Elaine Malbin
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Elaine Malbin (born May 24, 1929) is an American soprano who had a prolific international career singing in operas, musicals, and concerts from the 1940s through the 1960s. She made her Town Hall debut at the age of 14. She appeared in a number of Broadway productions in the 1940s and 1950s and notably portrayed Marsinah in the original 1953 West End production of Kismet. She starred on Broadway in the title role of My Darlin’ Aida & sang a season of Gilbert and Sullivan at the Mark Hellinger Theater in New York. She was a regular at the New York City Opera during the 1950s and 1960s with leading roles in Love for Three Oranges, Carmen (Micaela), Turandot (Liù), La Bohème (Mimi) and Don Giovanni (Zerlina). She appeared with most of America's leading opera companies during this time as well, including the Houston Grand Opera and the San Francisco Opera. In San Francisco Malbin debuted in a staged version of Carmina Burnana and sang Mimi in La Bohème. She also appeared in concert with several notable orchestras including the New York Philharmonic and the Philadelphia Orchestra. On the International stage she appeared at a number of opera houses and major music festivals in the United Kingdom, Italy, and France. She performed at the Glyndebourne and Edinburgh Festivals as well as Madama Butterfly with the Scottish Opera Company. She is perhaps best remembered for appearing in several opera roles live for television with the NBC Opera Theatre and for recording two duets with Mario Lanza at RCA on 11 April 1950.
Malbin's first television opera was as Violetta in La Traviata opposite Lawrence Tibbett at the age of 19. Malbin then starred in NBC Television Operas, some available for viewing at the Paley Center, including I Pagliacci, Il Tabarro, Suor Angelica, Salome, Dialogues of the Carmelites, the world premiere of Norman Dello Joio's A Trial at Rouen and La Traviata. Her portrayal of Cio-Cio-San in Madama Butterly is lauded as perhaps her premiere performance. NBC developed a touring company featuring Miss Malbin following the success of the television performances.
Concert performances included summer venues including the Greek Theater in Los Angeles, Jones Beach in New York and The Robin Hood Dell in Philadelphia. Smaller venue performances included El San Juan Hotel, San Juan & The Riviera in Havana. Her recordings for RCA Victor include two duets with Mario Lanza released on his Toast Of New Orleans album.
Malbin appeared on the Ed Sullivan Show, Perry Como, and Eddie Fisher Shows, in addition to multiple appearances on The Voice of Firestone and the Jack Parr and Johnny Carson Tonight Shows.
On July 4, 1962, Malbin sang at the special request of President John F. Kennedy at the Independence Day celebration at Independence Hall in Philadelphia. Malbin also performed for President Nixon, President Truman and President Johnson.
Malbin retired at the height of her career in 1968. She returned to the stage in January 1979 as Cleopatra in Handel's Giulio Cesare at the Kennedy Center in Washington, D.C. She also gave a recital at Alice Tully Hall the same year. Following these two major performances Malbin returned to semi-retirement. She became involved with teaching, mentoring young artists and working with the boards of several opera and arts foundations. Her television operas have been featured with events at the Paley Center in NY. She attends each event and sits on discussion panels.
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- Busoni: Arlecchino, Op. 50, Pt. 1: "Ein Schauspiel ist's für Kinder nicht" (Arlecchino) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 1: "Maestro?" - Einleitung - "Es bleibt doch die schönste" (Matteo, Arlecchino) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 1: "Quel giorno più non vi leggemmo avante!" (Arlecchino, Matteo) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 1: "Und noch hab ich euch zu danken" (Abbate, Dottore, Matteo) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 1: "So wüsst ihr von Nichts?" (Matteo, Abbate, Dottore) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 1: "Gott, eh'dem der Schlachten" (Abbate, Dottore, Matteo) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 2: Marsch - "Den Schlüssel liess ich mir nachfertigen" (Arlecchino, Matteo) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 2: "Ora incommincian le dolenti note" (Matteo, Arlecchino) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 3: "Herr Kapitän, um Vergebung..." (Arlecchino, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 3: "Wie ist ihr Schlaf, Madame?" (Arlecchino, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 3: "Mit dem Schwerte, mit der Laute" (Leandro, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 3: "Contro l'empio traditore" (Leandro, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 3: "O Colombina" (Leandro, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 3: "Madame, ich seh', ihr bildet euch an meiner Schule" (Arlecchino, Leandro) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: "Es ist shon ganz finster" (Dottore, Abbate, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: "Was vermuten, was beginnen" (Dottore, Abbate, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: "Lasst uns beten, asinus providentialis" (Leandro, Dottore, Abbate, Colombina) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: "Glück auf zur Fahrt" (Arlecchino) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: "Wahrlich, ich weiss nicht mehr aus noch ein!" (Matteo) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: Umzug und Tanz - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Busoni: Arlecchino, Op. 50, Pt. 4: Verehrliche Versammlung!" (Arlecchino) - Busoni: Arlecchino, Op. 50 - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Ein Schauspiel ist's für Kinder nicht (Arlecchino) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Es bleibt doch die schönste, die ergreifendste Stella (Matteo) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Und doch hab ich euch zu danken (Abbate, Bombasto) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Ihr seid's, Monsignore (Matteo, Abbate, Bombasto) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Den Schlüssel ließ ich mir nachfertigen (Arlecchino, Matteo) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Herr Kapitän, um Vergebung (Colombia, Arlecchino) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Wie ist ihr Schlaf, Madame? (Arlecchino, Colombia) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Mit dem Schwert, mit