Linda Finnie
- Eugene Onegin, Op. 24, Act I: Introduction - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: Entr'acte and Waltz - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: Oh, did you hear the lovesick shepherd boy (Tatyana, Olga, Madame Larina, Nurse) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: This is superb! (Guests) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: My legs ache and can no longer run (Leader, Peasants, Madame Larina) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: Certainly! But why aren't you dancing? (Captain, Guests) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: In a cottage by the water (Peasants) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: So that's their verdict! (Onegin, Lensky, Guests) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: Oh, how I love to hear the people singing (Tatyana, Olga) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: How can I have deserved to be so taunted by you? (Lensky, Olga, Onegin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: I'm not the sort to sit in silence (Olga) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: By chance I 'ave with me a song (Triquet, Guests) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: Come here, my darling Olga! (Madame Larina, Nurse, Tatyana, Peasents, Olga) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: "A cette fête conviée" (Triquet, Guests) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: Mesdames, I hope that you'll excuse me (Lensky, Onegin, Madame Larina) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: Messieurs! Mesdames! - Mazurka (Captain) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: Now tell me, which of them's Tatyana? (Onegin, Lensky, Tatyana, Olga) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: Why aren't you dancing, Lensky? (Onegin, Lensky, Guests, Madame Larina) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: How perfect, how wonderful (Lensky, Olga, Onegin, Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: Here in your house! (Lensky, Onegin, Tatyana, Olga, Madame Larina, Guests) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: How I love you, I adore you, Olga (Lensky, Olga) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 1: Your challenge I accept (Onegin, Lensky, Guests, Olga) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 1: Ah, here you are! (Madame Larina, Nurse, Lensky, Onegin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 2: Introduction - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: Introduction - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 2: What's happened? Where can your opponent be? (Zaretsky, Lensky) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: There! No more talk tonight (Nurse, Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 2: How far, how far away you seem now (Lensky) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: I can't sleep, Nanny (Nurse, Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 2: Ah, here they are! (Zaretsky, Onegin, Lensky) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: Well, let me think now (Nurse, Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act II Scene 2: We fight to satisfy our honour (Zaretsky, Onegin, Lensky) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: To write is foolishness, I know it (Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act III Scene 1: Polonaise - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: "I had to write'' (Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act III Scene 1: Here, too, I'm bored! (Onegin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: No, there could never be another (Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act III Scene 1: Ecossaise - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: For you were always there beside me (Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act III Scene 1: The Princess Gremina! (Guests, Onegin, Tatyana, Gremin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: "Are you an angel'' (Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: "No, come what may'' (Tatyana) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: Ah, night is over! (Tatyana, Nurse) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: Oh, Nanny, may I ask a favour? (Tatyana, Nurse) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 2: Then make your grandson go in secret (Tatyana, Nurse) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 3: Dear companions, come this way (Girls) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 3: Onegin! Here! To see me! (Tatyana, Onegin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 3: You wrote a letter (Tatyana, Onegin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 3: Were I the sort who had intended (Onegin) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Eugene Onegin, Op. 24, Act I Scene 3: But try to practise self-control (Onegin, Girls) - Tchaikovsky: Eugene Onegin - Linda Finnie
- Riders to the Sea: Where is she? (Nora, Cathleen) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: Isn't it turf enough you have (Maurya, Cathleen, Nora) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: Where is the bit of new rope, Cathleen (Bartley, Cathleen, Nora, Mauyra) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: He's gone now, God spare us (Maurya, Cathleen, Nora) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: Wait, Nora, maybe she'd turn back quickly (Cathleen, Maurya) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: You didn't give him his bit of bread? (Cathleen, Mauyra) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: I went down to the spring well (Maurya, Nora, Cathleen) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: Bartley will be lost now (Maurya, Nora, Cathlee, Woman, Chorus) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: They are all gone now (Maurya, Nora) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Riders to the Sea: And may he have mercy on my soul (Maurya, Chorus) - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Household Music: I. Crug-Y-Bar. Fantasia - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Household Music: II. St. Denio. Scherzo - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Household Music: III. Aberystwyth. Variations - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Flos campi: I. Sicut Lilium inter spinas, sic anima mea inter filias… - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Flos campi: II. Iam enim hiems transit. imber abiit, et recessit… - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Flos campi: III. Quaesivi quem diligit anima mea. quaesivi illum, et non inventi… - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Flos campi: IV. En lectulum Salomonis sexaginta fortes ambiunt… - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Flos campi: V. Revertere, revertere Sulamitis! Revertere, revertere ut intueamur te, - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Flos campi: VI. Pone me ut signaculum super cor tuum. - Vaughan Williams: Riders to the Sea, Flos Campi & Household Music - Linda Finnie
