John Christopher Smith
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John Christopher Smith (born Johann Christoph Schmidt; 1712, Ansbach, Germany – 3 October 1795, Bath) was an English composer who, following in his father's footsteps, became George Frideric Handel's secretary, student and amanuensis.
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- Full Fathom Five - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Dirge for Fidele - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- The Lover and his Lass - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Arise - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- You Spotted Snakes - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Three Songs for Ariel: No. 1, Come unto these Yellow Sands - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Three Songs for Ariel: No. 2, Full Fathom Five - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Three Songs for Ariel: No. 3, Where the Bee Sucks - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Under the Greenwood Tree - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Under the Greenwood Tree - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Sonnet LXXXVII - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- When Daffodils Begin to Peer - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- She never told her love, Hob. XXVIa/34 - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- An Silvia, D. 106 - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Ständchen (Horch, horch! die Lerch), D. 889 - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Trinklied, D. 888 - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- 5 Lieder und Gesänge, Op. 127: No. 5, Schlusslied des Narren - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Lied des transferierten Zettel - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Duette, Op. 16: No. 3, Komm herbei, Tod - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Rosalind: I. Here is a space - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Rosalind: I. Here is a space - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Rosalind: II. All love is a lunacy - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Rosalind: III. …no explanation is needed - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Rosalind: IV. Take my fear take my feeling - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Rosalind: V. You do not get to dress me anymore - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Fancy - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Fancie - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Deux chants d'Ariel: No. 1, Modéré. Venez jusqu'à ces sables d'or - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Deux chants d'Ariel: No. 2, Un peu animé. Où butine l'abeille je butine aussi - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Blow, Blow thou Winter Wind - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Take, o take those lips away - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Shall I Compare thee to a Summer's day? - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Under the Greenwood Tree - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- The Willow Song - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Fairy Lullaby - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Sigh no More, Ladies - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Orpheus with his Lute - Sounds and Sweet Airs - A Shakespeare Songbook - John Christopher Smith
- Susanna, HWV 66: Crystal Streams in Murmurs Flowing - Handel's Last Prima Donna - John Christopher Smith
- Adriano in Siria: O Dio! Mancar mi sento - Handel's Last Prima Donna - John Christopher Smith
- Il Trifono di Camilla: Là per l'ombrosa sponda - Handel's Last Prima Donna - John Christopher Smith
- Artaxerxes: Why is death for ever late - Handel's Last Prima Donna - John Christopher Smith
- Paradise Lost: Oh! do not, Adam, exercise on my thy hatred - Handel's Last Prima Donna - John Christopher Smith
- Paradise Lost: It comes! it comes! it must be death! - Handel's Last Prima Donna - John Christopher Smith
- Rebecca: But see, the night with silent pace steals on - Handel's Last Prima Donna - John Christopher Smith
- Rebecca: O balmy Sleep! - Handel's Last Prima Donna - John Christopher Smith
- Eltruda: Gracious Heav'n, O hear me! - Handel's Last Prima Donna - John Christopher Smith
- Theodora, HWV 68: Sinfonia - Handel's Last Prima Donna - John Christopher Smith
- Theodora, HWV 68: O thou bright Sun! - Handel's Last Prima Donna - John Christopher Smith
- Theodora, HWV 68: With Darkness deep as is my Woe - Handel's Last Prima Donna - John Christopher Smith
- Theodora, HWV 68: Symphony of soft Musick - Handel's Last Prima Donna - John Christopher Smith
- Theodora, HWV 68: But why art thou disquieted - Handel's Last Prima Donna - John Christopher Smith
- Theodora, HWV 68: O that I on Wings cou'd rise - Handel's Last Prima Donna - John Christopher Smith
- Telemachus: Soon arrives thy fatal hour - Handel's Last Prima Donna - John Christopher Smith
- The Choice of Hercules, HWV 69: There the brisk sparkling nectar drain - Handel's Last Prima Donna - John Christopher Smith
- Jeptha, HWV 70: Ye sacred priests - Handel's Last Prima Donna - John Christopher Smith
- Jeptha, HWV 70: Farewell, ye limpid springs and floods - Handel's Last Prima Donna - John Christopher Smith
- Solomon, HWV 67: Will the sun forget to streak - Handel's Last Prima Donna - John Christopher Smith
- Esther, HWV 50a, Scene II: Tune Your Harps to Cheerful Strains - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Il pastor fido, HWV 8a: Sol nel mezzo risona del core - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Ariodante, HWV 33: Sinfonia to Act 2 - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Ariodante, HWV 33, Act II: Tu vivi, e punito - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Alcina, HWV 34, Act III: M’inganna, me n’avveggo - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Alcina, HWV 34, Act III: Un momento di contento - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Alexander’s Feast, HWV 75: Happy Pair (Aria) - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Alexander’s Feast, HWV 75: Happy Pair (Chorus) - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Berenice, HWV 38, Act I: Vedi l’ape che ingegnosa - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- L’Allegro, il Penseroso ed il Moderato, HWV 55: As Steals The Morn - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Solomon: Sinfonia to Part 2 - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Solomon: My fair’s a garden of delight - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Solomon: Softly rise, o southern breeze! - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Solomon: Ye southern breezes gently blow - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Samson, HWV 57, Act III, Scene I: Let but that spirit - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Samson, HWV 57, Act III, Scene I: Thus when the sun from’s wat’ry bed - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Judas Maccabaeus, HWV 63, Act I: Tis well, my friends - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Judas Maccabaeus, HWV 63, Act I: Call forth thy pow’rs - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Jephtha, HWV 70, Act III, Scene I: Hide thou thy hated beams - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Jephtha, HWV 70: A father, off’ring up his only child - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Jephtha, HWV 70, Act III: Waft her, angels - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- The Fairies: Hark how the hounds and horn - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Artaxerxes: Thou like the glorious sun - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Semele, HWV 58, Act II: See, she appears - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
- Semele, HWV 58, Act II: Where’er you walk - 'Where'er You Walk': Arias For Handel's Favourite Tenor - John Christopher Smith
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