Franz Crass
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Franz Crass (9 March 1928 – 23 June 2012) was a German bass singer.
A native of Wipperfürth, Rhine Province, Crass studied with Gerda Heuer in Wiesbaden and with Professor Clemens Glettenberg at the Hochschule für Musik in Köln. He won numerous competitions throughout Germany in the 1950s. In 1954, he made his debut at the municipal theater in Krefeld; from 1956 he sang at the Landestheater Hannover.
Crass established a reputation as a Wagnerian early in his career, appearing at the Bayreuth Festival between 1954 and 1973. He made guest appearances throughout Germany, and was a regular member of the Köln Opera from 1962 until 1964. In addition to his work as a concert and oratorio singer, he became known for singing works of Wolfgang Amadeus Mozart.
Crass developed hearing problems and as a result, ended his career abruptly in 1981; after that he devoted himself to coaching younger singers. He died in Rüsselsheim, in 2012, aged 84.
The Kammersänger left recordings as Heinrich der Vogler in Lohengrin (opposite Anja Silja's Elsa), Sarastro in Die Zauberflöte (opposite Fritz Wunderlich and Dietrich Fischer-Dieskau, conducted by Karl Böhm), the Sprecher and Second Armed Man in Otto Klemperer's famous recording of Die Zauberflöte, the Commendatore in Don Giovanni, the title role in Der fliegende Holländer, Gurnemanz in Parsifal, Don Fernando in Fidelio (with Christa Ludwig); also as baritone soloist in the Brahms Requiem and Bach's Christmas Oratorio, and as bass soloist in the Mozart Requiem.
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- Ein deutsches Requiem, Op. 45: I. Chorus. Selig sind, die da Leid tragen - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Ein deutsches Requiem, Op. 45: II. Chorus. Denn alles Fleisch es ist wie Gras - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Ein deutsches Requiem, Op. 45: III. Solo Baritone & Chorus. Herr, lehre doch mich - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Ein deutsches Requiem, Op. 45: IV. Chorus. Wie lieblich sind deine Wohnungen - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Ein deutsches Requiem, Op. 45: V. Solo Soprano & Chorus. Ihr habt nun Traurigkeit - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Ein deutsches Requiem, Op. 45: VI. Solo Baritone & Chorus. Denn wir haben hie keine bleibende Statt - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Ein deutsches Requiem, Op. 45: VII. Chorus. Selig sind die Toten - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Academic Festival Overture, Op. 80 - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Tragic Overture, Op. 81 - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Schicksalslied, Op. 54 - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Alto Rhapsody, Op. 53 - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Variations on a Theme by Haydn, Op. 56a - Brahms: Ein Deutsches Requiem, Op. 45; Alto Rhapsody; Schicksalslied; Academic Festival Overture; Tragic Overture; St Anthony Variations - Franz Crass
- Das Rheingold: Prelude - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 1: Weia! Waga! Woge du Welle! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 1: Garstig glatter glitschriger Glimmer! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 1: Wallala! Lalaleia! Leialalei! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 1: Der Welt Erbe gewänn' ich zu eigen durch dich? - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 1: Orchestral Interlude - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Wotan! Gemahl! Erwache! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Nur Wonne schafft dir, was mich erschreckt ? - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Sanft schloß Schlaf dein Aug' - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Zu mir, Freia! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Endlich, Loge! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Immer ist Undank Loges Lohn! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Taugte wohl des goldenen Tandes - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Hör', Wotan, der Harrenden Wort! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Jetzt fand ichs - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 2: Transformation Scene - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Hehe! hieher! Tückischer Zwerg! – Schau, du Schelm! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Wer hälfe mir? - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Mit eurem Gefrage - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Was wollt ihr hier? - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Habt acht! Habt acht! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Riesenwurm, winde sich ringelnd! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 3: Transformation Scene - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Da, Vetter, sitze du fest! