Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

Name: Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)
Description: Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) a song by Bach on BeMusic

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) a song by Bach on BeMusic

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Italian Concerto, BWV971: i. Allegro by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Italian Concerto, BWV971: ii. Andante by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Italian Concerto, BWV971: iii. Presto by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad) by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be) by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Toccata in C Minor, BWV911 by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 3 in B Minor BWV814: i. Allemande by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 3 in B Minor BWV814: ii. Courante by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 3 in B Minor BWV814: iii. Sarabande by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 3 in B Minor BWV814: v. Gavotte by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 3 in B Minor BWV814: vi. Gigue by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: i. Allemande by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: ii. Courante by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: v. Air by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: vi. Menuet by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
French Suite No. 4 in E-flat Major, BWV815: vii. Gigue by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren by Maureen Forrester, Felix Prohaska, Kurt Equiluz, Hugo Meyer-Welfing, Vienna Chamber Choir, Various Artists, Bach, Hilde Rössel Majdan, Felicity Palmer, Norman Foster, Timothy Eddy, Fernando Valenti, Waldemar Kmentt, Hans Braun, Paula Robison, Anton Heiller, Erika Wien, Josef Nebois, Amor Artis Chorale, Mogens Woldike, Anny Felbermayer,