Olesya Golovneva
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Olesya Golovneva is a Russian operatic soprano who made a career mostly in Europe, first at Austrian and German opera houses, in roles such as Donizetti's Anna Bolena, Tatjana in Tchaikovsky's Eugene Onegin, Verdi's Luisa Miller and Puccini's Turandot.
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- Die Glocken, Op. 35: No. 1, Allegro, ma non tanto (Live) - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- Die Glocken, Op. 35: No. 2, Lento (Live) - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- Die Glocken, Op. 35: No. 3, Presto (Live) - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- Die Glocken, Op. 35: No. 4, Lento lugubre (Live) - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- 5 Études-tableaux, P. 160: No. 1, La mer et les mouettes (After Rachmaninoff's Op. 39 No. 2) [Live] - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- 5 Études-tableaux, P. 160: No. 2, La foire (After Rachmaninoff's Op. 33 No. 6) [Live] - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- 5 Études-tableaux, P. 160: No. 3, Marche funèbre (After Rachmaninoff's Op. 39 No. 7) [Live] - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- 5 Études-tableaux, P. 160: No. 4, Le chaperon rouge et le loup (After Rachmaninoff's Op. 39 No. 6) [Live] - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- 5 Études-tableaux, P. 160: No. 5, Marche (After Rachmaninoff's Op. 39 No. 9) [Live] - Rachmaninoff: Die Glocken, Op. 35 & 5 Études-tableaux (Live) - Olesya Golovneva
- Iolanta, Op. 69, TH 11: Introduction - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 6, Scene. Allegro vivo - Robert's Aria. Allegro vivo - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 1, Scene. Andante semplice - Iolanta's Arioso. Larghetto, a tempo molto rubato - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 6a, Vaudemont's Romance. Andante quasi adagio - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 7, Scene. Allegro non troppo - Duet for Iolanta and Vaudemont. Moderato assai - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 2, Scene. Adagio con moto - Chorus. Allegro - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 8, Scene. Allegro vivo - Allegro agitato - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 3, Scene. Moderato mosso - Chorus. Moderato assai - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 9, Finale. Allegro non troppo - Moderato assai - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 4, Scene. Allegro semplice - King Rene's Arioso. Andante - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Iolanta, Op. 69, TH 11: No. 5, Scene. Allegro moderato - Ebn-Hakia's Monologue. Adagio con moto - Tchaikovsky: Iolanta, Op. 69, TH 11 - Olesya Golovneva
- Respighi: La fiamma, P. 175, Act I: Ah, salvami! Innocente come Cristo, sono innocente (Agnese, La madre, Una voce, Eudossia, Silvana) - Respighi: La fiamma, P. 175, Act I: Ah, salvami! Innocente come Cristo, sono innocente (Agnese, La madre, Una voce, Eudossia, Silvana) - Olesya Golovneva
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