staged Act II of Tosca, opposite Callas and Tito Gobbi, conducted by Georges Sébastian.
In March 2011, the French opera community announced that Lance would be the first Australian to be the President of the Paris Opera Jubilee.
Albert Lance died on 15 May 2013 in Colomars, France.
Lance is survived by wife and former mezzo-soprano Iris Paqué, daughter Marie-Christine Lance and grandson Matthew.
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- Norma, Act I Scene 4: Scena e Cavatina, "Sediziose voci" (Norma, Oroveso, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Norma, Act I Scene 4: Preghiera, "Casta diva" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Norma, Act I Scene 4: "Fine al rito" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Norma, Act I Scene 4: "Ah! bello a me ritorna ... Sei lento, sì, sei lento" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Il trovatore, Act IV Scene 1: No. 12a. Scena, "Vanne, lasciami, né timor di me ti prenda" (Leonora) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Il trovatore, Act IV Scene 1: No. 12b. Aria, "D'amor sull'ali rosee vanne" (Leonora) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Il trovatore, Act IV Scene 1: No. 12c. "Miserere d'un'alma già vicina ... Quel suon, quelle preci solenni, funeste ... Ah, che la morte ognora" (Chorus, Leonora, Manrico) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Il barbiere di Siviglia, Act I Scene 5: No. 5. Cavatina, "Una voce poco fa" (Rosina) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 1: "Tosca è un buon falco!" (Scarpia, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi, Tosca, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 3: "Dov'è Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 4: "Sciarrone, che dice il Cavalier?" (Scarpia, Sciarrone, Tosca, Voce di Cavaradossi) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 4: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 4: "Ah! ... Nel pozzo! .... Là è l'Angelotti?" (Cavaradossi, Tosca, Scarpia, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 4: "Nel pozzo del giardino. Va', Spoletta" (Scarpia, Cavaradossi, Tosca, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 5: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 5: "Vedi, le man giunte io stendo a te!" (Tosca, Scarpia, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Tosca, SC 69, Act II Scene 5: "E qual via scegliete?" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) - Albert Lance
- Bellini: Norma: "Sediziose voci" (Norma, Oroveso, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Bellini: Norma: "Fine al rito" (Norma, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Verdi: Il trovatore: "Vanne, lasciami" - "D'amor sull'ali rosee" (Leonora) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Verdi: Il trovatore: "Miserere" (Coro, Leonora, Manrico) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Rossini: Il barbiere di Siviglia: Cavatina. "Una voce poco fa" (Rosina) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Tosca è un buon falco" (Scarpia, Sciarrone) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Ella verrà, per amor del suo Mario!" (Scarpia, Sciarrone, Spoletta, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Tal violenza!" (Cavaradossi, Coro, Scarpia, Tosca, Spoletta) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Ed or fra noi da buoni amici" (Scarpia, Tosca, Sciarrone, Cavaradossi) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Floria!" (Cavaradossi, Tosca, Scarpia, Sciarrone) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "La povera mia cena fu interrotta" (Scarpia, Tosca) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Già. Mi dicon venal..." (Scarpia, Tosca) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Vissi d'arte" (Tosca, Scarpia) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Sei troppo bella, Tosca" (Scarpia, Tosca, Spoletta) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca: "Tosca, finalmente mia!" (Scarpia, Tosca) [Live, Paris, 1958] - Her Greatest Live Recitals - Albert Lance
