Céline Scheen
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Céline Scheen (born 1976 in Verviers, Belgium) is a Belgian classical soprano.
Scheen began her vocal studies with Annie Frantz. In 1996, she entered the Royal Academy of Mons and obtained a First Prize in the class of Marcel Vanaud. She then received a degree in song and methodology of song at the Royal Academy of Brussels. In 1998, she obtained the Nany Philippart's grant with Chapelle musicale Reine Élisabeth. For two years, she worked in the class of Vera Rózsa at the Guildhall School of Music in London, where she obtained an advanced degree in vocal performance. She also takes masterclasses with Jean-Paul Fouchécourt, Monique Zanetti and Helmut Deutsch.
Scheen has sung the roles of Lucy in The Telephone, or L'Amour à trois by Gian Carlo Menotti, Thérèse in the Les mamelles de Tirésias by Francis Poulenc, the First Lady and Papagena in Wolfgang Amadeus Mozart's Die Zauberflöte, Frasquita in Carmen, Vespetta in Pimpinone by Georg Philipp Telemann, Grilletta in Lo Speziale by Joseph Haydn, and Zerlina in Mozart's Don Giovanni. She appeared with La Monnaie in Christoph Willibald Gluck's Alceste, Francesco Cavalli's Eliogabalo, and Mozart's Die Zauberflöte under the direction of René Jacobs. She sang in concerts in the Petite Messe Solennelle of Gioachino Rossini, Carl Orff's Carmina Burana, the Requiem of Gabriel Fauré, the Coronation Mass and the Great Mass in C minor by Mozart, and Johann Sebastian Bach's Johannes Passion with the groups Il Fondamento, Ricercar Consort, Café Zimmermann, La Fénice, La Cetra d'Orfeo and Musica Antiqua Köln.
Scheen was a member of the World Youth Choir from 1994 to 1996, which enabled her to make rounds in Latin America, Canada, Estonia, Latvia, Finland and Sweden. Scheen was among the soloists invited to perform at the Abbaye aux Dames during the Festival de Saintes.
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- Le nuove musiche: No. 3. Dolcissimo sospiro - Version from the British Museum, MS. Egerton 2971 - Dolcissimo sospiro - Céline Scheen
- The First Part of Ayres, French, Pollish and Others: No. 107. What Greater Griefe - Dolcissimo sospiro - Céline Scheen
- The First Part of Ayres, French, Pollish and Others: No. 39. Touch Me Lightly - No. 38. Tickle Me Quickly - No. 35. Tickell, Tickell - Dolcissimo sospiro - Céline Scheen
- Le nuove musiche: No. 11. Dovrò dunque morire? - Dolcissimo sospiro - Céline Scheen
- The First Part of Ayres, French, Pollish and Others: No. 48. Love's Farewell - Dolcissimo sospiro - Céline Scheen
- Cruda Amarilli - Version from the British Museum, MS. Egerton 2971 - Dolcissimo sospiro - Céline Scheen
- A Musicall Dreame, or the Fourth Booke of Ayres: No. 21. S'amor non è che dunque - Dolcissimo sospiro - Céline Scheen
- The Dark Is My Delight - Dolcissimo sospiro - Céline Scheen
- A Musicall Dreame, or the Fourth Booke of Ayres: No. 19. In Sherwood livde stout Robin Hood - Dolcissimo sospiro - Céline Scheen
- Robin Hood - Dolcissimo sospiro - Céline Scheen
- Praeludium (No. 32, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 288) - Dolcissimo sospiro - Céline Scheen
- Paven (No. 46, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 302) - Dolcissimo sospiro - Céline Scheen
- Galliard Corant - Dolcissimo sospiro - Céline Scheen
- The Second Booke of Songs and Ayres: No. 9. Now What Is Love - Dolcissimo sospiro - Céline Scheen
- Allman Coranto - Dolcissimo sospiro - Céline Scheen
- Le nuove musiche: No. 4. Amor, io parto - Dolcissimo sospiro - Céline Scheen
- Why Stays the Bridegroom (Part 1) - Dolcissimo sospiro - Céline Scheen
- Bonny Sweet Robin - Dolcissimo sospiro - Céline Scheen
- Pavan No. 4 - Version from the Bodleian Library, Manuscript D.245 - Dolcissimo sospiro - Céline Scheen
- Why Stays the Bridegroom (Part 2) - Dolcissimo sospiro - Céline Scheen
- The First Part of Ayres, French, Pollish and Others: No. 9. Adue Sweete Loue - Dolcissimo sospiro - Céline Scheen
- The Second Set of Madrigals: No. 23. Weep, Weep Mine Eyes - Version from the British Museum, MS. Egerton 2971 - Dolcissimo sospiro - Céline Scheen
