Robert Tear
{
- Cantata: Splenda l'alba in oriente, HWV 166: Aria: Splenda l'alba in oriente - Handel: Cantatas; Arias - Robert Tear
- Cantata: Splenda l'alba in oriente, HWV 166: Recit: Tu, armonica Cecilia...Aria: La virtute è un vero nume - Handel: Cantatas; Arias - Robert Tear
- Cantata: Carco sempre di gloria, HWV 87: Recit: Carco sempre di gloria...Aria: Sei del Ciel dono perfetto - Handel: Cantatas; Arias - Robert Tear
- Cantata: Carco sempre di gloria: Aria: Sei cara, sei bella - Handel: Cantatas; Arias - Robert Tear
- "Tu Fedel? Tu Costante?", HWV 171: Sonata - Handel: Cantatas; Arias - Robert Tear
- "Tu Fedel? Tu Costante?", HWV 171: Recit: Tu fidel? Tu constante?...Aria: Cento belle ami, Fileno - Handel: Cantatas; Arias - Robert Tear
- "Tu Fedel? Tu Costante?", HWV 171: Recit: L'occhio nero vivace...Aria: Se Licori, Filli ed io - Handel: Cantatas; Arias - Robert Tear
- "Tu Fedel? Tu Costante?", HWV 171: Recit: Ma se non hai più d'un sol cuore...Aria: Se non ti piace - Handel: Cantatas; Arias - Robert Tear
- "Tu Fedel? Tu Costante?", HWV 171: Recit: Ma il tuo genio...Aria: Sì crudel, ti lascierò - Handel: Cantatas; Arias - Robert Tear
- Look Down Harmonious Saint, HWV 124: Recitative: Look Down, Look Down - Handel: Cantatas; Arias - Robert Tear
- Look Down Harmonious Saint, HWV 124: Aria: Sweet Accents all Your Numbers Grace - Handel: Cantatas; Arias - Robert Tear
- Meine Seele hört im Sehen, HWV 207 - Handel: Cantatas; Arias - Robert Tear
- Süsse Stille, sanfter Quelle, HWV 205 - Handel: Cantatas; Arias - Robert Tear
- "Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust" - J.S. Bach: Six Cantatas - Robert Tear
- "Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus" - J.S. Bach: Six Cantatas - Robert Tear
- "Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen" - J.S. Bach: Six Cantatas - Robert Tear
- "Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier" - J.S. Bach: Six Cantatas - Robert Tear
- "Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben" - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun! - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod - J.S. Bach: Six Cantatas - Robert Tear
- "Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem" - J.S. Bach: Six Cantatas - Robert Tear
- "Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach" - J.S. Bach: Six Cantatas - Robert Tear
- "Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich" - J.S. Bach: Six Cantatas - Robert Tear
- "Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht" - J.S. Bach: Six Cantatas - Robert Tear
- "Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion" - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen" - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitativo: "Mein Wandel auf der Welt" - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch" - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitativo: "Ich stehe fertig und bereit" - J.S. Bach: Six Cantatas - Robert Tear
- Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder" - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 1. Rezitativ: Schweigt stille, plaudert nicht - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 2. Arie: Hat man nicht mit seinem Kindern - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 3. Rezitativ: Du böses Kind, du loses Mädchen - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt der Coffee süße - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 5. Rezitativ: Wenn du mir nicht den Coffee läßt - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 6. Arie: Mädchen, die von harten Sinnen - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 7. Rezitativ: Nun folge, was dein Vater spricht - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 8. Arie: Heute noch, lieber Vater, tut es doch - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 9. Rezitativ: Nun geht und sucht der alte Schlendrian - J.S. Bach: Six Cantatas - Robert Tear
- Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 10. Chor (Terzett): Die Katze Läßt das Mausen nicht - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 1. Ouverture - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 2. Arie (Duetto): Mer hahn en neue Oberkeet - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 3. Rezitativ: Nu, Mieke, gib dein Guschel immer her - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 4. Arie: Ach es schmeckt doch gar zu gut - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 5. Rezitativ: Der Herr ist gut: Allein der Schösser - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 6. Arie: Ach, Herr Schösser, geht nicht gar zu schlimm - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 7. Rezitativ: Es bleibt dabei, daß unser Herr der beste sei - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 8. Arie: Unser trefflicher, lieber Kammerherr - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 9. Rezitativ: Er hilft uns allen, alt und jung - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 10. Arie: Das ist galant, es spricht niemand - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 11. Rezitativ: Und unsre gnädige Frau - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 12. Arie: Fünfzig Taler bares Geld - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 13. Rezitativ: Im Ernst ein Wort - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 14. Arie: Klein-Zshocher müsse so zart und süße - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 15. Rezitativ: Das ist zu klug vor dich - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 16. Arie: Es nehme zehntausend Dukaten - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 17. Rezitativ: Das klingt zu liederlich - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 18. Arie: Gib, Schöne, viel Söhne - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 19. Rezitativ: Du hast wohl recht - J.S. Bach: Six Cantatas - Robert Tear
- Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 20. Arie: Dein Wachstum sei feste - J.S. Bach: Six Cantatas - Robert Tear
