Nicola Conforto
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Nicola Conforto (25 September 1718 – 17 March 1793) was an Italian composer.
He studied music in his hometown at the Conservatorio di Santa Maria di Loreto (Music conservatories of Naples), under the tutorship of Giovanni Fischetti and Francesco Mancini . After receiving his training, he made his debut during the carnival of 1746 in Naples as an opera composer with La finta vedova (The false widow). In the following years he staged his other works both in Naples and in Rome; the fame he achieved thanks to these successes meant that in 1750 he received the commission from the Teatro San Carlo for his first opera seria, Antigonus .
In 1749 he married the singer Zefferina Anselmi, with whom he had three children.
In 1751 he wrote the cantata Gli orti esperidi (The Hesperides gardens) in honor of the Empress Maria Theresa of Austria, to celebrate the name day of the Spanish king Ferdinand VI on 30 May 1752 he presented the drama Siroe, and on 23 September 1754 for the birthday celebrations of the King of Naples Charles III he presented L'eroe cinese (the Chinese hero). These latter two works gained much acclaim in Madrid, so much so that in 1756 he was named compositore d'opera di corte (composer of the work of the court). Later he received the title of Kapellmeister, but despite this his importance as a composer began to decline and in his later years he devoted himself less to creating compositions writing only occasionally music for the holidays.
His style involved beautiful and pleasing melodies, similar to other composers in the Iberian peninsula. He played an important part in establishing the taste for Italian operas in Spain. His works were sung by Italian singers with bilingual librettos. His church music, written after 1759, shows the influence of Feijoo, who argued against the use of violins in liturgical music. Of his nine Lamentations for solo soprano and orchestra (1766) the three for Good Friday dispense with violins, while the first for Holy Saturday omits strings except violas d'amore; his Miserere for three choirs (1768) is accompanied by violas and woodwind.
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- Scarlatti, A: Griselda, Act 1: "Dì che sogno, o che deliro" (Griselda) - Roma Travestita - Nicola Conforto
- Scarlatti, A: Griselda, Act 2: "Mi rivedi, o selva ombrosa" (Griselda) - Roma Travestita - Nicola Conforto
- Vinci: Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice) - Roma Travestita - Nicola Conforto
- Vivaldi: Giustino, RV 717, Act 2: "Per noi soave e bella" (Arianna) - Roma Travestita - Nicola Conforto
- Vivaldi: Giustino, RV 717, Act 3: "Senza l'amato ben" (Leocasta) - Roma Travestita - Nicola Conforto
- Di Capua: Vologeso, re de' parti, Act 2: "Nell'orror di notte oscura" (Berenice) - Roma Travestita - Nicola Conforto
- Arena: Achille in Sciro, Act 1: "Del sen gl'ardori nessun mi vanti" (Deidamia) - Roma Travestita - Nicola Conforto
- Galuppi: Evergete, Act 1: "Qual pellegrino errante" (Candace) - Roma Travestita - Nicola Conforto
- Cocchi: Adelaide, Act 2: "Timida pastorella" (Adelaide) - Roma Travestita - Nicola Conforto
- Cocchi: Adelaide, Act 1: "Nobil onda" (Adelaide) - Roma Travestita - Nicola Conforto
- Conforto: Livia Claudia vestale, Act 2: "Padre, germano" - "Vadasi pure a morte" (Livia Claudia) - Roma Travestita - Nicola Conforto
- Fajer: Pompeo magno in Armenia, Act 3: "Grato oblio, soave pace" (Giulia) - Roma Travestita - Nicola Conforto
