Johann Mattheson
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Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, critic, lexicographer and music theorist. His writings on the late Baroque and early Classical period were highly influential, specifically, "his biographical and theoretical works were widely disseminated and served as the source for all subsequent lexicographers and historians".
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- Konzert in A Minor: I. Allegro - Für zwei Cembali - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Konzert in A Minor: II. II. Affettuoso - Für zwei Cembali - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Konzert in A Minor: III. Allegro - Für zwei Cembali - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Sonata in G Minor - A due Cembali - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Duetto in F Major: No. 1, Allegro e moderato - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Duetto in F Major: No. 2, Andante - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Duetto in F Major: No. 3, Presto - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Vier kleine Duette: No. 1, Allegro - Für zwei Tasteninstrumente - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Vier kleine Duette: No. 2, Poco Adagio - Für zwei Tasteninstrumente - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Vier kleine Duette: No. 3, Poco Adagio - Für zwei Tasteninstrumente - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Vier kleine Duette: No. 4, Allegro - Für zwei Tasteninstrumente - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Duetto in C Major: No. 1, Allegro non tanto - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Duetto in C Major: No. 2, Poco Adagio - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Duetto in C Major: No. 3, Allegro - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Concerto No. 6 in D Major: I. Allegro-Andante-Allegro-Andante - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Concerto No. 6 in D Major: II. Minué-Presto-Minué dal Segno al Fine - The Art of Harpsichord Duets: 18th-Century Music for Two Harpsichords - Johann Mattheson
- Suite No. 1 in D minor, IJM 7 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 2 in A major, IJM 8 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 3 in D major, IJM 9 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 4 in G minor, IJM 10 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 5 in G minor, IJM 11 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 6 in E-flat major, IJM 12 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 7 in B-flat major, IJM 13 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 8 in D minor, IJM 14 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 9 in G minor, IJM 15 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 10 in E minor, IJM 16 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 11 in C major, IJM 17 - Harmonisches Denckmahl - Johann Mattheson
- Suite No. 11 in F minor, IJM 18 - Harmonisches Denckmahl - Johann Mattheson
- Serse, HWV 40: "Ouverture" - Hambourg 1700 - Johann Mattheson
- Almira, Königin von Castilien, HWV 1, Act I, Scene 1: "Recitativo: Durchlauchtigste" (Consalvo) - Hambourg 1700 - Johann Mattheson
- Almira, Königin von Castilien, HWV 1, Act I, Scene 1: "Aria: Almira Regiere" (Consalvo) - Hambourg 1700 - Johann Mattheson
- Almira, Königin von Castilien, HWV 1, Act I, Scene 1: "Recitativo: Wohlan" (Conslavo) - Hambourg 1700 - Johann Mattheson
- Orpheus, TWV 21:18, Act II, Scene 6: "Recitativo: Schau, welche Botschaft" (Ascalax) - Hambourg 1700 - Johann Mattheson
- Die edelmütige Octavia, Act II, Scene 4: "Aria: Das blinde Kind" (Thirdates) - Hambourg 1700 - Johann Mattheson
- Orpheus, TWV 21:18, Act II, Scene 6: "Recitativo: Bist du es ?" (Eurydice, Orpheus) - Hambourg 1700 - Johann Mattheson
- Almira, Königin von Castilien, HWV 1, Act III, Scene 3: "Aria: Du stolzer Erdenkreis" (Consalvo) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 1: "Recitativo: Non offuschino" (Orfeo) - Hambourg 1700 - Johann Mattheson
- Almira, Königin von Castilien, HWV 1, Act I, Scene 4: "Aria: Schönste Rosen" (Edilia) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 1: "Recitativo: Brilla il ciel" (Orfeo, Esculapio) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 1: "Aria: So che nodo" (Esculapio) - Hambourg 1700 - Johann Mattheson
- Sonata Duplex a 3: "Allegro - Adagio - Allegro - Adagio - Allegro - Adagio" - Hambourg 1700 - Johann Mattheson
- Orpheus, TWV 21:18, Act II, Scene 6: "Recitativo: Geht nun verdammte Geister" (Ascalax) - Hambourg 1700 - Johann Mattheson
- Orpheus, TWV 21:18, Act II, Scene 6: "Aria: Was hilft’s, von kurzer Freude sagen" (Ascalax) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act II, Scene 1: "Ritournelle" - Hambourg 1700 - Johann Mattheson
- Orfeo, Act II, Scene 1: "Aria: Sei morto" (Orfeo) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 11: "Recitativo: Aristeo, que t’affligge ?" (Aristeo, Esculapio) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 11: "Aria: Amor, amor" (Esculapio) - Hambourg 1700 - Johann Mattheson
- Partita in e minor, GWV 107: "Sarabande" - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 2: "Recitativo: Alma mia" (Aristeo) - Hambourg 1700 - Johann Mattheson
- Die unglückselige Cleopatra, Act III, Scene 14: "Aria: Mein Leben ist hin" (Cleopatra) - Hambourg 1700 - Johann Mattheson
- Pimpinone, TWV 21:15, Act I: "Aria: Ella mi vuol confondere" (Pimpinone) - Hambourg 1700 - Johann Mattheson
- Niobe, regina ti Tebe: "Ritournelle" - Hambourg 1700 - Johann Mattheson
- Niobe, regina ti Tebe, Act I, Scene 7: "Recitativo: Oh valor, oh virtute" (Manto, Tiberino) - Hambourg 1700 - Johann Mattheson
- Niobe, regina ti Tebe, Act II, Scene 7: "Aria: Ogni core può sperar" (Tanaquil) - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 1: "Ritournelle" - Hambourg 1700 - Johann Mattheson
- Orfeo, Act I, Scene 1: "Aria: Cara e amabile" (Orfeo, Eurydice) - Hambourg 1700 - Johann Mattheson
- Almira, Königin von Castilien, Act III, Scene 11: "Aria: Werthe schrift" (Improvisation on violin) - Hambourg 1700 - Johann Mattheson
- Pimpinone, TWV 21:15, Act I: "Recitativo: Was aber denkt ihr nun zu tun" (Pimpinone, Vespetta) - Hambourg 1700 - Johann Mattheson
- Pimpinone, TWV 21:15, Act I: "Aria: Nel petto il cor mi giubila" (Pimpinone, Vespetta) - Hambourg 1700 - Johann Mattheson
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