Helga Pilarczyk
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Helga Pilarczyk (12 March 1925 – 15 September 2011) was a German operatic soprano.
Born in Schöningen, she originally trained as a pianist, at Braunschweig and at the Musikhochschule Hamburg. However, she made her debut as a contralto at the Staatstheater Braunschweig, as Irmentraud in Lortzing's Der Waffenschmied in 1951. By 1954 to 1955, she emerged as a dramatic soprano at the Hamburg State Opera, where she remained until the 1966/67 season.
Pilarczyk became a specialist in works of the twentieth century, including works by Richard Strauss, Salome and Die Frau ohne Schatten (as the Dyer's Wife), Prokofiev's The Fiery Angel, Luigi Dallapiccola's Il prigioniero, Stravinsky's Oedipus rex and The Flood, Alban Berg's Wozzeck and Lulu, and Schoenberg's Erwartung and Von heute auf morgen. She appeared in Zürich, Berlin, at the Royal Opera House, Covent Garden (as Salome in 1958), Florence (Erwartung and Wozzeck), the Glyndebourne Festival (as Composer in Ariadne auf Naxos by Strauss, 1958), Paris Opéra (Wozzeck, 1963, and Von heute auf morgen, 1967), La Scala (Lulu, then The Flood, both in 1963), and Vienna.
In 1965, she debuted both at the Metropolitan Opera (Wozzeck, under Karl Böhm) and in Chicago (Wozzeck, with Sir Geraint Evans, under Bruno Bartoletti). In 1967, she left the stage in order to devote herself to her family, and later taught at the Musikhochschule Hamburg.
Her discography consists principally of recordings of Erwartung (conducted by Hermann Scherchen and Robert Craft, both in 1960) and Pierrot lunaire (conducted by Pierre Boulez in 1961). Opera Depot has issued her 1963 performance of Puccini's Il tabarro, conducted by Alberto Erede, on Compact Disc.
The Kammersängerin died, following a brief illness, in Hamburg, at the age of eighty-six, leaving behind two children. Helga Pilarczyk is buried in Hamburg.
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- Serenade, Op. 24: I. Marsch - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Serenade, Op. 24: II. Menuett - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Serenade, Op. 24: III. Variationen - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Serenade, Op. 24: IV. Sonnett No. 217 von Petrarca - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Serenade, Op. 24: V. Tanzszene - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Serenade, Op. 24: VI. Lied ohne Worte - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Serenade, Op. 24: VII. Finale - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 1, Mondestrunken - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 2, Colombine - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 3, Der Dandy - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 4, Eine blasse Wäscherin - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 5, Valse de Chopin - No. 6, Madonna - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 7, Der kranke Mond - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 8, Die Nacht - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 9, Gebet an Pierrot - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 10, Raub - No. 11, Rote Messe - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 12, Galgenlied - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 13, Enthauptung - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 14, Die Kreuze - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 15, Heimweh - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 16, Gemeinheit - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 17, Parodie - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 18, Der Mondfleck - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 19, Serenade - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 20, Heimfahrt - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Pierrot lunaire, Op. 21: No. 21, O alter Duft - Schönberg: Serenade, Op. 24 & Pierrot lunaire, Op. 21 - Helga Pilarczyk
- Kontra-Punkte Opus 1 - Le Domaine Musical - Helga Pilarczyk
- Syrinx Pour Flûte Seule - Le Domaine Musical - Helga Pilarczyk
- Structures, Livre I pour deux pianos: Premier mouvement - Le Domaine Musical - Helga Pilarczyk
- Sextuor à cordes - Le Domaine Musical - Helga Pilarczyk
- Concertino pour 12 instruments - Le Domaine Musical - Helga Pilarczyk
- Serenata 1 Pour Flûte Et 14 Instruments - Le Domaine Musical - Helga Pilarczyk
- Densité 21,5, Pour Flûte Seule - Le Domaine Musical - Helga Pilarczyk
- Structures, Livre I pour deux pianos: Deuxième mouvement - Le Domaine Musical - Helga Pilarczyk
- Incontri, Pour 24 Instruments - Le Domaine Musical - Helga Pilarczyk
- 3 pièces pour clarinette solo: No. 1 - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: I. Avant l'artisanat furieux - Le Domaine Musical - Helga Pilarczyk
- Hyperprisme, Pour Petit Orchestre Et Percussions - Le Domaine Musical - Helga Pilarczyk