- Piccinni: La buona figliuola, Act 1: "Furie di donna irata" (La Marchesa Lucinda) - Roma Travestita - Nicola Conforto
- 2 Coplas castizas: No. 1, El zorongo del navío - Mùsica en tiempos de Goya - Nicola Conforto
- 2 Coplas castizas: No. 2, El dulce de América - Mùsica en tiempos de Goya - Nicola Conforto
- Seguidillas a solo "El hombre en el matrimonio" - Mùsica en tiempos de Goya - Nicola Conforto
- Overtura a 2 violines - Mùsica en tiempos de Goya - Nicola Conforto
- Agraviado Arianate: No. 1, Rezitado - Mùsica en tiempos de Goya - Nicola Conforto
- Agraviado Arianate: No. 2, Copla - Mùsica en tiempos de Goya - Nicola Conforto
- La fingida Arcadia: Ruiseñor que volando - Mùsica en tiempos de Goya - Nicola Conforto
- La bella Serrana: No. 1, El meloncillo - Mùsica en tiempos de Goya - Nicola Conforto
- Contradanza del aire - Mùsica en tiempos de Goya - Nicola Conforto
- El abuelo y la nieta (Excerpts): Quando Bastiana - Mùsica en tiempos de Goya - Nicola Conforto
- El abuelo y la nieta (Excerpts): Piensa en la Nobia el Nobio [Seguidillas boleras] - Mùsica en tiempos de Goya - Nicola Conforto
- La bella Serrana: No. 2, Porfia por porfia - Mùsica en tiempos de Goya - Nicola Conforto
- Contradanza del avestruz' - Mùsica en tiempos de Goya - Nicola Conforto
- Ahi va ese disparate: Ay, Cupidillo - Mùsica en tiempos de Goya - Nicola Conforto
- Lamentación 2a del viernes santo de tiple solo - Mùsica en tiempos de Goya - Nicola Conforto
- 17 Sinfonias pour orchestre: No. 5, Allegro - Mùsica en tiempos de Goya - Nicola Conforto
- Il Barbaro m'affretta: No. 1, Recitativo - Mùsica en tiempos de Goya - Nicola Conforto
- Il Barbaro m'affretta: No. 2, Aria - Mùsica en tiempos de Goya - Nicola Conforto
- La festa cinese: Overture - El Maestro Farinelli - Nicola Conforto
- Carlo il Calvo: Overture - El Maestro Farinelli - Nicola Conforto
- Sinfonia Op. 5, No. 6: I. Allegro - El Maestro Farinelli - Nicola Conforto
- Sinfonia Op. 5, No. 6: II. Andante sempre - El Maestro Farinelli - Nicola Conforto
- Sinfonia Op. 5, No. 6: III. Allegro - El Maestro Farinelli - Nicola Conforto
- Vendado amor es, no ciego ( Zarzuela): Tempestad grande - El Maestro Farinelli - Nicola Conforto
- Sinfonia in E Minor "Fandango", Wq. 178: I. Allegro assai - El Maestro Farinelli - Nicola Conforto
- Sinfonia in E Minor "Fandango", Wq. 178: II. Andante moderato - El Maestro Farinelli - Nicola Conforto
- Sinfonia in E Minor "Fandango", Wq. 178: III. Allegro - El Maestro Farinelli - Nicola Conforto
- Baile de las máscaras - El Maestro Farinelli - Nicola Conforto
- La dicha en la desgracia y vida campestre: Overture - El Maestro Farinelli - Nicola Conforto
- Polifemo: Alto Giove, è tua grazia - El Maestro Farinelli - Nicola Conforto
- Seguidilla from "Amar y ser amado y la divina Philotea" - El Maestro Farinelli - Nicola Conforto
- Seguidilla from "Para obsequio a la deydad, nunca es culto la crueldad, y Iphigenia en Tracia" - El Maestro Farinelli - Nicola Conforto
- Seguidilla from "Vendado es amor, no es ciego" - El Maestro Farinelli - Nicola Conforto
- Canción from "Viento es la dicha de amor" - El Maestro Farinelli - Nicola Conforto
- Seguidilla from "Donde hay violencia no hay culpa" (I) - El Maestro Farinelli - Nicola Conforto
- Seguidilla From "Donde hay violencia no hay culpa" (II) - El Maestro Farinelli - Nicola Conforto
- Periodical Overture - El Maestro Farinelli - Nicola Conforto
- Armida: Overture - El Maestro Farinelli - Nicola Conforto
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