Bach
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Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music.
The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christoph, then continued his musical education in Lüneburg. In 1703 he returned to Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen, and for longer periods at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. In 1723 he was hired as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city and its university's student ensemble, Collegium Musicum. In 1726 he began publishing his organ and other keyboard music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was somewhat remedied when his sovereign, Augustus III of Poland, granted him the title of court composer in 1736. In the last decades of his life, Bach reworked and extended many of his earlier compositions. He died due to complications following eye surgery in 1750 at the age of 65. Four of his twenty children, Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian, became composers.
Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly Italy and France. His compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He adopted Lutheran hymns, not only in his larger vocal works but, for instance, in his four-part chorales and his sacred songs. Bach wrote extensively for organ and other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works use contrapuntal techniques like canon and fugue.
In the 18th century, Bach was primarily known as an organist. By 2013, more than 150 recordings had been made of his The Well-Tempered Clavier. Several biographies of Bach were published in the 19th century, and by the end of that century all of his known music had been printed. Dissemination of Bach scholarship continued through periodicals (and later also websites) devoted to him, other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works), and new critical editions of his compositions. His music was further popularised by a multitude of arrangements, including the "Air on the G String" and "Jesu, Joy of Man's Desiring", and recordings, among them three different box sets of performances of his complete oeuvre marking the 250th anniversary of his death.
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- Falling Back to Past Time (DE3 Remix) - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Nostalgia - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Sovtech - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- The Fog Is My Enemy - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Unknown Path - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Hesitating Salvation - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Kensei - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Heyradari - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Jungle Escape / Ascend to the Temple - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Apocalypse - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- The Visible Man - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Time Is the Strongest - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Minimalskrot - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Klinkeklanke (Norberg Edit) - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Fat Cats - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Spindler Cum - Danish Electro, Vol. 3: IDM + Synthscapes - Bach
- Debussy: Suite Bergamasque, 3rd movement: Clair de lune - Little Big Box of Romance - Bach
- Chopin: Mazurka in C-sharp Minor, Op.53, No.3 - Little Big Box of Romance - Bach
- Chopin: Nocturne in D-flat Major, Op.27, No.2 - Little Big Box of Romance - Bach
- Beethoven: Bagatelle No.25 in A minor, “Fur Elise," WoO59 - Little Big Box of Romance - Bach
- Vivaldi: Concerto for Violin, Op. 8, ii. Adagio - Little Big Box of Romance - Bach
- Pachelbel: Canon in D Major - Little Big Box of Romance - Bach
- Gluck: Dance of the Blessed Spirits, from Orfeo et Euridice - Little Big Box of Romance - Bach
- Chopin: Ballade No. 4 in F Minor, Op.52 - Little Big Box of Romance - Bach
- Chopin: Nocturne in D-flat Major, Op.27, No.2 - Little Big Box of Romance - Bach
- Chopin: Bercuese, Op.57 - Little Big Box of Romance - Bach
- Chopin: Nocturne in E-flat Major, Op.55, No.2 - Little Big Box of Romance - Bach
- Chopin: Nocturne in A-flat Major, Op.32, No.2 - Little Big Box of Romance - Bach
- Chopin: Ballade No. 1 in G Minor, Op.23 - Little Big Box of Romance - Bach
- Chopin: Etude in E Major, Op.10, No.3 - Little Big Box of Romance - Bach
- Chopin: Waltz in C-sharp Minor, Op.64, No.2 - Little Big Box of Romance - Bach
- Chopin: Nocturne in C Minor, Op.48, No.1 - Little Big Box of Romance - Bach
- Chopin: Nocturne in E-flat Major, Op.9, No.2 - Little Big Box of Romance - Bach
- Vivaldi: Andante alla romanza - Little Big Box of Romance - Bach
- Vivaldi: Concerto for Guitar in A, 2nd movement: Largo - Little Big Box of Romance - Bach
- Torelli: Adagio - Little Big Box of Romance - Bach
- Vivaldi: Concerto for Guitar and Viola d'Amore, 2nd movement: Largo - Little Big Box of Romance - Bach
