Felicity Palmer
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Dame Felicity Joan Palmer, (born 6 April 1944), is an English mezzo-soprano and music professor. She sang soprano roles until 1983.
Palmer was born in Cheltenham and educated at Erith Grammar School, now named Erith School. She studied at the Guildhall School of Music and Drama in London and under Marianne Schech's guidance at the Munich College for Music and Theatre. In April 1970, she won first prize in the Kathleen Ferrier Memorial Scholarship. She made her operatic debut in 1971 as Dido in Dido and Aeneas with the Kent Opera. In 1973, she made her US debut with the Houston Grand Opera and her Metropolitan Opera debut was in 2000 as Waltraute (Götterdämmerung). Having made her debut with English National Opera (ENO) in 1975, her performance with the company forty years later, as the Countess in The Queen of Spades, was widely applauded and described as 'mesmerising' and 'astonishing'.
Palmer has performed and recorded Gilbert and Sullivan operas, as Katisha in The Mikado for the ENO and the Welsh National Opera (WNO), Dame Carruthers in The Yeomen of the Guard (WNO) and Little Buttercup in H.M.S. Pinafore (WNO). In 1998, she played Widow Begbick in the Lyric Opera of Chicago production of The Rise and Fall of the City of Mahagonny. In 2003, she performed the role of Mrs Lovett in Stephen Sondheim's Sweeney Todd at the Royal Opera House (the only musical the ROH has ever presented). She sang Venus in a 1983 BBC television broadcast of Orphée aux Enfers conducted by Alexander Faris.
Palmer is noted for her interpretation of the role of Madame de Croissy in Poulenc's Dialogues of the Carmelites, which she has sung at the Metropolitan Opera and at the Lyric Opera of Chicago's first ever production of the work. She also sang the role in English with the ENO and recorded it as part of the Chandos "Opera in English" series. Her other commercial recordings include Der fliegende Holländer and 'Love's Old Sweet Song, Victorian and Edwardian Ballads', 1978, The Decca Recording Company:1997,L.P.;Belart,C.D.,(a Polygram Company),0 28946 14902 7:( John Constable on piano).
Her work in contemporary music has included the first Glyndebourne production of Péter Eötvös's opera Love and Other Demons, in the role of Josefa Miranda.
Palmer is a professor at the Royal College of Music in London. She was appointed Commander of the Order of the British Empire (CBE) in 1993 and Dame Commander of the Order of the British Empire (DBE) in the 2011 New Year Honours for services to music.
She is a first cousin of Barclay Palmer, Olympic athlete and humanities educator and reformer.
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- Purcell: Abdelazer, Z. 570: II. Rondeau - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Rigaudon - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Hence vain deluding joys" - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme. Moderato semplice - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Gluck: Don Juan, Wq. 52: III. Andante - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: King Arthur, Z. 628, Act 3: Prelude - Chorus. "See, See, We Assemble" - Dance (Chorus) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Ritournelle gaye - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Indian Queen, Z. 630, Act 2: Air. "What Flattering Noise Is This?" (Envy, Two Followers) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Leclair: Scylla et Glaucus, Op. 11, Prologue: "Ciel ! Quels attentats furieux !" (Chef des peuples, Chœur, Les Propétides) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Petit chœur. "Le charmant art d'Eglé" (Chœur, Mercure) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Tempest, Z. 631, Act 3: Song. "Kind Fortune Smiles" (Ariel) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Scarlatti, D: Stabat Mater in C Minor: VII. Juxta crucem - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Haste thee, nymph" - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: King Arthur, Z. 628, Act 2: Chorus. "Come, Shepherds, Lead up a Lively Measure" - Hornpipe (Chorus) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Musette en rondeau (Reprise) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Gluck: Don Juan, Wq. 52: I. Sinfonia - Allegro - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: King Arthur, Z. 628: Overture - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Gluck: Don Juan, Wq. 52: XX. Moderato - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Couperin, F: L'apothéose de Lully: VIII. Accüeil entre-doux et agard, fait à Lulli par Corelli, et par les muses italiénes - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Concerto grosso in D Minor, Op. 3 No. 5, HWV 316: II. Allegro - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": II. Air de ballet - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Tambourin en rondeau - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: III. Allegro - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Indian Queen, Z. 630, Act 3: "We the Spirits of the Air" (Third Aerial Spirit, Fourth Aerial Spirit, Chorus) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Massenet: Suite d'orchestre No. 6 "Scènes de féerie": IV. Bacchanale - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Indian Queen, Z. 630: Overture. Allegro - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Chorus. "He smote all the first-born of Egypt" - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "Hither, This Way, This Way Bend" (Philidel, Chorus) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Air. "Their land brought forth frogs" - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": I. Marche - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: King Arthur, Z. 628, Act 1: Song and Chorus. "Come If You Dare" - First Act Tune (British Warrior, Chorus) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Gluck: Don Juan, Wq. 52: XXXI. Allegro non troppo - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Air with Chorus. "And the children of Israel" - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Tempest, Z. 631: Overture - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. "Or let the merry bells" - "And young and old come" - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: The Tempest, Z. 631, Act 5: Duet and Chorus. "No Stars Again Shall Hurt You" (Amphitrite, Neptune, Chorus) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Massenet: Suite d'orchestre No. 6 "Scènes de féerie": I. Cortège - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Bizet: L'Arlésienne, Op. 23, WD 28, Act 1: No. 1, Prélude - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Water Music, Suite No. 3 in G Major, HWV 350: III. Minuets I & II - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Purcell: Funeral Sentences: In the Midst of Life, Z. 17A - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Gluck : Iphigénie en Aulide : Overture to Act 1 - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Gesualdo: Sacrarum cantionum liber primus a 5: No. 3, Ave dulcissima Maria - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Water Music Variants, HWV 331: No. 2 in F Major, Alla Hornpipe - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Semele, HWV 58, Act 1: Chorus. "Lucky omens bless our rites" - Recitative, Air and Duet. "Daughter obey" (Priests, Cadmus, Athamas) - John Eliot Gardiner - The Blossoming Conductor - Felicity Palmer
- Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: I. Vivace - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: III. Allegro - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. Menuet - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: V. Gavotte - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Accompagnato. "Hence loathed Melancholy" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Come, rather, goddess" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Haste thee, nymph" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. "Or let the merry bells" - "And young and old come" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. "Orpheus' self may heave his head" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Duet. "As steals the morn upon the night" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. (a) Allegro - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. (b) Andante - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: V. Passepied - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: VI. Air - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": IV. Soli and Chorus. "When the ear heard her" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": V. Chorus. "How are the mighty fall'n" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": VI. Chorus. "She deliver'd the poor that cried" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": VII. Chorus. "How are the mighty fall'n" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": VIII. Soli and Chorus. "The righteous shall be had in everlasting" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 3 in G Major, HWV 350: II. Rigaudons I & II - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 3 in G Major, HWV 350: III. Minuets I & II - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Water Music, Suite No. 3 in G Major, HWV 350: IV. Gigues I & II - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Tamerlano, HWV 18, Act 1: Aria. "Forte e lieto a morte andrei" (Bajazet) - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Tamerlano, HWV 18, Act 1: Aria. "Se non mi vuol amar" (Asteria) - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Tamerlano, HWV 18, Act 2: Aria. "Cor di padre, e cor d'amante" (Asteria) - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": I. Prelude - Chaconne - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": II. Sarabande - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": III. Gigue - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": IV. Air - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": V. Ballo - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Dixit Dominus, HWV 232: III. Tecum principium - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Dixit Dominus, HWV 232: IV. Juravit Dominus - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: I. Andante - Allegro - Adagio - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: III. Allegro - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: IV. Minuetto alternativo - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Air with Chorus. "And the children of Israel" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Chorus. "He sent a thick darkness" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Chorus. "But as for his people" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Duet. "The Lord is a man of war" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Chorus. "And with the blast of thy nostrils" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Israel in Egypt, HWV 54: Air. "The enemy said, I will pursue" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Semele, HWV 58, Act 1: Air. "Endless pleasure, endless love" (Semele) - John Eliot Gardiner Conducts Handel - Felicity Palmer
- Handel: Semele, HWV 58, Act 1: Chorus. "Endless pleasure, endless love" (Priests and Augurs) - John Eliot Gardiner Conducts Handel - Felicity Palmer
Broadway - 2018-06-01 00:00:00
- Die Schuldigkeit des ersten Gebots, K.35: Sinfonia - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Ist dieses, o so zweifle nimmermehr" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118: Overtura - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Troppo mal corrisponde" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Die löblich' und gerechte Bitte" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Schildre einen Philosophen" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Popoli di Betulia" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Se Dio veder tu vuoi" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Mit Jammer muss ich schauen" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Wen hör' ich nun hier in der Nähe" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "D'ogni colpa la colpa maggiore" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Confuso io son" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "So vieler Seelen Fall" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Manches Übel will zuweilen" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "E in che sperar?" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Quel nocchier che in gran procella" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Ein ergrimmter Löwe brüllet...Was glaubst du" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Er hält mich einen Kranken gleich...Hast du nunmehr erfahren" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Ma qual virtù non cede" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Lungamente non dura" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Erwache, fauler Knecht" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Lasst mich euer Gnade Schein" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Già le memorie antiche" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Prigioner che fa ritorno" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Er reget sich" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Kommet her, ihr frechen Sünder, K.146 - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Non hai cor" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Seconda: "Giuditta, Ozia" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Hat der Schöpfer dieses Leben" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "Wo bin ich? bittrer Schmerz!" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "E qual pace sperate" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Dass Träume Träume sind" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "Felsen, spaltet euren Rachen" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Pietà, se irato sei" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Die Schuldigkeit des ersten Gebots, K.35: "Jener Donnerworte Kraft" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "Geliebter Seel, was redest du?" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Chi è costei" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "Betracht dies Herz und frage mich" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Del pari infeconda" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "O Himmel, was ein traurig Licht" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Oh saggia, oh santa" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "Jesu, was hab' ich getan? - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Pietà, se irato sei" - Reprise - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "O lobenswerter Sinn! - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Signor, Carmi a te viene" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- Grabmusik, K.42: "Jesu, wahrer Gottessohn" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Terribile d'aspetto" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Ti consola, Achior" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Parto inerme, e non pavento" - Mozart 225 - Complete Sacred Music - Felicity Palmer
- La Betulia liberata, K.118 / Parte Prima: "Oh prodigo! Oh stupor!" - Mozart 225 - Complete Sacred Music - Felicity Palmer
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