der Laute (Leandro, Colombia, Arlecchino) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Es ist schon ganz finster (Bombastro, Abbate, Columbina, Leandro) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Wahrlich, ich weiss nicht mehr aus noch ein! (Matteo) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50 BV 270: Verehrliche Versammlung (Arlecchino) - Busoni: Arlecchino oder Die Fenster, Op. 50 BV 270 (Live Recording 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Ein Schauspiel ist's für Kinder nicht (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Es bleibt doch die schönste, die ergreifendste Stella (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Und doch hab ich euch zu danken (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Ihr seid's, Monsignore (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Den Schlüssel ließ ich mir nachfertigen (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Herr Kapitän, um Vergebung (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Wie ist ihr Schlaf, Madame? (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Mit dem Schwert, mit der Laute (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Es ist schon ganz finster (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Wahrlich, ich weiß nicht mehr aus noch ein! (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Arlecchino oder Die Fenster, Op. 50, BV 270: Verehrliche Versammlung (Live) - Busoni: Arlecchino oder Die Fenster, Op. 50, BV 270 (Live 1954) - Elaine Malbin
- Die Zauberflote (The Magic Flute), K. 620, Act I: Arie: Dies Bildnis ist bezaubernd schon - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- La boheme: Act I: Che gelida manina - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Cavalleria rusticana: O Lola ch'ai di latti fior di spino, "Siciliana" - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Don Giovanni, K. 527, Act II: Il mio tesoro intanto - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- La boheme: Act I: O soave fanciulla - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Cavalleria rusticana: Mutter, der Rote war allzu feurig - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- L'elisir d'amore (The Elixir of Love), Act II: Una furtiva lagrima - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- La boheme, Act IV: O Mimi, tu piu non torni - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Les contes d'Hoffmann (The Tales of Hoffmann): Prologue: The legend of Klienzach: Il etait une fois a la cour d'Eisenach - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- L'elisir d'amore (The Elixir of Love), Act I: Quanto e bella, quanto e cara - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Tosca: Tosca, Act I: Recondita armonia - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Der Goldschmied von Toledo: Lieblichste aller Frauen - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Il trovatore, Act III: Ah! si, ben mio - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Tosca: Tosca, Act I: Quo locchio al mondo (Mit deinen Augen) - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Der Freischutz, J. 277, Act I: Nein! Langer trag' ich nicht die Qualen - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Il trovatore, Act III: Di quella pira - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Tosca: Tosca, Act III: E lucevan le stelle - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Le postillon de Lonjumeau, Act I: Freunde vernehmet die Geschichte - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Aida: Aida, Act I: Celeste Aida - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Tosca: Tosca, Act III: Amaro sol per te m'era il morire - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I: Fanget an! - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Rigoletto, Act II: Ella mi fu rapita! … Parmi veder - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Turandot, Act III: Nessun dorma! - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III: Morgenlich leuchtend in rosigem Schein - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Rigoletto, Act III: La donna e mobile - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act I: Bimba dagli occhi pieni ci malia - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Der Zigeunerbaron, Act III: Ja, das alles auf Ehr' - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- La traviata, Act II: Lunge da lei - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Manon Lescaut, Act III: Ah, non v'avvicinate - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Wiener Blut, Act II: Ich war ein echtes Wiener Blut - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- La traviata, Act I: Libiamo ne' lieti calici - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Carmen: Carmen, Act II: Flower Song: La fleur que tu mavais jetee - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Cagliostro in Wien, Act III: Die Rose erbluht, wenn Sonne sie kusst - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- I Lombardi alla prima crociata, Act II: La mia letizia infondere - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Les pecheurs de perles (The Pearl Fishers), Act I: Je crois entendre encore, cache sous les palmiers - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Die Fledermaus, Act I: Trinke, Liebchen, trinke schnell - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Otello*: Otello, Act IV: Niun mi tema - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Die Fledermaus, Act II: Dieser Anstand, so manierlich - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Pagliacci, Act I: Vesti la giubba - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Andrea Chenier, Act I: Un di all'azzurro spazio - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Die Fledermaus, Act II: Im Feuerstrom der Reben - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Manon: Manon, Act III: Pourquoi me reveiller? - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- L'amico Fritz, Act II: Suzel, buon di - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Serenata, Op. 6, No. 1, "Rimpianto" - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Manon: Manon, Act II: C'est lui!… Instant charmant… En fermant les yeux - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- L'arlesiana, Act II: E la solita storia (Lamento di Federico) - Festival of the Great Tenors (1933-1956) - Elaine Malbin
- Eugene Onegin, Op. 24, Act II: Wohin seid ihr entschwunden, "Lensky's Aria" - Festival of the Great Tenors (1933-1956) - Elaine Malbin
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