René Jacobs
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René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera.
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- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": I. Kyrie: No. 1, Kyrie Eleison I - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": I. Kyrie: No. 2, Christe Eleison - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": I. Kyrie: No. 3, Kyrie Eleison II - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 1, Gloria in excelsis Deo - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 2, Laudamus Te - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 3, Gratia agimus Tibi - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 4, Domine Deus - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 5, Qui tollis peccata mundi - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 6, Quoniam tu solis sanctus - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": II. Gloria: No. 7, Cum sancto spiritu - In gloria dei patris - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": III. Credo: No. 1, Credo in unum deum - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": III. Credo: No. 2, Et incarnatus est - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": III. Credo: No. 3, Et resurrexit tertia die - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": IV. Sanctus: No. 1, Sanctus - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": IV. Sanctus: No. 2, Benedictus - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": V. Agnus Dei: No. 1, Agnus Dei - Haydn: Missa Cellensis - René Jacobs
- Missa in C Major, Hob. XXII:5 "Cellensis in Honorem Beatissimae Virginis Mariae": V. Agnus Dei: No. 2, Dona nobis pacem - Haydn: Missa Cellensis - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: I. Stabat mater dolorosa - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: II. O quam tristis et afflictia - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: III. Quis est homo qui non fleret - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: IV. Quis non posset contristari - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: V. Pro peccatis suae gentis - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: VI. Vidit suum dulcem natum - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: VII. Eja mater, fons amoris - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: VIII. Sancta Mater, istud agas - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: IX. Fac me vere tecum flere - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: X. Virgo virginum praeclara - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: XI. Flammis orcis ne succendar - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: XII. Fac me cruce custodiri - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: XIII. Quando corpus morietur - Haydn: Stabat Mater - René Jacobs
- Stabat Mater, Hob. XXa:1: Stabat Mater, Hob. XXa:1: XIV. Paradisi gloria - Haydn: Stabat Mater - René Jacobs
- Mass in B Minor, BWV 232: I. Missa (Kyrie, Gloria) - Kyrie eleison I - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: II. Symbolum Nicenum (Credo) - Credo in unum Deum - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Christe eleison - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Patrem omnipotentem - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Kyrie eleison II - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Et in unum Dominum - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Gloria in excelsis Deo - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Et incarnatus est - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Et in terra pax - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Crucifixus - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Laudamus te - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Et resurrexit - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Gratias agimus tibi - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Et in Spiritum sanctum Dominum - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Dominus Deus - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Confiteor - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Qui tollis peccata mundi - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Et expecto - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Qui sedes ad dextram Patris - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: III. Sanctus - Sanctus. Pleni sunt coeli - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Quoniam tu solus sanctus - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem - Osanna in excelsis - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Cum Sancto Spiritu - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Benedictus - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Osanna in excelsis - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Agnus Dei - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Mass in B Minor, BWV 232: Dona nobis pacem - Bach: Mass in B Minor, BWV 232 - René Jacobs
- Der Freischütz, Op. 77, Act 1: Nr. 1, Overtura - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 4: Dialog (Samiels Stimme) & Nr. 10, "Milch des Mondes fiel auf's Kraut" (Chor) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 1: Aria "Allerbarmen! Herr dort oben!" (Der Eremit) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 5: Dialog (zwei Geister) & Melodram "Was für eine schreckliche Hitze!" (Kaspar) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 2: Dialog "Wo Agathe nur bleiben mag?" (Der Eremit, Agathe, Ännchen) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 7: Ha! Furchtbar gähnt der düst're Abgrund (Max) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 2: Duetto "Nimm hin des Freundes Gabe" (Der Eremit, Agathe) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 7 & 8: Dialog "Der Mond, der Mond verfinstert sich" (Max, Kaspar) & Melodram (Samiel) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 3: Chor "Viktoria! Viktoria!" (Chor der Landleute, Max) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 3: Lied "Schau' der Herr mich an als König!" (Kilian, Chor) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 1: Nr. 11, Entre-Akt - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 4: Dialog "Was ist hier los?" (Kuno, Kilian, Max, Samiels Stimme, Kaspar) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 1: Dialog "Guten Morgen, Kamerad! Ausgeschlafen?" (Kaspar, Max) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 4: Romanze "Herr Ottokar jagte durch Heis und durch Wald" (Kuno) & Dialog - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 2: Nr. 12, Cavatina "Und ob die Wolke" (Agathe) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 4 & 5: Nr. 2, Terzetto con Cori "Oh diese Sonne" (Max, Kuno, Kaspar, Chor) & Dialog - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 3: Dialog "Na, du bist früher auf als ich!" (Agathe, Ännchen) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 5: Nr. 3, Scena ed Aria. Walzer - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 3: Nr. 13, Romanza ed Aria "Einst traümte meiner sel'gen Base" (Ännchen) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 6: Rezitativ "Nein, länger trag' ich" & Aria "Durch die Wälder, durch die Auen" (Max, Samiels Stimme) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 3, 4 & 5: Dialog & Nr. 14, Volkslied "Wir winden dir den Jungfernkranz" (Agathe, Frauenchor) & Dialog - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 7: Dialog & Nr. 4, Lied "Hier im ird'schen Jammertal" (Kaspar, Samiels Stimme, Max) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 5 & 6: Dialog "Mit einem lauten Schrei" (Samiels Stimme) & Dialog "Liebe Freunde" (Ottokar) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 7: Dialog "Agathe hat recht" (Max, Kaspar, Samiels Stimme) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 6: Nr. 15, Jägerchor "Was gleicht wohl auf Erden" (Chor der Jäger) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 1 Scene 7: Nr. 5, Aria "Schweig', schweig', damit dich niemand warnt!" (Kaspar) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 6 & 7: Dialog "Das war wirklich meisterhaft" (Ottokar, Kuno, Kaspar, Samiel, Max) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 1: Dialog & Nr. 6, Duetto "Schelm! Halt fest!" (Ännchen, Agathe) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 7: Nr. 16, Finale "Schaut, o schaut "(Chor, Ännchen, Agathe, Kaspar, Max, Samiels Stimme, Kuno, Ottokar) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 1: Nr. 7, Arietta "Kommt ein schlanker Bursch gegangen" (Ännchen) & Dialog - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 7: Nur du kannst dieses Rätsel lösen (Ottokar, Max, Kuno, Agathe, Ännchen, Chor) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 2: Nr. 8, Scena ed Aria "Wie nahte mir der Schlummer" (Agathe) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 7: Wer legt auf ihn so strengen Bann? (Der Eremit, Ottokar, Chor, Max, Kuno, Ännchen) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 3: Dialog "Lieber Max, was ist los?" (Agathe, Max, Ännchen) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 3 Scene 7: Doch jetzt erhebt noch eure Blicke (Der Eremit, Chor, Alle) - Weber: Der Freischütz - René Jacobs
- Der Freischütz, Op. 77, Act 2 Scene 3: Nr. 9, Terzetto "Wie? Was? Entsetzen!" (Agathe, Ännchen, Max) - Weber: Der Freischütz - René Jacobs
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