- Structures, Livre I pour deux pianos: Troisième mouvement - Le Domaine Musical - Helga Pilarczyk
- Concerto per il Marigny - Le Domaine Musical - Helga Pilarczyk
- 3 pièces pour clarinette solo: No. 2 - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: II. Commentaire I de bourreaux de solitude - Le Domaine Musical - Helga Pilarczyk
- Octandre: 1. Assez lent - Le Domaine Musical - Helga Pilarczyk
- Sonatine pour flûte et piano - Le Domaine Musical - Helga Pilarczyk
- Madrigal III - Le Domaine Musical - Helga Pilarczyk
- 3 pièces pour clarinette solo: No. 3 - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: III. L'artisanat furieux - Le Domaine Musical - Helga Pilarczyk
- Octandre: 2. Très vif et nerveux - Le Domaine Musical - Helga Pilarczyk
- Piano Sonata No. 2: 1. Extrêmement rapide - Le Domaine Musical - Helga Pilarczyk
- Mobiles, Pour 2 Pianos - Le Domaine Musical - Helga Pilarczyk
- 3 pièces pour quatuor à cordes: No. 1 - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: IV. Commentaire II de bourreaux de solitude - Le Domaine Musical - Helga Pilarczyk
- Octandre: 3. Grave - Le Domaine Musical - Helga Pilarczyk
- Piano Sonata No. 2: 2. Lent - Le Domaine Musical - Helga Pilarczyk
- Zeitmasse, Op. 5 - Le Domaine Musical - Helga Pilarczyk
- 3 pièces pour quatuor à cordes: No. 2 - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: V. Bel édifice et les pressentiments - Le Domaine Musical - Helga Pilarczyk
- Intégrales, Pour Petit Orchestre Et Percussion - Le Domaine Musical - Helga Pilarczyk
- Piano Sonata No. 2: 3. Modéré, presque vif - Le Domaine Musical - Helga Pilarczyk
- Klavierstück VI, Op. 4/II - Le Domaine Musical - Helga Pilarczyk
- 3 pièces pour quatuor à cordes: No. 3 - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: VI. Bourreaux de solitude - Le Domaine Musical - Helga Pilarczyk
- Cantéyodjayâ - Le Domaine Musical - Helga Pilarczyk
- Piano Sonata No. 2: 4. Vif - Le Domaine Musical - Helga Pilarczyk
- Symphonies d'instruments à vent - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: VII. Après l'artisanat furieux - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 1. Introduction - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: VIII. Commentaire III de bourreaux de solitude - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 2. Le parc de Nara et les lanternes de pierre - Le Domaine Musical - Helga Pilarczyk
- Le marteau sans maître, Version 1964: IX. Bel édifice et les pressentiments - Double - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 3. Yamanaka-cadenza - Le Domaine Musical - Helga Pilarczyk
- Oiseaux exotiques - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 4. Gagaku - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 5. Miyajima et le torii dans la mer - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 6. Les oiseaux de Karuizawa - Le Domaine Musical - Helga Pilarczyk
- Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 7. Coda - Le Domaine Musical - Helga Pilarczyk
- Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: Allegro. Introduction - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: Introduction - Doráti conducts Bartók - Helga Pilarczyk
- Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The 1st Tramp Searches His Pockets for Money - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest - Doráti conducts Bartók - Helga Pilarczyk
- Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees - Doráti conducts Bartók - Helga Pilarczyk
- Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Shabby Old Rake Enters. Comodo - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves - Doráti conducts Bartók - Helga Pilarczyk
- Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: 2nd Decoy Game - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll - Doráti conducts Bartók - Helga Pilarczyk
- Dance Suite, Sz. 77: I. Moderato - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Shy Youth Appears at the Door. Sostenuto - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance - Doráti conducts Bartók - Helga Pilarczyk
- Dance Suite, Sz. 77: II. Allegro molto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto - Doráti conducts Bartók - Helga Pilarczyk
- The Wooden Prince, Sz. 60: 6th Dance. She Tries to Attract the Real Prince with Her Seductive Dancing - Doráti conducts Bartók - Helga Pilarczyk
- Dance Suite, Sz. 77: III. Allegro vivace - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: Horrified, They See a Weird Figure in the Street. Agitato - Doráti conducts Bartók - Helga Pilarczyk
- Dance Suite, Sz. 77: IV. Molto tranquillo - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso - Doráti conducts Bartók - Helga Pilarczyk
- Dance Suite, Sz. 77: V. Comodo – VI. Finale. Allegro - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: General Consternation. Non troppo vivo - Doráti conducts Bartók - Helga Pilarczyk
- 2 Portraits, Sz. 37: I. One Ideal. Andante sostenuto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: At Last She Overcomes Her Reluctance and Begins a Hesitant Dance. Lento - Doráti conducts Bartók - Helga Pilarczyk
