The King's Consort
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The King's Consort is a British period music orchestra founded in 1980 by the English conductor and harpsichordist Robert King (b. 1960, Wombourne). The ensemble has an associated choral group, Choir of The King's Consort. Together, they have made over 90 recordings, largely on the Hyperion label, and sold over 1,000,000 discs. The orchestra performs concert seasons in the UK and tours internationally.
Their repertoire is primarily from the baroque and early classical periods but has also included late 19th century repertoire as well as contemporary commissions by Michael Finnissy and, more recently, Michael Berkeley and includes recordings and live performances of opera and instrumental music. The ensemble's main performing base has been in London's Wigmore Hall from 1987, and the larger Cadogan Hall for performances that required both the orchestra and the choir. The King's Consort have performed seven times at the BBC Proms including The Coronation of King George II, a special programme to celebrate the Golden Jubilee of Queen Elizabeth II (2002), Monteverdi's Vespers of 1610 (2004), Michael Haydn's Requiem Mass and Mozart's Coronation Mass (2006).
The King's Consort Choir appears on the sound tracks of several films, including The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Kingdom of Heaven, Pirates of the Caribbean: Dead Man's Chest and The Da Vinci Code.
Amongst their awards was the 2006 BBC Music Magazine Choral Award for their recording of Michael Haydn's Requiem Mass.
In June 2007, harpsichordist Matthew Halls temporarily took over as the group's Artistic Director from Robert King, who was jailed for the sexual abuse of minors. King molested five boys he was mentoring, the youngest of whom was 12, and was convicted of 14 counts of indecent assault over an 11-year period. On 1 May 2009, a new group directed by Halls (consisting of some of the then-current players, singers and soloists of The King's Consort) was launched under the new name, Retrospect Ensemble, following a decision by The King's Consort Board of Trustees. The name "The King's Consort" had been temporarily licensed to Halls's group but in 2009 reverted to Robert King.
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- Trio sonata in G major, after BWV 530 – Allegro (1) - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in G major, after BWV 530 – Lento - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in G major, after BWV 530 – Allegro (2) - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D minor, after BWV 527 - Andante - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D minor, after BWV 527 - Andante e dolce - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D minor, after BWV 527 – Vivace - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in E minor, after BWV 528 - Adagio-Vivace - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in E minor, after BWV 528 - Andante - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in E minor, after BWV 528 - Un poco allegro - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D minor, after BWV 526 – Vivace - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D minor, after BWV 526 – Largo - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D minor, after BWV 526 – Allegro - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in C major, after BWV 529 – Allegro (1) - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in C major, after BWV 529 – Largo - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in C major, after BWV 529 – Allegro (2) - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D major, after BWV 525 – Allegro (1) - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D major, after BWV 525 – Adagio - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Trio sonata in D major, after BWV 525 – Allegro (2) - Bach: Six Trio Sonatas (arr Robert King) - The King's Consort
- Arise, my Muse : Symphony - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : Arise, my muse, and to thy tuneful lyre - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : Ye sons of music, raise your voices high - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : Then sound your instruments - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : See how the glitt'ring ruler of the day - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : Hail, gracious Gloriana, hail - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : And since the time's distress - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : To quell his country's foes - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Arise, my Muse : But ah, I see Eusebia drown'd in tears - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : Symphony - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : Love's goddess sure was blind - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : Those eyes, that form, that lofty mien - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : Sweetness of nature - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : Long may she reign over this isle - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : May her blest example chase - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : Many such days may she behold - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : May she to heaven late return - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Love's goddess sure : As much as we below shall mourn - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Symphony - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Opening solos & chorus - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Britain, now thy cares beguile - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : 'Tis sacred, bid the trumpet cease - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Let sullen Discord smile - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Crown the altar, deck the shrine - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Expected Spring at last is come - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : April, who till now has mourned - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Departing thus you'll hear him say - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Happy realm, beyond expressing - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : While, for a righteous cause he arms - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Return, fond Muse, the thoughts of war - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Celebrate this festival : Kindly treat Maria's day - Purcell - Birthday Odes for Queen Mary - The King's Consort
- Why are all the Muses mute : Opening solo and chorus - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : Symphony - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : When should each soul exalted be - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : Britain, thou now art great - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : Look up, and to our Isle returning see - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : Accurs'd rebellion reared his head - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : So Jove, scarce settled in his sky - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : Minuet - Caesar, for milder virtues - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : The many headed beast is quelled - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : In the equal balance laid - Purcell - Royal Odes - The King's Consort
- Why are all the Muses mute : O, how blest is the isle - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Symphony - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Opening chorus - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Not any one such joy could bring - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : This does our fertile isle - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Opening chorus (reprise) - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : It was a work of full as great a weight - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : By beauteous softness mix'd with majesty - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Her hero to whose conduct - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Our dear religion - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : No more shall we the great Eliza boast - Purcell - Royal Odes - The King's Consort
- Now does the glorious day appear : Now, now with one united voice - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : Symphony - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : Opening solo and chorus - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : At thy return the joyful earth - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : Welcome as when three happy kingdoms strove - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : The mighty goddess of this wealthy isle - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : Full of wonder and delight - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : And lo, a sacred fury - To lofty strains - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : My prayers are heard - I see the round years - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : He to the field by Honour call'd shall go - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : Whilst undisturb'd his happy Consort reigns - Purcell - Royal Odes - The King's Consort
- Welcome, glorious morn : Sound all ye spheres - Purcell - Royal Odes - The King's Consort
- Dietro l'orme fugaci, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Ah! Crudele, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Per te mi struggo, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- O voi, dell' incostante, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Venti, fermate, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Ma, che parlo, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- In tanti affanni miei, HWV105 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Tra le fiamme (1), HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Dedalo già le fortunate penne, HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Pien di nuovo e bel diletto, HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Si, si pur troppo è vero, HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Voli per l'aria, HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- L'uomo che nacque per salire al cielo, HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Tra le fiamme (2), HWV170 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Figlio d'alte speranze, HWV113 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Troppo costa ad un' alma, HWV113 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Era conforto, HWV113 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Sia guida sia stella, HWV113 - Abbandonata - Handel Italian Cantatas - The King's Consort
- In cosi dir, HWV113 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Brillava protetto, HWV113 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Dunque sarà pur vero, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Orrida, oscura, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Ma, pria che d'empia morte, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Renda cenere il tiranno, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Si, sì del gran tiranno, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Come, o Dio, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Si, si s'uccida, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Cada lacero e svenato, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Se infelice al mondo visi, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Trema l'ingato figlio, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Su lacerate il seno, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
- Ecco, a morte già corro, HWV110 - Abbandonata - Handel Italian Cantatas - The King's Consort
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