The Counterpoints
{
- Ground in D Minor, ZD 222 - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Sonata No. 10 in D Major, Z. 811: I. Adagio - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Sonata No. 10 in D Major, Z. 811: II. Canzona - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Sonata No. 10 in D Major, Z. 811: III. Grave - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Sonata No. 10 in D Major, Z. 811: IV. Largo - Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Augellin, vago e canoro: I. Aria - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Augellin, vago e canoro: II. Recitativo - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Augellin, vago e canoro: III. Aria - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Augellin, vago e canoro: IV. Recitativo - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Augellin, vago e canoro: V. Aria - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- The Mad lover: V. Aire (Ground) - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Suite for guitar and basso continuo in G Major: I. Prelude - Aria - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Suite for guitar and basso continuo in G Major: II. Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Pensieri notturni di Filli in F Major, HWV 134: I. Recitativo - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Pensieri notturni di Filli in F Major, HWV 134: II. Aria - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Pensieri notturni di Filli in F Major, HWV 134: III. Recitativo - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Pensieri notturni di Filli in F Major, HWV 134: IV Aria - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Tollets ground - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Trio Sonata in B Minor, Op. 2 No. 1, HWV 386b: I. Andante - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Trio Sonata in B Minor, Op. 2 No. 1, HWV 386b: II. Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Trio Sonata in B Minor, Op. 2 No. 1, HWV 386b: III. Largo - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Trio Sonata in B Minor, Op. 2 No. 1, HWV 386b: IV. Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Cello Sonata in D Minor, Op. 5 No. 2, H. 104: I. Andante - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Cello Sonata in D Minor, Op. 5 No. 2, H. 104: II. Presto - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Cello Sonata in D Minor, Op. 5 No. 2, H. 104: III. Adagio - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Cello Sonata in D Minor, Op. 5 No. 2, H. 104: IV. Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Concerto da Camera in F Major, RV 100: I. Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Concerto da Camera in F Major, RV 100: II. Largo - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Concerto da Camera in F Major, RV 100: III. Allegro - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Farfalletta festosetta - Italophilia - Discovering the Italian Style in Handel's London - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: I. Ouverture - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: II. Les Plaisirs - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: III. Air à l’Italien: Largo - Allegro - Largo - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: IV. Menuet I & II - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: V. Réjouissance - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: VI. Passepied I & II - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite in A Minor, TWV 55 a2: VII. Polonoise - Thomascantors in Dialogue - The Counterpoints
- Concerto in F Major, GWV 323: I. Allegro - Thomascantors in Dialogue - The Counterpoints
- Concerto in F Major, GWV 323: II. Andante - Thomascantors in Dialogue - The Counterpoints
- Concerto in F Major, GWV 323: III. Allegro II - Thomascantors in Dialogue - The Counterpoints
- Concerto in D Major, BWV 1053R Arrangement after BWV 169.1, 169.5, 49.1: I. Allegro - Thomascantors in Dialogue - The Counterpoints
- Concerto in D Major, BWV 1053R Arrangement after BWV 169.1, 169.5, 49.1 : II. Siciliano - Thomascantors in Dialogue - The Counterpoints
- Concerto in D Major, BWV 1053R Arrangement after BWV 169.1, 169.5, 49.1 : III. Allegro - Thomascantors in Dialogue - The Counterpoints
- Concerto in F Major, FaWV LF6: I. Allegro - Thomascantors in Dialogue - The Counterpoints
- Concerto in F Major, FaWV LF6: II. Largo: staccato e piano sempre - Thomascantors in Dialogue - The Counterpoints
- Concerto in F Major, FaWV LF6: III. Allegro - Thomascantors in Dialogue - The Counterpoints
- Ouverture-Suite La Querelleuse in B-flat Major, TWV 55:G8: I. Ouverture - Telemann: La Querelleuse - The Counterpoints
- Ouverture-Suite La Querelleuse in B-flat Major, TWV 55:G8: II. Rondeau - Telemann: La Querelleuse - The Counterpoints
- Ouverture-Suite La Querelleuse in B-flat Major, TWV 55:G8: III. Les Combattants - Telemann: La Querelleuse - The Counterpoints
- Ouverture-Suite La Querelleuse in B-flat Major, TWV 55:G8: IV. Passetemps - Telemann: La Querelleuse - The Counterpoints
- Ouverture-Suite La Querelleuse in B-flat Major, TWV 55:G8: V. Badinerie - Telemann: La Querelleuse - The Counterpoints
- Ouverture-Suite La Querelleuse in B-flat Major, TWV 55:G8: VI. Menuet I & II - Telemann: La Querelleuse - The Counterpoints
- Fantasia No. 11 in B-flat Major for Solo Recorder, TWV 40:12: Allegro - Adagio - Vivace - Allegro - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in G Minor, TWV 42:G9: I. Suave ma non adagio - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in G Minor, TWV 42:G9: II. Vivace - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in G Minor, TWV 42:G9: III. Largo - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in G Minor, TWV 42:G9: IV. Allegro - Telemann: La Querelleuse - The Counterpoints
- Fantasia No. 3 in C Minor for Solo Cello, TWV 40:4: Largo - Vivace - Largo - Vivace - Allegro - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in A Minor from 'Six Trios', TWV 42:A1: I. Affettuoso - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in A Minor from 'Six Trios', TWV 42:A1: II. Vivace - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in A Minor from 'Six Trios', TWV 42:A1: III. Grave - Telemann: La Querelleuse - The Counterpoints
- Trio Sonata in A Minor from 'Six Trios', TWV 42:A1: IV. Menuet - Telemann: La Querelleuse - The Counterpoints
- Cantate 'Die Zufriedenheit', TWV 20:29 in C Major from "VI Moralische Cantaten': Aria: Fraget nicht, vergnügte Freunde - Telemann: La Querelleuse - The Counterpoints
- Cantate 'Die Zufriedenheit', TWV 20:29 in C Major from "VI Moralische Cantaten': Recitative: Ich schätze den noch nicht beglückt - Telemann: La Querelleuse - The Counterpoints
- Cantate 'Die Zufriedenheit', TWV 20:29 in C Major from "VI Moralische Cantaten': Aria: Immerhin, wird mein Sinn - Telemann: La Querelleuse - The Counterpoints
- Fantasia No. 12 in A Minor for Solo Violin, TWV 40:25: Moderato - Vivace - Presto - Telemann: La Querelleuse - The Counterpoints
- Trio No. 9 in E Major from 'Essercizii Musici, TWV 42:E4: I. Soave - Telemann: La Querelleuse - The Counterpoints
- Trio No. 9 in E Major from 'Essercizii Musici, TWV 42:E4: II. Presto - Telemann: La Querelleuse - The Counterpoints
- Trio No. 9 in E Major from 'Essercizii Musici, TWV 42:E4: III. Andante - Telemann: La Querelleuse - The Counterpoints
- Trio No. 9 in E Major from 'Essercizii Musici, TWV 42:E4: IV. Scherzando - Telemann: La Querelleuse - The Counterpoints
- Concerto à 4 in A Minor, TWV 43:A3: I. Adagio - Telemann: La Querelleuse - The Counterpoints
- Concerto à 4 in A Minor, TWV 43:A3: II. Allegro - Telemann: La Querelleuse - The Counterpoints
- Concerto à 4 in A Minor, TWV 43:A3: III. Adagio - Telemann: La Querelleuse - The Counterpoints
- Concerto à 4 in A Minor, TWV 43:A3: IV. Vivace - Telemann: La Querelleuse - The Counterpoints
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