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Wohlan, die Nibelungen rief ich mir nah - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Zu deiner Lösung mußt du ihn lassen - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Bin ich nun frei? - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Lauschtest du seinem Liebesgruß? - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Halt! Nicht sie berührt! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Nicht so leicht und locker gefügt! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Freia, die schöne, schau' ich nicht mehr - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Weiche, Wotan, weiche! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Hört, ihr Riesen! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Furchtbar nun erfind' ich des Fluches Kraft! - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Schwüles Gedünst schwebt in der Luft - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Zur Burg führt die Brücke - Boulez A-Z: Wagner - Webern - Franz Crass
- Das Rheingold, Scene 4: Rheingold! Rheingold! Reines Gold! - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 1: Prelude - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 1: Wes Herd dies auch, hier muss ich rasten - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 1: Kühlende Labung gab mir der Quell - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 2: Müd am Herd fand ich den Mann - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 2: Friedmund darf ich nicht heissen - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 1: Aus dem Wald trieb es mich fort - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 2: Ich weiß ein wildes Geschlecht - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 3: Ein Schwert verhiess mir der Vater - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 3: Der Männer Sippe sass hier im Saal - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 3: Winterstürme wichen dem Wonnemond – Du bist der Lenz – O süsseste Wonne! - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act I Scene 3: Wehwalt heisst du fürwahr? - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act II Scene 1: Nun zäume dein Ross, reisige Maid - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! - Boulez A-Z: Wagner - Webern - Franz Crass
- Die Walküre, Act III Scene 3: Loge hör! "Magic Fire Music" - Boulez A-Z: Wagner - Webern - Franz Crass
- Siegfried, Act III Scene 3: Selige Öde auf sonniger Höh'! - Boulez A-Z: Wagner - Webern - Franz Crass
- Götterdämmerung, Act II Scene 2: Hoiho, Hagen! Müder Mann! - Boulez A-Z: Wagner - Webern - Franz Crass
- Parsifal, Act I: He! Ho! Waldhüter ihr – Seht dort, die wilde Reiterin - Boulez A-Z: Wagner - Webern - Franz Crass
- Parsifal, Act I: Titurel, der fromme Held – Vor allem nun: die Speer kehr' uns zurück - Boulez A-Z: Wagner - Webern - Franz Crass
- Parsifal, Act I: Weh! ... Hoho! ... Auf! ... Wer ist der Frevler? – Du konntest morden, hier, im heil'gen Walde - Boulez A-Z: Wagner - Webern - Franz Crass
- Parsifal, Act I: Enthüllet den Gral! – Nehmet hin meinen Leib - Boulez A-Z: Wagner - Webern - Franz Crass
- Parsifal, Act II: Vergeh, unseliges Weib! – Halt da! Dich bann' ich mit der rechten Wehr! - Boulez A-Z: Wagner - Webern - Franz Crass
- Passacaglia for Orchestra, Op. 1 - Boulez A-Z: Wagner - Webern - Franz Crass
- 12 Contredanses, WoO 14: No. 10 in C Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 12 in E-Flat Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 1 in C Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 2 in A Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 3 in D Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 4 in B-Flat Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 5 in E-Flat Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 6 in C Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- 12 Contredanses, WoO 14: No. 7 in E-Flat Major - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 1, Marsch - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 2, Deutscher Gesang. Allegro moderato - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 3, Jagdlied. Allegretto - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 2, Deutscher Gesang. Allegro moderato [Reprise 1] - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 4, Romanze "Minnelied". Andantino - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 2, Deutscher Gesang. Allegro moderato [Reprise 2] - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 5, Kriegslied. Allegro assai con brio - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 2, Deutscher Gesang. Allegro moderato [Reprise 3] - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 6, Trinklied. Allegro con brio - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 2, Deutscher Gesang. Allegro moderato [Reprise 4] - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 7, Deutscher Tanz. Walzer - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Musik zu einem Ritterballet, WoO 1: No. 8, Coda. Allegro vivace - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Mass In D, Op. 123 "Missa Solemnis" / 2. Gloria - Allegro vivace: Quoniam tu solus Sanctus - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Mass In D, Op. 123 "Missa Solemnis" / 2. Gloria - Allegro vivace: "Amen, Amen, in gloria Dei Patris" / "Quoniam tu solus..." - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Mass in D, Op. 123 "Missa Solemnis" / 4. Sanctus - Adagio (Mit Andacht): Pleni sunt coeli et terra - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Mass in D, Op. 123 "Missa Solemnis" / 4. Sanctus - Adagio (Mit Andacht): Praeludium - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Mass in D, Op. 123 "Missa Solemnis" / 5. Agnus Dei - Adagio: Dona nobis pacem - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Mass In D, Op. 123 "Missa Solemnis" / 1. Kyrie - Assai sostenuto (Mit Andacht): Christe eleison - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Overture "Coriolan", Op. 62 - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando (Cadenza by Kempff) - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace (Cadenza by Kempff) - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro (Cadenza by Kempff) - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Violin Concerto in D Major, Op. 61: II. Larghetto - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Violin Concerto in D Major, Op. 61: III. Rondo. Allegro - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: I. Kyrie: b. Christe eleison - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: II. Gloria: c. Quoniam tu solus sanctus - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: II. Gloria: e. Amen - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: III. Credo: d. Et vitam venturi saeculi - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: IV. Sanctus: b. Pleni sunt coeli - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: IV. Sanctus: c. Praeludium - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: V. Agnus Dei: b. Dona nobis pacem - 12 Contredanses, Stage Music & Other Works - Franz Crass
- March in D Major for Military Band, WoO 22 - 12 Contredanses, Stage Music & Other Works - Franz Crass
- March in F Major for Military Band, WoO 18 "Yorckscher Marsch" - 12 Contredanses, Stage Music & Other Works - Franz Crass
- March in F Major for Military Band, WoO 19 - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Egmont, Op. 84: No. 4, Lied. Freudvoll und leidvoll - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Egmont, Op. 84: No. 9, Siegessymphonie. Allegro con brio - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Die Ruinen von Athen, Op. 113: No. 3, Chorus of Dervishes. Du hast in deine Ärmels Falten - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Die Ruinen von Athen, Op. 113: No. 4, Turkish March - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Die Ruinen von Athen, Op. 113: No. 7, Recit. Mit reger Freude - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: I. Kyrie: b. Christe eleison - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Missa solemnis, Op. 123: II. Gloria: e. Amen - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: c. Marcia, assai vivace - Allegro - Live at Schauspielhaus, Berlin, 1991 - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: d. Allegretto, ma non troppo quasi andante con moto - Live at Schauspielhaus, Berlin, 1991 - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Die Weihe des Hauses, Op. 124: No. 4, Turkish March - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Die Weihe des Hauses, Op. 124: No. 7, Melodrama. Es wandelt schon das Volk im Feierkleide - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Die Weihe des Hauses, Op. 124: No. 8, Recit. Mit reger Freude, die nie erkaltet - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Genius Beethoven (SOCM 3) - 12 Contredanses, Stage Music & Other Works - Franz Crass
- Stabat Mater, Op. 58: I. Stabat Mater (Andante con moto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: II. Quis est homo (Andante sostenuto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: III. Eja, Mater (Andante con moto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto quasi Allegretto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: VIII. Fac, ut portem Christi mortem (Larghetto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Stabat Mater, Op. 58: X. Quando corpus morietur (Andante con moto) - Live - Dvorak: Stabat Mater conducted by Rafael Kubelik live (Live) - Franz Crass
- Adeste fideles (O Come, All Ye Faithful) - Adeste Fideles - Franz Crass
- Herz und Mund und Tat und Leben, BWV 147: X. Chorale. Jesus bleibet meine Freude - Adeste Fideles - Franz Crass
- Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IIa. Chorus. Gottes Zeit ist die allerbeste Zeit - Adeste Fideles - Franz Crass
- Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": IV. Chorus. Glorie, Lob, Ehr und Herrlichkeit - Adeste Fideles - Franz Crass
- Wachet auf, ruft uns die Stimme, BWV 140: VII. Chorale. Gloria sei dir gesungen - Adeste Fideles - Franz Crass
- Mass In B Minor, BWV 232 / Gloria: Gloria in excelsis Deo - Adeste Fideles - Franz Crass
- Gloria: Gloria in excelsis Deo - Adeste Fideles - Franz Crass
- Gloria, R. 589: Et in terra pax hominibus - Adeste Fideles - Franz Crass
- Gloria: Laudamus te - Adeste Fideles - Franz Crass
- Gloria: Gratias agimus tibi - Adeste Fideles - Franz Crass
- Gloria: Domine Deus, Rex coelestis - Adeste Fideles - Franz Crass
- Gloria: Domine Fili unigenite - Adeste Fideles - Franz Crass
- Gloria: Domine Deus, Agnus Dei - Adeste Fideles - Franz Crass
- Gloria: Qui tollis peccata mundi - Adeste Fideles - Franz Crass
- Gloria: Qui sedes ad dexteram Patris - Adeste Fideles - Franz Crass
- Gloria: Quoniam tu solus sanctus - Adeste Fideles - Franz Crass
- Gloria: Cum Sancto Spiritu - Adeste Fideles - Franz Crass
- Mass In B Minor, BWV 232 / Gloria: Et in terra pax - Adeste Fideles - Franz Crass
- Mass in B Minor, BWV 232: III. Sanctus: a. Sanctus, Domine Deus (Chorus) - Adeste Fideles - Franz Crass
- Mass In B Minor, BWV 232 / Agnus Dei: Dona nobis pacem - Adeste Fideles - Franz Crass
- Gloria in Excelsis Deo: Gloria in excelsis Deo - Adeste Fideles - Franz Crass
- Gloria in Excelsis Deo: Et in terra pax - Adeste Fideles - Franz Crass
- Gloria in Excelsis Deo: Laudamus te...gratius agimus - Adeste Fideles - Franz Crass
- Gloria in Excelsis Deo: Domine Deus - Adeste Fideles - Franz Crass
- Gloria in Excelsis Deo: Qui tollis peccata mundi - Adeste Fideles - Franz Crass
- Gloria in Excelsis Deo: Quoniam...cum Sancto Spiritu - Adeste Fideles - Franz Crass
- Vespro della Beata Vergine, SV 206: Deus in adiutorium - Domine ad adiuvandum - Adeste Fideles - Franz Crass
- Intonatione dell'undicesimo tono - Adeste Fideles - Franz Crass
- Intonatione del quinto tono - Adeste Fideles - Franz Crass
- Intonatione del secondo tono - Adeste Fideles - Franz Crass
- Intonatione del ottavo tono - Adeste Fideles - Franz Crass
- Intonatione del nono tono - Adeste Fideles - Franz Crass
- Intonatione del decimo tono - Adeste Fideles - Franz Crass
- Cantate Domino a 6, SV 293 - Adeste Fideles - Franz Crass
- Ein feste Burg ist unser Gott, Cantata BWV 80: I. "Ein feste Burg ist unser Gott" - Adeste Fideles - Franz Crass
- Ein feste Burg ist unser Gott, Cantata BWV 80: V. "Und wenn die Welt voll Teufel wär" - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Dixit Dominus - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Virgam virtutis tuae - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Tecum principium in die virtutis - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Juravit Dominus - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Tu es sacerdos in aeternum - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Dominus a dextris tuis - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Judicabit in nationibus - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Conquassabit - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Die Torrente in via bibet - Adeste Fideles - Franz Crass
- Dixit Dominus, HWV 232: Gloria Patri, et Filio - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: I. Chorus. Magnificat anima mea - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: II. Aria. Et exsultavit spiritus meus - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: III. Aria. Quia respexit – IV. Chorus. Omnes generationes - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: V. Aria. Quia fecit mihi magna - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: X. Chorus: "Suscepit Israel" - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: XI. Chorus: "Sicut locutus est" - Adeste Fideles - Franz Crass
- Magnificat in D Major, BWV 243: XII. Chorus: "Gloria Patri" - Adeste Fideles - Franz Crass
- Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 39 Aria: "Flösst, mein Heiland, flösst dein Namen" - Adeste Fideles - Franz Crass
- Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 57 Aria: "Nur ein Wink von seinen Händen" - Adeste Fideles - Franz Crass
- Selva morale e spirituale: Psalm 109: Dixit Dominus II, SV 264 - Adeste Fideles - Franz Crass
- Selva morale e spirituale: Psalm 110: Confitebor tibi, Domine III (alla francese), SV 267 - Adeste Fideles - Franz Crass
- Selva morale e spirituale: Psalm 111: Beatus vir I, SV 268 - Adeste Fideles - Franz Crass
- Selva morale e spirituale: Psalm 112: Laudate pueri II, SV 271 - Adeste Fideles - Franz Crass
- Selva morale e spirituale: Psalm 116: Laudate Dominum I, SV 270 - Adeste Fideles - Franz Crass
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