- Vivaldi: Concerto for Mandolin in C, R. 425 – 2nd Movement: Larghetto - Little Big Box of Romance - Bach
- Maria Theresia von Paradis: Sicilienne - Little Big Box of Romance - Bach
- Faure: Apres un reve - Little Big Box of Romance - Bach
- Dvorak: Songs My Mother Taught Me - Little Big Box of Romance - Bach
- Saint-Saens: The Swan, from “Carnival of the Animals" - Little Big Box of Romance - Bach
- Bach: French Suite No. 5, BWV 811: Sarabande - Little Big Box of Romance - Bach
- Bach: French Suite No. 5, BWV 811: Loure - Little Big Box of Romance - Bach
- Bach: French Suite, No. 5, BWV 811: Gavotte - Little Big Box of Romance - Bach
- Bach: Sonata in A Major for Flute & Harpsichord, BWV 1032: Siciliano - Little Big Box of Romance - Bach
- Bach: The Well-Tempered Clavier, Book 1: Prelude No. 1 - Little Big Box of Romance - Bach
- Bach: The Well-Tempered Clavier, Book 1: Fugue No. 1 - Little Big Box of Romance - Bach
- Bach: The Well-Tempered Clavier, Book 1: Fugue No. 6 - Little Big Box of Romance - Bach
- Bach: The Well-Tempered Clavier, Book 1: Prelude No. 4 - Little Big Box of Romance - Bach
- La Filadora - Little Big Box of Romance - Bach
- Sor: Estudio V - Little Big Box of Romance - Bach
- Plany - Little Big Box of Romance - Bach
- Llobet: La Filia del Marxant - Little Big Box of Romance - Bach
- D. Scarlatti: Sonata in G minor - Little Big Box of Romance - Bach
- Tarrega: Danza mora - Little Big Box of Romance - Bach
- Torroba: Nocturno - Little Big Box of Romance - Bach
- Granados: Danza Espangole No. 5 - Little Big Box of Romance - Bach
- Estrella del Mar - Little Big Box of Romance - Bach
- Cantico - Little Big Box of Romance - Bach
- Quirpa Guatirena - Little Big Box of Romance - Bach
- Mudarra: Fantasia - Little Big Box of Romance - Bach
- Albeniz: Asturias – Leyenda - Little Big Box of Romance - Bach
- D. Scarlatti: Sonata in E minor - Little Big Box of Romance - Bach
- Bach: Sonata in B Minor for Flute and Harpsichord: Andante - Little Big Box of Romance - Bach
- Bach: Sonata in B Minor for Flute and Harpsichord: Largo e dolce - Little Big Box of Romance - Bach
- Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) - Bigger Bach Set - Bach
- Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) - Bigger Bach Set - Bach
- Italian Concerto, BWV971: i. Allegro - Bigger Bach Set - Bach
- Italian Concerto, BWV971: ii. Andante - Bigger Bach Set - Bach
- Italian Concerto, BWV971: iii. Presto - Bigger Bach Set - Bach
- Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) - Bigger Bach Set - Bach
- Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad) - Bigger Bach Set - Bach
- Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) - Bigger Bach Set - Bach
- Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be) - Bigger Bach Set - Bach
- Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione - Bigger Bach Set - Bach
- Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione - Bigger Bach Set - Bach
- Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin - Bigger Bach Set - Bach
- Toccata in C Minor, BWV911 - Bigger Bach Set - Bach
- French Suite No. 3 in B Minor BWV814: i. Allemande - Bigger Bach Set - Bach
- French Suite No. 3 in B Minor BWV814: ii. Courante - Bigger Bach Set - Bach
- French Suite No. 3 in B Minor BWV814: iii. Sarabande - Bigger Bach Set - Bach
- French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio - Bigger Bach Set - Bach
- French Suite No. 3 in B Minor BWV814: v. Gavotte - Bigger Bach Set - Bach
- French Suite No. 3 in B Minor BWV814: vi. Gigue - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: i. Allemande - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: ii. Courante - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: v. Air - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: vi. Menuet - Bigger Bach Set - Bach
- French Suite No. 4 in E-flat Major, BWV815: vii. Gigue - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! - Bigger Bach Set - Bach
- Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest - Bigger Bach Set - Bach
- Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl - Bigger Bach Set - Bach
- Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein - Bigger Bach Set - Bach
- Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt - Bigger Bach Set - Bach
- Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor - Bigger Bach Set - Bach
- Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt - Bigger Bach Set - Bach
- Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht - Bigger Bach Set - Bach
- Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr - Bigger Bach Set - Bach
- Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir - Bigger Bach Set - Bach
- Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib - Bigger Bach Set - Bach
- Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken - Bigger Bach Set - Bach
- Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren - Bigger Bach Set - Bach
Drunk Bae - 2019-05-16 00:00:00
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