Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist)

Name: Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist)
Description: Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist) a song by Johann Sebastian Bach on BeMusic

Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist) a song by Johann Sebastian Bach on BeMusic

Giselle, Act I: Introduction by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 1, Les vendangeurs by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 2, Entrée du Prince by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 3, Loys seul – Entrée de Giselle by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 4, Retour de la vendange – Valse by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: Pas des vendanges: d. Allegro un peu louré by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 5, La chasse by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 7, Marche des vignerons by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: Pas de seul. Variation de Giselle by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 8, Galop général by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act I: No. 8a, Finale by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 10, Apparition de Myrthe et évocation magique. Andante – Andantino poco allegretto – No. 10a, Pas des premières Wilis by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 11, Apparition de Giselle by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 13, Entreé de Loys et Wilfrede by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 14, Entrée d'Hilarion, scène et fugue des Wilis by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 15, Grand pas de deux: a. Adage. Andante by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 15, Grand pas de deux: b. Variation de Loys by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 15, Grand pas de deux: c. Variation de Giselle. Andante by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Giselle, Act II: No. 16, Finale by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I-II by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise I-II by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I-II by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto – Trio I – Polacca – Trio II - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro - Recorded 1964 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Allegro] - Recorded 1965 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto - Recorded 1965 by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. Herzliebster Jesu, was hast du verbrochen by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recit. Du lieber Heiland du (Alto) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria & Chorus. So ist mein Jesus nun gefangen – Sind Blitze, sind Donner (Soprano, Alto, Chorus) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 35, Aria. Geduld (Tenor) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 37, Chorale. Wer hat dich so geschlagen by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 43, Recit. Sie hielten aber einen Rat (Evangelist, Pilatus, Jesus) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recit. Und da sie ihn verspotten hatten (Evangelist) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 57, Aria .Komm, süsses Kreuz (Bass) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 58a-d, Recit. & Chorus. Und da sie an die Stätte kamen... Andern hat er geholfen (Evangelist, Chorus I/II) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Matthäus-Passion, BWV 244, Pt. 2: No. 66, Recit. Und Joseph nahm den Leib (Evangelist, Chorus I/II, Pilatus) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,
Mass in B Minor, BWV 232: Credo: VIII. Confiteor unum baptisma (Chorus) by Béla Bartók, Robert Kerns, Wiener Singverein, Agnes Baltsa, Adolphe Adam, Johann Sebastian Bach, Herbert von Karajan, Horst Laubenthal, Anna Tomowa-Sintow, Erna Berger, David Bell, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Lothar Koch, Alan Civil,