- Alceste, Wq. 44: Overture (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Parez vos fronts de fleurs nouvelles (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Dieux! Rendez-nous roi, notre père (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ô Dieux! Soutenez mon courage (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Ô malheureux Admète! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Bannis la erainte et les alarmes (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Grands Dieux! Du destin qui m'accable (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Je n'ai jamais chéri la vie (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Moderato (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Grands Dieux! Pour mon époux (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Dieu puissant, écarté du trône (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ah! Malgré moi, mon faible chœur partage (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Adagio (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Nous ne pouvons trop répandre de larmes (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Immortel Apollon! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Aprés de longs travaux (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Apollon est sensible à vos gémissements (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Au pouvoir de la mort je saurai la ravir (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Oú suis-je? (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Grands Dieux, soutenez mon courage! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Tes destins sont remplis (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Ah! Divinités implacables! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act I: Divinités du Styx (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Ciel Adméte! Ô moment terrible! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Que les plus doux transports (1) [Live] - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Alceste, au nom des Dieux! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ballet. Légèrement (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Caron t'appelle, entends sa voix (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ballet. Andante (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Alceste! Le jour fuit (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ballet. Allegro (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Ami, leur rage est vaine (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ballet. Lent (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Poursuis, ô digne fils (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Que les plus doux transports (2) [Live] - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Reçois, Dieu bienfaisant (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Ô mon roi! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Ô mes amis Alceste m'est rendue (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act II: Alceste! - Cher époux! (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: March in D Major (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Andante in A Major (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- Alceste, Wq. 44, Act III: Chaconne in D Major (Live) - Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981] - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Prelude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Prelude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Going to be a storm soon (Forester) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: In the month of May (Harašta) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Come on, old lady, and let's get the show started (Cricket, Catepillar - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Hey there, Harašta, how's it going? ( - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Mummy! Mummy! What is that? (Vixen Cub, Forester) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Little foxes running fast (Fox Cubs, - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Pantomime - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. Sharp-Ears at the Forester's lakeside farmyard: Interlude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! ( - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Interlude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: I'm just the same too (Vixen) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Where is old man Pásek? (Forester, In - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife, - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Well I'm damned! (Forester, Innkeeper - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (beginning) "Ou, ou!" (Vixen) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Interlude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (conclusion) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Spring is here at last (Forester) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: When evening arrives, I welcome the r - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Hey! But I can't see the Vixen there! - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen, - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Tha-that wasn't me (Frog) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Prelude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Interlude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Home now? (Forester, Pásek) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home : Interlude II - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Interlude - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: O my God! He's so handsome! (Vixen, Fox) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: One dark night (Vixen) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Fox Goldenstripe (Fox, Vixen) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Can it be that I am lovely? (Vixen, Fox) - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Let me go! I am afraid of you! (Vixen, F - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: If you had only seen what I saw just now - Janáček: The Cunning Little Vixen - Robert Tear
- The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: That's how it is! (Fox, Vixen, Woodpecke - Janáček: The Cunning Little Vixen - Robert Tear
- Symphony No. 5 in D Major, 'Reformation', Op. 107: I. Andante - Allegro con fuoco - Mendelssohn Symphony No. 5 - Robert Tear
- Symphony No. 5 in D Major, 'Reformation', Op. 107: II. Allegro vivace - Mendelssohn Symphony No. 5 - Robert Tear
- Symphony No. 5 in D Major, 'Reformation', Op. 107: III. Andate - Choral: Ein' veste Burg ist unser Gott - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: Overture - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: I. Es Lacht Der Mai! - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: II. Könnt ihr Verwegen Handeln? - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: III. Opfer Heut zu Bringen Scheut - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: IV. Vertheilt Euch Hier! - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: V. Recit: Diese dumpfen Kommt! Kommt! - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: VI. Kommt mit Zacken - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: VII. So Weit gebracht - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: VIII. Hilf, ach Hilf mir - Mendelssohn Symphony No. 5 - Robert Tear
- Die Erste Walpurgisnacht, Op. 60: IX. Flamme reinigt sich vom Rauch - Mendelssohn Symphony No. 5 - Robert Tear
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