Harry Bicket
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Harry Alexander Clarence Bicket (born 1961) is a British conductor, harpsichordist and organist. He is particularly associated with the baroque and classical repertoire.
Bicket was educated at Radley College, Christ Church, Oxford, where he was an organ scholar, and the Royal College of Music. Before Oxford, he was an organ scholar at St George's Chapel, Windsor. Afterwards, he was sub-organist at Westminster Abbey, during which time he performed at the wedding of Sarah Ferguson and Prince Andrew. He first performed on the harpsichord in 1983 at The Proms as an emergency deputy, his first-ever public performance on harpsichord.
As a conductor, Bicket became known when he stood in as a replacement to conduct Peter Sellars' production of Handel's opera Theodora with Dawn Upshaw, Lorraine Hunt Lieberson and David Daniels, at the Glyndebourne Festival in 1996. In 2003, Bicket made his Covent Garden debut conducting Handel's Orlando with the Orchestra of the Age of Enlightenment (OAE). In 2004, Bicket made his first appearance at the Metropolitan Opera in a production of Rodelinda with Renée Fleming in the title role. He returned to Handel and the Met in 2020, conducting a production new to that house of Agrippina.
In October 2006, Bicket was named music director of The English Concert, and formally assumed the post in September 2007, his first orchestral directorship. He first worked with The English Concert as a harpsichordist in 1984. Bicket has conducted commercial recordings with The English Concert for Harmonia Mundi.
Bicket first conducted at Santa Fe Opera (SFO) in 2004, in a production of Agrippina. He returned to SFO as conductor for subsequent productions of Platée (2007) and Radamisto (2008). In April 2013, SFO named Bicket its next chief conductor, effective 1 October 2013. Although the formal press release did not indicate a specific time length of Bicket's initial contract, SFO general director Charles MacKay stated an informal duration of 4–5 years. In November 2016, Santa Fe Opera announced the extension of Bicket's contract as chief conductor through 30 September 2020. In February 2018, Santa Fe Opera announced the elevation of Bicket's title from chief conductor to music director of the company, effective 1 October 2018. In October 2018, Santa Fe Opera announced the extension of Bicket's contract with the company, as music director, through the 2023 season.
In addition to recording with The English Concert, Bicket has conducted commercial recordings with other ensembles for various labels, including Decca, Avie, and EMI.
He was appointed Officer of the Order of the British Empire (OBE) in the 2022 Birthday Honours for services to music.
Bicket is married to the environmental scholar Audrey de Nazelle, of Imperial College London. The family resides in London.
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- Serse, HWV 40: Ouverture - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Arioso. Speranze mie fermate (Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Accompagnato. Frondi tenere (Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Arioso. Ah, chi voler fiora (Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Recitativo. E chi direbbe mai (Elviro, Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Siam giunti, Elviro (Arsamene, Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Aria. Or che siete (Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Sinfonia e Recitativo. Sento un soave concento (Arsamene, Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Recitativo. Quel curioso è partito (Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. O voi (Romilda, Arsamene, Elviro, Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Arioso e Recitativo. A piangere ogn’ora (Atalanta, Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Arsamene (Serse, Arsamene) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Arioso. Ah, tigre infedele! (Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Và godendo vezzoso e bello (Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Recitativo. Parti, il re s’avvicina (Atalanta, Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Quel canto a un bell’amor (Serse, Arsamene) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Arioso. È tormento troppo fiero (Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Io le dirò che l’amo (Serse, Arsamene) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Recitativo. Di quel foglio (Serse, Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Arsamene (Romilda, Arsamene, Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Aria. Dirà che amor (Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Sì, sì, mio ben (Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Recitativo. Voi quel foglio lasciate (Serse, Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Presto, Signor (Elviro, Arsamene, Serse, Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Aria. Dirà che non m’amò (Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Meglio in voi col mio partire (Arsamene) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Recitativo. Ingannata Romilda! (Serse, Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Bellissima Romilda (Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act II: Duettino. L’amerete? (Serse, Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Di tacere (Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Aspide son (Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Nemmen coll’ombre (Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Se cangio spoglia (Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Pugnammo, amici (Ariodate, Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Coro. Già la tromba (Soldati) (I) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Ecco Serse (Amastre, Serse, Ariodate) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Soggetti al mio volere (Ariodate) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Coro. Già la tromba (Soldati) (II) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Queste vittorie (Serse, Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Più che penso (Serse) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Eccoti il foglio (Arsamene, Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Arioso. Signor, Signor (Elviro) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Non so se sia la speme (Arsamene) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Tradir di regia sposa (Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Saprà delle mie offese (Amastre) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Al fin sarete (Atalanta, Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Se l’idol moi (Romilda) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Recitativo. Per rapir quel tesoro (Atalanta) - Handel: Serse - Harry Bicket
- Serse, HWV 40, Act I: Aria. Un cenno leggiadretto (Atalanta) - Handel: Serse - Harry Bicket
