Agnes Baltsa
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Agni Baltsa (Greek: Aγνή Mπάλτσα; also known as Agnes Baltsa; born 19 November 1944) is a leading Greek mezzo-soprano singer.
Baltsa was born in Lefkada. She began playing piano at the age of seven, before moving to Athens in 1958 to concentrate on singing. She graduated from the Greek National Conservatoire in 1965 and then travelled to Munich to continue studying on a Maria Callas scholarship.
Baltsa made her first appearance in an opera in 1968 as Cherubino in The Marriage of Figaro at Frankfurt Opera, before going on to appear as Octavian in Der Rosenkavalier at the Vienna State Opera in 1970. Under the guidance of Herbert von Karajan, she became a regular at the prestigious Salzburg Festival. She became Kammersängerin of the Vienna State Opera in 1980.
Her best-known performance is that of Carmen by Georges Bizet, which she has sung a number of times with noted tenors such as José Carreras, Neil Shicoff, and others. She has also sung works by Mozart (notably Così fan tutte), Rossini (Il Barbiere di Siviglia, La Cenerentola, Semiramide, L'italiana in Algeri), Mascagni (Cavalleria Rusticana), Saint-Saëns (Samson et Dalila), Verdi (Aida, La forza del destino, Il trovatore, Don Carlos), Bellini (I Capuleti e i Montecchi), Offenbach (Les Contes d'Hoffmann) and Donizetti (Il Campanello, Maria Stuarda).
She starred in the Austrian film Duett in 1992, playing an opera singer.
In 2017, she sang Klytemnestra in Richard Strauss's Elektra at the Greek National Opera's new premises at the Stavros Niarchos Foundation Cultural Center.
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- Mozart: Die Zauberflöte, K. 620, Act 2: Arie. "Der Hölle Rache" (Königin der Nacht) - Great Opera Arias - Agnes Baltsa
- Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) - Great Opera Arias - Agnes Baltsa
- Delibes: Lakmé, Act 1: Duo des fleurs. "Viens, Mallika" - "Dôme épais, le jasmin" (Lakmé, Mallika) - Great Opera Arias - Agnes Baltsa
- Mozart: Don Giovanni, K. 527, Act 1: Aria. "Madamina, il catalogo è questo" (Leporello) - Great Opera Arias - Agnes Baltsa
- Rossini: Il barbiere di Siviglia, Act 1: Aria. "Largo al factotum" (Figaro) [Live] - Great Opera Arias - Agnes Baltsa
- Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) - Great Opera Arias - Agnes Baltsa
- Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) - Great Opera Arias - Agnes Baltsa
- Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) - Great Opera Arias - Agnes Baltsa
- Mozart: Zaide, K. 344, Act 1: Arie. "Ruhe sanft, mein holdes Leben" (Zaide) - Great Opera Arias - Agnes Baltsa
- Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Chorus) - Great Opera Arias - Agnes Baltsa
- Verdi: La traviata, Act 2: "Noi siamo zingarelle (Coro, Flora, Marchese) - Great Opera Arias - Agnes Baltsa
- Verdi: Rigoletto, Act 3: "La donna è mobile" (Duke) - Great Opera Arias - Agnes Baltsa
- Bizet: Les pêcheurs de perles, WD 13, Act 1: Romance. "Je crois entendre encore" (Nadir) - Great Opera Arias - Agnes Baltsa
- Catalani: La Wally, Act 1: "Ebben? Ne andrò lontana" (Wally) - Great Opera Arias - Agnes Baltsa
- Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) - Great Opera Arias - Agnes Baltsa
- Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) - Great Opera Arias - Agnes Baltsa
- Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) - Great Opera Arias - Agnes Baltsa
- Verdi: La traviata, Act 1: Brindisi. "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, d'Orbigny, Douphol, Grenvil, Coro) - Great Opera Arias - Agnes Baltsa
- Mozart: Die Zauberflöte, K. 620, Act 2: Duett. "Pa-pa-gena! … Pa-pa-geno!" (Papageno, Papagena) - Great Opera Arias - Agnes Baltsa
- Bizet: Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Chœur) - Great Opera Arias - Agnes Baltsa
- Handel: Alcina, HWV 34, Act 1: Aria. "Tornami a vagheggiar" (Morgana) - Great Opera Arias - Agnes Baltsa
- Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) - Great Opera Arias - Agnes Baltsa
- Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) - Great Opera Arias - Agnes Baltsa
- Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, Chœur) - Great Opera Arias - Agnes Baltsa
- Mozart: Don Giovanni, K. 527, Act 2: Canzonetta. "Deh, vieni alla finestra" (Don Giovanni) - Great Opera Arias - Agnes Baltsa
- Gluck: Orphée et Eurydice, Wq. 41, Act 3: Air. "J'ai perdu mon Eurydice" (Orphée) - Great Opera Arias - Agnes Baltsa
- Bizet: Carmen, Act 1: "C'est très bien" - Séguédille. "Près des remparts de Séville" (Carmen, Don José) - Great Opera Arias - Agnes Baltsa
- Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) - Great Opera Arias - Agnes Baltsa