- 2 Portraits, Sz. 37: II. One Grotesque. Presto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro - Doráti conducts Bartók - Helga Pilarczyk
- Mikrokosmos, Sz. 107, Book 4: No. 117, Bourrée (Orch. Serly) - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: She Flees from Him; He Chases Her Wildly. Sempre vivace - Doráti conducts Bartók - Helga Pilarczyk
- Mikrokosmos, Sz. 107, Book 6: No. 142, From the Diary of a Fly (Orch. Serly) - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Mandarin Catches the Girl. A tempo - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Tramps Decide to Kill The Mandarin. Maestoso - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears. Adagio - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Tramps Master Their Horror; They Drag The Mandarin Out and Stab Him with a Sword. Allegro molto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: Suddenly He Draws Himself Up and Leaps at the Girl. Accelerando molto - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: They Drag the Resisting Mandarin to the Centre of the Room. Grave - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Mandarin Falls on the Floor. Più mosso - Doráti conducts Bartók - Helga Pilarczyk
- The Miraculous Mandarin, Sz. 73: The Mandarin's Longing Is Now Stilled. Lento - Doráti conducts Bartók - Helga Pilarczyk
- Divertimento for Strings, Sz. 113: I. Allegro non troppo - Doráti conducts Bartók - Helga Pilarczyk
- Divertimento for Strings, Sz. 113: II. Molto adagio - Doráti conducts Bartók - Helga Pilarczyk
- Divertimento for Strings, Sz. 113: III. Allegro assai - Doráti conducts Bartók - Helga Pilarczyk
- Sonata for 2 Pianos & Percussion, Sz. 110: I. Assai lento – Allegro molto - Doráti conducts Bartók - Helga Pilarczyk
- Sonata for 2 Pianos & Percussion, Sz. 110: II. Lento, ma non troppo - Doráti conducts Bartók - Helga Pilarczyk
- Sonata for 2 Pianos & Percussion, Sz. 110: III. Allegro non troppo - Doráti conducts Bartók - Helga Pilarczyk
- 5 Pieces for Orchestra, Op. 16 - 1949 Revision: 1. Vorgefühle - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 5 Pieces for Orchestra, Op. 16 - 1949 Revision: 2. Vergangenes - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 5 Pieces for Orchestra, Op. 16 - 1949 Revision: 3. Sommermorgen an einem See - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 5 Pieces for Orchestra, Op. 16 - 1949 Revision: 4. Peripetie - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 5 Pieces for Orchestra, Op. 16 - 1949 Revision: 5. Das obligate Rezitativ - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Five Pieces For Orchestra, Op. 10 - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 3 Pieces for Orchestra, Op. 6: 1. Praeludium - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 3 Pieces for Orchestra, Op. 6: 2. Reigen - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- 3 Pieces for Orchestra, Op. 6: 3. Marsch - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Lulu Suite: 1. Rondo - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Lulu Suite: 2. Ostinato - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Lulu Suite: 3. Lulu's Song - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Lulu Suite: 4. Variations - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Lulu Suite: 5. Adagio - Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: I. Úvod - Introduction - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: II. Gospodi pomiluj - Kyrie - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: III. Slava - Gloria - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: IV. Veruju - Credo - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: V. Svet - Sanctus - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: VI. Agnece Bozij - Agnus Dei - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: VII. Varhany solo - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Glagolitic Mass, JW 3/9: VIII. Intrada - Exodus - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Gloria, FP 177: I. Gloria. Maestoso - 2017 Remastered Version - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Gloria, FP 177: II. Laudemus te. Très vitet et joyeux - 2017 Remastered Version - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Gloria, FP 177: III. Domine Deus. Très lent et calme - 2017 Remastered Version - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Gloria, FP 177: IV. Domine Fili unigenite. Très vite et joyeux - 2017 Remastered Version - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent - 2017 Remastered Version - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
- Gloria, FP 177: VI. Qui sedes as dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme - 2017 Remastered Version - Janácek: Glogolitic Mass, JW 3/9 - Poulenc: Gloria, FP 177 - Helga Pilarczyk
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