- Suite Les Paladins, RCT 51: 1. Ouverture très vite - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 2. Menuet lent - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 3. Air gay - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 4. Entrée des Pèlerins - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 5. Loure - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 6. Pantomime - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 7. Air de furie - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 8. Sarabande - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 9. Menuet en rondeau I-II - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 10. Entrée très gaye des Troubadours - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 11. Air très gaye - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 12. Gavotte - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 13. Menuet - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 14. Contredanse (en rondeau) - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 15. Entrée des Chinois - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 16. Loure - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 17. Gigue vive - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 18. Air vif - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 19. Première gavotte gaye - deuxième gavotte - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 20. Air très gay - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 21. Entrées des Paladines et ensuite Paladins - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 22. Air pour les Pagodes - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 23. Gavotte I-II - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Suite Les Paladins, RCT 51: 24. Contredanse en rondeau - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Semele / Act 2: Oh sleep, why dost thou leave me? - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Semele / Act 1: Endless pleasure... - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Scipione Hwv 20 - Original Version: Scoglio d'immota fronte - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Orlando / Act 2: Quando spieghi i tuoi tormenti - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Serse, HWV 40, Act I: Ombra mai fu - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Samson HWV 57 / Act 2: "To fleeting pleasures make your court" - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Rinaldo / Act 2: "Lascia ch'io pianga" - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Rinaldo / Act 2: Dunque, I laci d'un volto, Ah! Crudel - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Samson HWV 57 / Act 3: Let the bright seraphim - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Salve Regina in F minor: Et Jesum - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Giulio Cesare / Act 2: "V'adoro, pupille" - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Giulio Cesare / Act 3: Da tempeste il legno infranto - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Rodelinda / Act 2: Ritorna, oh caro e dolce mio tesoro - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Lotario: Sommo rettor del cielo, d'una torbida sorgente - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Agrippina, HWV 6: Pensieri - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Agrippina, HWV 6: Bel Piacere - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- Alexander Balus English Oratorio: Calm thou...Convey me to some peaceful shore - Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1: Sonata - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 1: I. Introduction - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: I. Aria. Disserratevi, o porte d’Averno (Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 1: II. Recitative. Di quai nuovi portenti (John) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: II. Recitative. Qual’ insolita luce (Lucifer) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 1: III. Aria. Ecco il sol, ch’esce dal mare (John) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: III. Aria. Caddi, è ver (Lucifer) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 1: IV. Recitative. Ma ove Maria dimora (John) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: IV. Recitative. Ma che veggio? (Lucifer, Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 2: I. Aria. Risorga il mondo (Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: V. Aria. D’amor fu consiglio (Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 2: II. Recitative. Di rabbia indarno freme (Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: VI. Recitative. E ben, questo tuo Nume (Lucifer, Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 2: III. Recitative. Misero! ho pure udito? (Lucifer, Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 1: VII. Aria. O voi, dell’Erebo (Lucifer) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 2: IV. Aria. Per celare il nuovo scorno (Lucifer) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: I. Recitative. Notte, notte funesta (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 2: V. Recitative. O come cieco il tuo furor delira! (Angel, Lucifer) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: II. Aria. Ferma l’ali (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 2: VI. Duet. Impedirlo saprò! (Lucifer, Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: III. Recitative. Concedi, o Maddalena (Cleophas, Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 3: I. Recitative. Amica, troppo tardo (Magdalene, Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: IV. Aria. Piangete, sì, piangete (Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 3: II. Aria. Per me già di morire (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: V. Recitative. Ahi, dolce mio Signore (Magdalene, Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 3: III. Recitative. Ahi, abborrito nome! (Lucifer) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: VI. Duet. Dolci chiodi (Magdalene, Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: I. Aria. Vedo il ciel che più sereno (Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: VII. Recitative. O Cleofe, o Maddalena (John, Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: II. Recitative. Cleofe, siam giunte al luogo (Magdalene, Cleophas, Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: VIII. Aria. Quando è parto (John) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: III. Aria. Se per colpa di donna infelice (Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: IX. Recitative. Ma dinne, e sarà vero (Cleophas, John, Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: IV. Recitative. Mio Gesù, mio Signore (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: X. Aria. Naufragando va per l’onde (Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: V. Aria. Del ciglio dolente (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: XI. Recitative. Itene pure, o fide (John, Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: VI. Recitative. Sì, sì, cerchiamo pure (Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: XII. Aria. Così la tortorella (John) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 4: VII. Aria. Augelletti, ruscelletti (Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: XIII. Recitative. Se Maria dunque spera (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 5: I. Recitative. Dove sì frettolosi (John, Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 2: XIV. Aria. Ho un non so che nel cor (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 5: II. Aria. Caro figlio! (John) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 3: I. Recitative. Uscite pure (Angel) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 5: III. Recitative. Cleofe, Giovanni, udite (Magdalene, John, Cleophas) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 1 Scene 3: II. Chorus. Il Nume vincitor (Angel, Chorus of Angels) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 5: IV. Aria. Se impassibile, immortale (Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 5: V. Recitative. Sì, sì, col redentore (John, Cleophas, Magdalene) - Handel: La Resurrezione - Harry Bicket