- Mozart: Le nozze di Figaro, K. 492, Act 4: Cavatina. "L'ho perduta" (Barbarina) - Great Opera Arias - Agnes Baltsa
- Wagner: Tristan und Isolde, Act 3: Liebestod. "Mild und leise wie er lächelt" (Isolde) - Great Opera Arias - Agnes Baltsa
- Mozart: Die Zauberflöte, K. 620, Act 2: Arie. "Ein Mädchen oder Weibchen" (Papageno) - Great Opera Arias - Agnes Baltsa
- Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) - Great Opera Arias - Agnes Baltsa
- Strauss, R: Der Rosenkavalier, Op. 59, Act 3: "Marie Theres'! Hab' mir's gelobt" (Sophie, Octavian, Marschallin) - Great Opera Arias - Agnes Baltsa
- Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) - Great Opera Arias - Agnes Baltsa
- Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) [Live] - Great Opera Arias - Agnes Baltsa
- Berlioz: La damnation de Faust, H 111, Pt. 2: "Une puce gentille" (Mephistophélès, Chœur, Faust) - Great Opera Arias - Agnes Baltsa
- Giordano: Andrea Chénier, Act 3: "La mamma morta m'hanno alla porta" (Maddalena) - Great Opera Arias - Agnes Baltsa
- Puccini: Gianni Schicchi: Aria. "O mio babbino caro" (Lauretta) - Great Opera Arias - Agnes Baltsa
- Verdi: Il trovatore, Act 3: "Di quella pira, l'orrendo foco" (Manrico, Leonora, Ruiz, Coro) - Great Opera Arias - Agnes Baltsa
- Gounod: Faust, Act 3: "Un bouquet !" - Air des bijoux. "Dieu ! Que de bijoux !" (Marguerite) - Great Opera Arias - Agnes Baltsa
- Tchaikovsky: Eugene Onegin, Op. 24, Act 1: Tatiana's Letter Scene. "Puskay pogibnu ya, no prezhde" (Tatiana) - Great Opera Arias - Agnes Baltsa
- Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon. "Měsíčku na nebi hlubokém" (Rusalka) - Great Opera Arias - Agnes Baltsa
- Lully: Armide, LWV 71, Act 5: "Le perfide Renaud me fuit" (Armide) - Great Opera Arias - Agnes Baltsa
- Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": Air. "Régnez, plaisirs et jeux !" (Zima) - Great Opera Arias - Agnes Baltsa
- Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius) - Great Opera Arias - Agnes Baltsa
- Monteverdi: Orfeo, SV 318, Act 2: "Tu se' morta mia vita" (Orfeo) - Great Opera Arias - Agnes Baltsa
- Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila, Samson) - Great Opera Arias - Agnes Baltsa
- Beethoven: Fidelio, Op. 72, Act 1: Recitative. "Abscheulicher, wo eilst du hin?" - Aria. "Komm, Hoffnung" (Leonore) - Great Opera Arias - Agnes Baltsa
- Debussy: Pelléas et Mélisande, CD 93, L. 88, Act 3: "Mes longs cheveux descendent" (Mélisande) - Great Opera Arias - Agnes Baltsa
- Ravel: L'enfant et les sortilèges, M. 71, Pt. 1: "Toi, le cœur de la rose" (L'Enfant) - Great Opera Arias - Agnes Baltsa
- Giselle, Act I: Introduction - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 1, Les vendangeurs - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 2, Entrée du Prince - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 3, Loys seul – Entrée de Giselle - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 4, Retour de la vendange – Valse - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: Pas des vendanges: d. Allegro un peu louré - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 5, La chasse - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 7, Marche des vignerons - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: Pas de seul. Variation de Giselle - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 8, Galop général - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act I: No. 8a, Finale - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 10, Apparition de Myrthe et évocation magique. Andante – Andantino poco allegretto – No. 10a, Pas des premières Wilis - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 11, Apparition de Giselle - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 13, Entreé de Loys et Wilfrede - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 14, Entrée d'Hilarion, scène et fugue des Wilis - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 15, Grand pas de deux: a. Adage. Andante - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 15, Grand pas de deux: b. Variation de Loys - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 15, Grand pas de deux: c. Variation de Giselle. Andante - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Giselle, Act II: No. 16, Finale - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I-II - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise I-II - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I-II - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto – Trio I – Polacca – Trio II - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro - Recorded 1964 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Allegro] - Recorded 1965 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto - Recorded 