- Proch: Air and Variations on "Deh, torna mio bene", Op. 164 (Live, Torino, 1951) - Her Greatest Live Recitals - Albert Lance
- Verdi: Macbeth, Act 1: "Vieni! t'affretta" - "Or tutti sorgete" (Lady Macbeth) [Live, Rome, 1952] - Her Greatest Live Recitals - Albert Lance
- Verdi: Nabucco, Act 2: "Ben io t'invenni" - "Anch'io dischiuso un giorno" (Abigaille) [Live, Rome, 1952] - Her Greatest Live Recitals - Albert Lance
- Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono" - "Ardon gli incensi" (Lucia) [Live, Rome, 1952] - Her Greatest Live Recitals - Albert Lance
- Delibes: Lakmé, Act 2: Aria delle campanelle. "Dov'è l'indiana bruna?" (Lakmé) [Live, San Remo, 1954] - Her Greatest Live Recitals - Albert Lance
- Mozart: Il ratto dal serraglio, K. 384, Act 2: "Tutte le torture" (Konstanze) [Live, San Remo, 1954] - Her Greatest Live Recitals - Albert Lance
- Meyerbeer: Il perdono di Ploërmel "Dinorah", Act 2: "Ahimè! che notte oscura" - "Ombra leggera" (Dinorah) [Live, San Remo, 1954] - Her Greatest Live Recitals - Albert Lance
- Charpentier: Louise, Act 3: "Depuis le jour" (Louise) [Live, San Remo, 1954] - Her Greatest Live Recitals - Albert Lance
- Rossini: Armida, Act 2: "D'Amore al dolce impero" (Armida) [Live, San Remo, 1954] - Her Greatest Live Recitals - Albert Lance
- Spontini: La Vestale, Act 2: "Tu che invoco" (Giulia) [Live, Milan, 1956] - Her Greatest Live Recitals - Albert Lance
- Bellini: I puritani, Act 1: "La dama d'Arturo" - "Ah, vieni al tempio" (Elvira, Coro) [Live, Milan, 1956] - Her Greatest Live Recitals - Albert Lance
- Rossini: Semiramide, Act 1: "Bel raggio lusinghier" (Semiramide, Coro) [Live, Milan, 1956] - Her Greatest Live Recitals - Albert Lance
- Thomas: Hamlet, Act 4: "Ai vostri giochi" - "Ed ora a voi" (Ophélie, Coro) [Live, Milan, 1956] - Her Greatest Live Recitals - Albert Lance
- Verdi: Il trovatore, Act 4: "Vanne, lasciami" - "D'amor sull'ali rosee" (Leonora) [Live, Athens, 1957] - Her Greatest Live Recitals - Albert Lance
- Verdi: La forza del destino, Act 4: "Pace, pace mio Dio" (Leonora) [Live, Athens, 1957] - Her Greatest Live Recitals - Albert Lance
- Wagner: Tristano e Isotta, Act 3: Morte d'amore. "Dolce e calmo" (Isolde) [Live, Athens, 1957] - Her Greatest Live Recitals - Albert Lance
- Donizetti: Lucia di Lammermoor, Act 1: Regnava nel silenzio" - "Quando rapito in estasi" (Lucia) [Live, Athens, 1957] - Her Greatest Live Recitals - Albert Lance
- Thomas: Hamlet, Act 4: "Ai vostri giochi" - "Ed ora a voi" (Ophélie) [Live, Athens, 1957] - Her Greatest Live Recitals - Albert Lance
- Thomas: Hamlet, Act 4: "Encore, Ed ora a voi" (Ophélie) [Live, Athens, 1957] - Her Greatest Live Recitals - Albert Lance
- Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) [Live, London, 1958] - Her Greatest Live Recitals - Albert Lance
- Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) [Live, London, 1958] - Her Greatest Live Recitals - Albert Lance
- Bellini: Norma, Act 1: "Casta diva" (Norma) [Live, London, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) [Live, London, 1958] - Her Greatest Live Recitals - Albert Lance
- Puccini: La Bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì) [Live, London, 1959] - Her Greatest Live Recitals - Albert Lance
- Boito: Mefistofele, Act 3: "L'altra notte in fondo al mare" (Margherita) [Live, London, 1959] - Her Greatest Live Recitals - Albert Lance
- Verdi: Macbeth, Act 4: "Una macchia è qui tuttora" (Lady Macbeth) [Live, London, 1959] - Her Greatest Live Recitals - Albert Lance
- Bellini: Il pirata, Act 2: "Oh! s'io potessi dissipar le nubi" (Imogene) [Live, London, 1959] - Her Greatest Live Recitals - Albert Lance
- Spontini: La Vestale, Act 2: "Tu che invoco con orrore" (Giulia) [Live, Hamburg, 1959] - Her Greatest Live Recitals - Albert Lance