- Vespro della Beata Vergine, SV 206: Invitatorium. Versiculum et responsorium "Deus in adjutorium" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Psalmus "Lauda Jerusalem" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Psalmus "Dixit dominus" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Sancta Maria, succurre miseris, SV 328 - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Concerto "Nigra sum" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Sonata a 8 sopra Sancta Maria - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Concerto "Pulchra es" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Magnificat anima mea dominum - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Psalmus "Laetatus sum" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Et exultavit - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Quia respexit - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Quia fecit - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Concerto "Audi, cœlum" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Et misericordia - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Fecit potentiam - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Deposuit - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Esurientes - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Suscepit Israel - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Sicut locutus est - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Gloria Patri - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Sicut erat - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" - Monteverdi: Vespro della Beata Vergine - Céline Scheen
- Jesu, der du meine Seele, BWV 78: I. Jesu, der du meine Seele - Trinitatis: Bach Cantatas - Céline Scheen
- Jesu, der du meine Seele, BWV 78: II. Wir eilen mit schwachen, doch emsigen Schritten - Trinitatis: Bach Cantatas - Céline Scheen
- Jesu, der du meine Seele, BWV 78: III. Ach! ich bin ein Kind der Sünden - Trinitatis: Bach Cantatas - Céline Scheen
- Jesu, der du meine Seele, BWV 78: IV. Das Blut, so meine Schuld durchstreicht - Trinitatis: Bach Cantatas - Céline Scheen
- Jesu, der du meine Seele, BWV 78: V. Die Wunden, Nägel, Kron und Grab - Trinitatis: Bach Cantatas - Céline Scheen
- Jesu, der du meine Seele, BWV 78: VI. Nur du wirst mein Gewissen stillen - Trinitatis: Bach Cantatas - Céline Scheen
- Jesu, der du meine Seele, BWV 78: VII. Herr, ich glaube, hilf mir Schwachen - Trinitatis: Bach Cantatas - Céline Scheen
- Organ Sonata No. 2 in C Minor, BWV 526: I. Vivace - Trinitatis: Bach Cantatas - Céline Scheen
- Organ Sonata No. 2 in C Minor, BWV 526: II. Largo - Trinitatis: Bach Cantatas - Céline Scheen
- Organ Sonata No. 2 in C Minor, BWV 526: III. Allegro - Trinitatis: Bach Cantatas - Céline Scheen
- O Ewigkeit, du Donnerwort, BWV 60: I. O Ewigkiet, du Donnerwort - Trinitatis: Bach Cantatas - Céline Scheen
- O Ewigkeit, du Donnerwort, BWV 60: II. O schwerer Gang zum letzen Kampf und Streite! - Trinitatis: Bach Cantatas - Céline Scheen
- O Ewigkeit, du Donnerwort, BWV 60: III. Mein letztes Lager will mich schrecken - Trinitatis: Bach Cantatas - Céline Scheen
- O Ewigkeit, du Donnerwort, BWV 60: IV. Der Tod bleibt doch der menschlichen Natur verhaßt - Trinitatis: Bach Cantatas - Céline Scheen
- O Ewigkeit, du Donnerwort, BWV 60: V. Es ist genung - Trinitatis: Bach Cantatas - Céline Scheen
- Prelude in C Minor, BWV 546 - Trinitatis: Bach Cantatas - Céline Scheen
- Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: I. Wer sich selbst erhöhet, der soll erniedriget werden - Trinitatis: Bach Cantatas - Céline Scheen
- Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: II. Wer ein wahrer Christ will heißen - Trinitatis: Bach Cantatas - Céline Scheen
- Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: III. Der Mensch ist Kot, Stank, Asch und Erde - Trinitatis: Bach Cantatas - Céline Scheen
- Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: IV. Jesu, beuge doch mein Herze - Trinitatis: Bach Cantatas - Céline Scheen
- Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: V. Der zeitlichen Ehrn will ich gern entbehrn - Trinitatis: Bach Cantatas - Céline Scheen
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