1965 - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 1: No. 2, Recit. Da Jesus diese Rede vollendet hatte (Evangelist, Jesus) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. Herzliebster Jesu, was hast du verbrochen - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recit. Du lieber Heiland du (Alto) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria & Chorus. So ist mein Jesus nun gefangen – Sind Blitze, sind Donner (Soprano, Alto, Chorus) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 35, Aria. Geduld (Tenor) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 37, Chorale. Wer hat dich so geschlagen - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 43, Recit. Sie hielten aber einen Rat (Evangelist, Pilatus, Jesus) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 57, Aria .Komm, süsses Kreuz (Bass) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 58a-d, Recit. & Chorus. Und da sie an die Stätte kamen... Andern hat er geholfen (Evangelist, Chorus I/II) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Matthäus-Passion, BWV 244, Pt. 2: No. 66, Recit. Und Joseph nahm den Leib (Evangelist, Chorus I/II, Pilatus) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Mass in B Minor, BWV 232: Credo: VIII. Confiteor unum baptisma (Chorus) - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Magnificat in D Major, BWV 243: III. Aria. Quia respexit humilitatem - Karajan A-Z: Adam - Bartók - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": I. Allegro con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: II. Allegretto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: II. Allegretto - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: IV. Finale. Allegro con brio - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 1 in C Major, Op. 21: I. Adagio molto – Allegro con brio - Recorded 1961 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto - Recorded 1961 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace - Recorded 1961 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio – Allegro molto e vivace - Recorded 1961 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 2 in D Major, Op. 36: II. Larghetto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 2 in D Major, Op. 36: IV. Allegro molto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": I. Allegro con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 3 in E Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 4 in B Flat Major, Op. 60: I. Adagio – Allegro vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 4 in B Flat Major, Op. 60: II. Adagio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 4 in B Flat Major, Op. 60: III. Allegro vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 4 in B Flat Major, Op. 60: IV. Allegro ma non troppo - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 5 in C Minor, Op. 67: IV. Finale. Allegro - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: II. Allegretto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace – Presto - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 9 in D Minor, Op. 125 "Choral": IVa-b. Presto – Allegro assai - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Symphony No. 9 in D Minor, Op. 125 "Choral": IVc-j. Presto. O Freunde nicht diese Töne – Prestissimo - Recorded 1962 - Karajan A-Z: Beethoven - Agnes Baltsa
- Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo (Cadenza: Kreisler) - Karajan A-Z: Beethoven - Agnes Baltsa
- Violin Concerto in D Major, Op. 61: II. Larghetto - Karajan A-Z: Beethoven - Agnes Baltsa
- Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza: Kreisler) - Karajan A-Z: Beethoven - Agnes Baltsa
- Musik zu einem Ritterballet, WoO 1: No. 2, Deutscher Gesang. Allegro moderato - Karajan A-Z: Beethoven - Agnes Baltsa
- Strauss II, J: Die Fledermaus: Ouvertüre - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 1: "Ach, ich darf nicht hin zu dir! (Adele, Rosalinde, Alfred) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 1: "Nein, mit solchen Advokaten" (Eisenstein, Rosalinde, Blind, Adele, Falke) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 1: "Komm mit mir zum Souper" (Falke, Eisenstein, Rosalinde, Adele) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 1: "So muss allein ich bleiben" (Rosalinde, Eisenstein, Adele, Alfred) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 1: "Trinke, Liebchen, trinke schnell" - "Mein Herr, was dächten Sie von mir" (Alfred, Rosalinde, Frank) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Ein Souper heut uns winkt" (Chor, Adele, Ida, Orlofsky, Falke, Eisenstein) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Ich lade gern mir Gäste