- Verdi: Macbeth, Act 1: "Nel dì della vittoria" - "Vieni! t'affretta" (Lady Macbeth) [Live, Hamburg, 1959] - Her Greatest Live Recitals - Albert Lance
- Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) [Live, Hamburg, 1959] - Her Greatest Live Recitals - Albert Lance
- Verdi: Don Carlo, Act 4: "Tu che le vanità" (Elisabetta) [Live, Hamburg, 1959] - Her Greatest Live Recitals - Albert Lance
- Bellini: Il pirata, Act 2: "Oh! s'io potessi dissipar le nubi" (Imogene) [Live, Hamburg, 1959] - Her Greatest Live Recitals - Albert Lance
- Bellini: Il pirata, Act 2: "Col sorriso d'innocenza" (Imogene) [Live, Hamburg, 1959] - Her Greatest Live Recitals - Albert Lance
A Tribute - 2017-10-20 00:00:00
- Rossini: Guillaume Tell, Act 2: "Ils s'éloignent enfin ... Sombre forêt" (Mathilde) - A Tribute - Albert Lance
- Verdi: Il trovatore, Act 4: "Timor di me? ... D'amor sull'ali rosee" (Leonora) - A Tribute - Albert Lance
- Verdi: Otello, Act 4: "Piangeo cantando ... Ave Maria" (Desdemona) - A Tribute - Albert Lance
- Wagner: Tannhäuser, WWV 70, Act 2: "Dich, teure Halle" (Elisabeth) - A Tribute - Albert Lance
- Wagner: Tannhäuser, WWV 70, Act 3: "Allmächt'ge Jungfrau" (Elisabeth) - A Tribute - Albert Lance
- Berlioz: La Damnation de Faust, Op. 24, H. 111, Part 4: "D'amour, l'ardente flamme" (Marguerite) - A Tribute - Albert Lance
- Gounod: Sapho, CG 1, Act 3: "Ô ma lyre immortelle" (Sapho) - A Tribute - Albert Lance
- Gluck: Alceste, Wq. 44, Act 1: "Divinités du Styx" (Alceste) - A Tribute - Albert Lance
- Wagner: Lohengrin, WWV 75, Act 1: "Einsam in trüben Tagen" (Elsa) - A Tribute - Albert Lance
- Wagner: Lohengrin, WWV 75, Act 2: "Euch Lüften, die mein Klagen" (Elsa) - A Tribute - Albert Lance
- Wagner: Die Walküre, WWV 86B, Act 2: "Eine Waffe lass'mich dir weisen" (Sieglinde) - A Tribute - Albert Lance
- Wagner: Parsifal, WWV 111, Act 2: "Ich sah das Kind" (Kundry) - A Tribute - Albert Lance
- Wagner / Orch. Mottl: 5 Gedichte für eine Frauenstimme, WWV 91: I. Der Engel (Orch. Mottl) - A Tribute - Albert Lance
- Wagner / Orch. Mottl: 5 Gedichte für eine Frauenstimme, WWV 91: II. Stehe still (Orch. Mottl) - A Tribute - Albert Lance
- Wagner / Orch. Mottl: 5 Gedichte für eine Frauenstimme, WWV 91: III. Im Treibhaus (Orch. Mottl) - A Tribute - Albert Lance
- Wagner / Orch. Mottl: 5 Gedichte für eine Frauenstimme, WWV 91: IV. Schmerzen (Orch. Mottl) - A Tribute - Albert Lance
- Wagner: 5 Gedichte für eine Frauenstimme, WWV 91: V. Träume - A Tribute - Albert Lance
- Gounod: La reine de Saba, Act 3: "Plus grand dans son obscurité" (Balkis) - A Tribute - Albert Lance
- Gounod: Sapho, CG 1, Act 3: "Ô ma lyre immortelle" (Sapho) - A Tribute - Albert Lance
- Reyer: Sigurd, Act 2: "Salut, splendeur du jour" (Brunehilde) - A Tribute - Albert Lance
- Halévy: La Juive, Act 2: "Il va venir" (Rachel) - A Tribute - Albert Lance
- Gounod: Faust, Act 3: "Il était un roi de Thulé" (Marguerite) - A Tribute - Albert Lance
- Massenet: Marie-Magdeleine, Act 1: "Ô mes sœurs" (Méryem) - A Tribute - Albert Lance
- Massenet: Werther, Act 3: "Werther ! Qui m'aurait dit" - Air des lettres. "Je vous écris de ma petite chambre" (Charlotte) - A Tribute - Albert Lance
- Verdi: Il trovatore, Act 1: "Tacea la notte" (Leonora) - A Tribute - Albert Lance
- Verdi: Un ballo in maschera, Act 3: "Morrò, ma prima in grazia" (Amelia) - A Tribute - Albert Lance
- Verdi: Otello, Act 4: "Mia madre aveva ... Piangea cantando ... Ave Maria" (Desdemona) - A Tribute - Albert Lance
- Ponchielli: La Gioconda, Act 4: "Suicidio!" (Gioconda) - A Tribute - Albert Lance
- Mascagni: Cavalleria rusticana: "Voi lo sapete, o mama" (Santuzza) - A Tribute - Albert Lance
- Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) - A Tribute - Albert Lance
- Boito: Mefistofele, Act 3: "L'altra notte in fondo al mare" (Margherita) - A Tribute - Albert Lance
- Ravel: Shéhérazade, M. 41: I. Asie - A Tribute - Albert Lance