- La Resurrezione, HWV 47, Pt. 2 Scene 5: VI. Chorus. Diasi lode in cielo, in terra - Handel: La Resurrezione - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19: I. Ouverture - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scenes 1 & 2: Recitative. Già perdesti, o signora (Garibaldo, Eduige, Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Recitative. Del german nel periglio (Eduige, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19: II. Menuet - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 2: Aria. De’ miei scherni (Eduige) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Aria. Un zeffiro spirò (Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Aria. Ho perduto il caro sposo (Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 3: Recitative. Rodelinda, è pur ver …? (Grimoaldo, Rodelinda, Unulfo, Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Recitative. Con opra giusta (Eduige) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Recitative. Regina! (Grimoaldo, Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 3: Aria. Spietati, io vi giurai (Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 1: Aria. Quanto più fiera (Eduige) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Aria. L’empio rigor del fato (Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Recitative. Unulfo, Garibaldo, in questo seno (Grimoaldo, Unulfo, Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 2: Recitative. O falso è Bertarido (Garibaldo, Grimoaldo - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scenes 2 & 3: Recitative. Duca, vedesti mai (Grimoaldo, Garibaldo, Eduige) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Aria. Prigioniera ho l’alma in pena (Grimoaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 2: Aria. Tra sospetti (Grimoaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 3: Aria. Io già t’amai (Grimoaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Recitative. Massime così indegne (Unulfo, Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 3: Aria, Accompagnato & Recitative. Chi di voi fu più infedele (Bertarido, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 4: Recitative. E tu dici d’amarmi? (Eduige, Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Aria. Tirannia gli diede il regno (Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 4: Recitative. Non temere (Eduige, Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 4: Aria. Lo farò (Eduige) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Recitative. Sì, sì, fellon (Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 5: Recitative. Eduige, t’inganni (Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 4: Aria. Fra tempeste funeste (Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 5: Aria. Di Cupido impiego i vanni (Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 5: Aria & Recitative. Con rauco mormorio (Bertarido, Eduige) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Sinfonia & Accompagnato. Pompe vane di morte (Bertarido) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 5: Recitative. Ah no, che non m’inganna (Eduige, Bertarido, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Aria. Dove sei, amato bene? (Bertarido) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 5: Aria. Scacciata dal suo nido (Bertarido) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Recitative. Ma giunge Unulfo (Bertarido, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 6: Recitative. Vive il mio sposo? (Rodelinda, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 7: Aria & Recitative. Ombre, piante, urne funeste (Rodelinda, Bertarido, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 6: Aria. Ritorna, o caro (Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 8: Recitative. Baci inutili e vani (Garibaldo, Bertarido, Unulfo, Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Recitative. Ah, sì! Ecco lo sposo (Rodelinda, Bertarido, Grimoaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 8: Aria. Morrai, sì (Rodelinda) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Aria. Tuo drudo è mio rivale (Grimoaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 9: Recitative. E ben, duca, poss’io (Grimoaldo, Garibaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Recitative. Non ti bastò, consorte (Rodelinda, Bertarido) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 9: Aria. Se per te giungo a godere (Grimoaldo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 2 Scene 7: Duet. Io t’abbraccio, e più che morte (Rodelinda, Bertarido) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 10: Recitative. Unulfo, oh Dio! (Bertarido, Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 10: Aria. Sono i colpi della sorte (Unulfo) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 11: Recitative. Sì, l’infida consorte (Bertarido) - Handel: Rodelinda - Harry Bicket
- Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 11: Aria. Confusa si miri (Bertarido) - Handel: Rodelinda - Harry Bicket
- Concerto à più instrumenti in D Major, Op. 5, No. 6: I. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Concerto à più instrumenti in D Major, Op. 5, No. 6: II. Aria Cantabile - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Concerto à più instrumenti in D Major, Op. 5, No. 6: III. Ciaccona - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Concerto à più instrumenti in D Major, Op. 5, No. 6: IV. Rondeau Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Concerto à più instrumenti in D Major, Op. 5, No. 6: V. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Cello Concerto in G Major: I. Amoroso - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Cello Concerto in G Major: II. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Cello Concerto in G Major: III. Largo - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Cello Concerto in G Major: IV. A tempo giusto - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Oboe Concerto in D Minor: I. Allegro moderato - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Oboe Concerto in D Minor: II. Adagio - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Oboe Concerto in D Minor: III. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Violin Concerto in B Minor, D. 125: I. Allegro assai - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Violin Concerto in B Minor, D. 125: II. Alrghetto, "Lascia ch'io dica addio" - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Violin Concerto in B Minor, D. 125: III. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Viola Concerto in G Major, TWV 51:G9: I. Largo - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Viola Concerto in G Major, TWV 51:G9: II. Allegro - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Viola Concerto in G Major, TWV 51:G9: III. Andante - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
- Viola Concerto in G Major, TWV 51:G9: IV. Presto - The English Concert: Dall'abaco, Porpora, Marcello, Tartini, Telemann - Harry Bicket
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