ein" (Orlofsky, Adele, Ida, Falke, Eisenstein) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Ach, meine Herr'n und Damen" (Orlofsky, Falke, Adele, Eisenstein, Ida, Chor, Ivan, Frank, Rosalinde) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Dieser Anstand, so manierlich" (Eisenstein, Rosalinde, Ida, Adele, Orlofsky, Frank) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Csárdás. "Klänge der Heimat" (Rosalinde, Orlofsky) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Meine Herrschaften, das Diner ist serviert! (Ivan, Orlofsky, Falke, Eisenstein) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Il bacio. "Sulle labbra, se potessi" (Eva, Ivan) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Duet aus der Zigeunerbaron. " Wer uns getraut?" (Barinkay, Saffi, Chor, Ivan) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Lied aus der Zigeunerbaron. "So elend un so treu" (Saffi, Ivan) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Lagunen-Walzer aus Eine Nacht in Venedig. "Ach, wie so herrlich zu schaun" (Caramello, Orlofsky, Chor) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Finale. "Im Feuerstrom der Reben" (Orlofsky, Adele, Eisenstein, Chor) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Herr Chevalier, ich grusse Sie" - "Brüderlein und Schwesterlein" (Eisenstein, Frank, Falke, Adele, Rosalinde, Chor, Orlofsky, Ivan) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: Unter Donner und Blitz, Op. 324 - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 2: "Genug damit, genug" (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 3: Entreakt - "Täubchen das entflattert ist" (Alfred, Frosch, Frank, Adele, Ida) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 3: "Spiel' ich die Unschuld vom Lande" (Adele, Ida, Frank, Frosch, Eisenstein, Blind, Alfred, Rosalinde) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 3: "Ich stehe voll Zagen (Rosalinde, Alfred, Eisenstein, Falke, Frosch, Frank, Adele, Orlofsky) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Strauss, Johann II: Die Fledermaus, Act 3: "O Fledermaus, o Fledermaus" (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) - J. Strauss II: Die Fledermaus - Agnes Baltsa
- Carmen, Act I: Habanera. L'amour est un oiseau rebelle - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Il barbiere di Siviglia / Act 1: "Una voce poco fa...Io sono docile" - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Carmen, Act I: Seguidilla. Près des remparts de Séville – Tais toi! - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- L'italiana in Algeri, Act I Scene 4: Cruda sorte! Amor tiranno! - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Carmen, Act II: Chanson bohème. Les tringles des sistres tintaient - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?" - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Les nuits d'été, Op. 7: 1. Villanelle - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Carmen, Act III: Carreau! Pique! La mort! - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- O tahidrómos (The postman) - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- L'italiana in Algeri, Act I Scene 5: Duet. Ai capricci della sorte - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Carmen, Act IV: Finale. Duet & Final Chorus. C'est toi! - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Requiem: IIg. Recordare - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Varkarólla (Barcarolle) - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Wesendonck Lieder, WWV 91: Der Engel - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- To tréno févgi stis októ (The train leaves at eight) - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Requiem: V. Agnus Dei - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Il barbiere di Siviglia / Act 2: No. 11 Aria: "Contro un cor che accende amore" - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Stou Othona ta hrónia - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Ascanio in Alba, K.111 / Part 1: "Cara, lontano ancora" - No. 5 Aria - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Ta tréna pou fígan - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Áspri méra ke ya mas (There will be better days, even for us) - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Mitridate, re di Ponto, K.87 / Act 1: "Venga pur, minacci e frema" - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Se pótisa rodóstamo (I gave you rose-water to drink) - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
- Ascanio in Alba, K.111 / Part 1: "Ah di sì nobil alma" - No. 16 Aria - GRANDI VOCI AGNES BALTSA Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica - Agnes Baltsa
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