- Ravel: Shéhérazade, M. 41: II. La flûte enchantée - A Tribute - Albert Lance
- Ravel: Shéhérazade, M. 41: III. L'indifférent - A Tribute - Albert Lance
- Berlioz: Les Nuits d'été, Op. 7, H. 81: I. Villanelle - A Tribute - Albert Lance
- Berlioz: Les Nuits d'été, Op. 7, H. 81: II. Le Spectre de la rose - A Tribute - Albert Lance
- Berlioz: Les Nuits d'été, Op. 7, H. 81: III. Absence - A Tribute - Albert Lance
- Berlioz: Les Nuits d'été, Op. 7, H. 81: IV. Sur les lagunes - A Tribute - Albert Lance
- Berlioz: Les Nuits d'été, Op. 7, H. 81: V. Au cimetière - A Tribute - Albert Lance
- Berlioz: Les Nuits d'été, Op. 7, H. 81: VI. L'île inconnue - A Tribute - Albert Lance
- Verdi: Un ballo in maschera, Act 2: "Ecco l'orrido campo ... Ma dall'arrido stelo divulsa" (Amelia) - A Tribute - Albert Lance
- Verdi: Macbeth, Act 4: "Una macchia è qui tuttora" (Lady Macbeth) - A Tribute - Albert Lance
- Verdi: Don Carlo, Act 4: "O don fatale" (Eboli) - A Tribute - Albert Lance
- Verdi: Don Carlo, Act 5: "Tu che la vanita" (Elisabeth de Valois) - A Tribute - Albert Lance
- Verdi: Aida, Act 1: "Ritorna vincitor (Aida) - A Tribute - Albert Lance
- Schumann: Liederkreis, Op. 39: I. In der Fremde - A Tribute - Albert Lance
- Schumann: Liederkreis, Op. 39: II. Intermezzo - A Tribute - Albert Lance
- Schumann: Liederkreis, Op. 39: III. Waldesgespräch - A Tribute - Albert Lance
- Schumann: Liederkreis, Op. 39: IV. Die Stille - A Tribute - Albert Lance
- Schumann: Liederkreis, Op. 39: V. Mondnacht - A Tribute - Albert Lance
- Le Cid: Pleurez ! Pleurez mes yeux… (Air de Chimène) - 1930 Version - L'art français du chant, Vol. 7 - Albert Lance
- L'Africaine: Pays merveilleux … Ô paradis sorti de l'onde (Air de Vasco) - 1923 Version - L'art français du chant, Vol. 7 - Albert Lance
- L'Africaine: Sur mes genoux (Salika) - 1905 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les Huguenots: Ah! Quel spectacle enchanteur…Plus blanche que la blanche hermine (Raoul de Nagis) - 1931 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les Huguenots: Nobles seigneurs salut...Une dame noble et sage (Urbain) - 1958 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les Huguenots: Glaives, pieux, saintes épées (Saint Bris) - 1937 Version - L'art français du chant, Vol. 7 - Albert Lance
- Robert le diable: Jadis régnait en Normandie (Ballade de Raimbaut) - 1924 Version - L'art français du chant, Vol. 7 - Albert Lance
- Robert le diable: Valse infernale (Bertram) - 1912 Version - L'art français du chant, Vol. 7 - Albert Lance
- Le prophète: Ah, mon fils sois béni! (Air de Fidès) - 1910 Version - L'art français du chant, Vol. 7 - Albert Lance
- Le prophète: Roi du ciel et des anges (Jean de Leyde) "Hymne triomphal" - 1924 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les choéphores, Op. 24: Libation - 1957 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Il était une fois à la cour d'Eisenach!... (Chanson d'Hoffmann) - 1964 Live Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Je me nomme Coppélius… J'ai des yeux (Coppélius) - 1948 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Allons! courage et confiance… Ah vivre deux, n'avoir qu'une même espérance (Hoffmann) - 1919 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Les oiseaux dans la charmille (Olympia) - 1958 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Belle nuit, ô nuit d'amour (Bacarolle, Duo de Giulietta et Nicklausse) - 1930 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Ô Dieu, de quelle ivresse embrases-tu mon âme (Hoffmann) - 1928 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: Elle a fui, la tourterelle! (Romance d'Antonia) - 1958 Version - L'art français du chant, Vol. 7 - Albert Lance
- Les contes d'Hoffmann: C'est une chanson d'amour… Mon coeur m'avait bien dit que j'étais regretté (Hoffmann et Antonia) - 1928 Version - L'art français du chant, Vol. 7 - Albert Lance
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