- Gli Uccelli (The Birds), Suite for Small Orchestra, P. 154: I. Preludio - Respighi: Three Botticelli Pictures - Linda Finnie
- Gli Uccelli (The Birds), Suite for Small Orchestra, P. 154: II. La Colomba - Respighi: Three Botticelli Pictures - Linda Finnie
- Gli Uccelli (The Birds), Suite for Small Orchestra, P. 154: III. La Gallina - Respighi: Three Botticelli Pictures - Linda Finnie
- Gli Uccelli (The Birds), Suite for Small Orchestra, P. 154: IV. L'Usignuolo - Respighi: Three Botticelli Pictures - Linda Finnie
- Gli Uccelli (The Birds), Suite for Small Orchestra, P. 154: V. Il Cucù - Respighi: Three Botticelli Pictures - Linda Finnie
- Il tramonto, P. 101 - Respighi: Three Botticelli Pictures - Linda Finnie
- Adagio con variazioni for Cello and Orchestra, P. 133 - Respighi: Three Botticelli Pictures - Linda Finnie
- Trittico Botticelliano for Small Orchestra, P. 151: I. La primavera - Respighi: Three Botticelli Pictures - Linda Finnie
- Trittico Botticelliano for Small Orchestra, P. 151: II. L'adorazione dei Magi - Respighi: Three Botticelli Pictures - Linda Finnie
- Trittico Botticelliano for Small Orchestra, P. 151: III. La nascita di Venere - Respighi: Three Botticelli Pictures - Linda Finnie
- Christopher Columbus Suite: I. Fiesta (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Christopher Columbus Suite: II. Romanza. Beatriz' Song (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Christopher Columbus Suite: III. Gloria (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Songs after Edith Sitwell: I. Daphne (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Songs after Edith Sitwell: II. Through Gilded Trellises (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Songs after Edith Sitwell: III. Long Steel Grass (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Songs after Edith Sitwell: IV. Old Sir Faulk (Arr. for Solo Voices and Orchestra by Christopher Palmer) - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Anon in Love: I. Fain would I change that note - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Anon in Love: II. O stay, sweet love - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Anon in Love: III. Lady, when I behold the roses - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Anon in Love: IV. My Love in her attire - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Anon in Love: V. I gave her Cakes - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Anon in Love: VI. To couple is a custom - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- A Song for the Lord Mayor's Table: I. The Lord Mayor's Table - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- A Song for the Lord Mayor's Table: II. Glide Gently - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- A Song for the Lord Mayor's Table: III. Wapping Old Stairs - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- A Song for the Lord Mayor's Table: IV. Holy Thursday - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- A Song for the Lord Mayor's Table: V. The Contrast - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- A Song for the Lord Mayor's Table: VI. Rhyme - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- The Twelve - Walton: Works for Solo Voice, Chorus and Orchestra - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: Introduction - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 21, Air - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: Overture - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 22, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 1, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 23, Recitative (Elijah and Chorus) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 2, Duet and Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 24, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 3, Recitative (Obadiah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 25, Recitative (Obadiah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 4, Air (Obadiah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 26, Air (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 5, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 27, Recitative (Tenor) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 6, Recitative "An Angel" - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 28, Trio "The Angels" - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 7, Angels (Semi-Chorus) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 29, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 8, Air "The Widow" - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 30, Recitative "The Angel" - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 9, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 31, Air "The Angel" - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 10, Recitative (Elijah and Chorus) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 32, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 11, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 33, Recitative (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 12, Recitative (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 34, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 13, Recitative (Elijah and Chorus ) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 35, Recitative (Semi-chorus and Chorus) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 14, Air (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 36, Chorus and Recitative (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 15, Chorale "Angels" - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 37, Arioso (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 16, Recitative (Elijah and Chorus) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 38, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 17, Air (Elijah) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 39, Air - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 18, Arioso - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 40, Recitative - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 19, Recitative (Obadiah and Chorus) - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 41, Chorus and Quartet - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 1: No. 20, Chorus - Mendelssohn: Elijah - Linda Finnie
- Elijah, Op. 70, MWV A25, Part 2: No. 42, Chorus - Mendelssohn: Elijah - Linda Finnie
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