Boston Baroque
{
Boston Baroque is the oldest period instrument orchestra in North America. It was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement.
The Boston Baroque professional chamber chorus was established as an integral part of the ensemble in 1981.
With Pearlman as its music director, the ensemble presents an annual subscription concert series in Greater Boston, Massachusetts; has performed on tour in Carnegie Hall, Chicago's Shubert Theatre, Los Angeles's Disney Hall, at the Ravinia and Tanglewood festivals, and has toured internationally.
The orchestra, originally named "Banchetto Musicale", was renamed Boston Baroque in 1992, when Telarc Records, in its first commitment to a period-instrument orchestra, signed the ensemble to produce a series of recordings of major Baroque and Classical repertoire for international commercial distribution. In 2012, Boston Baroque became the first American orchestra to record with the highly-regarded UK audiophile label, Linn Records. Boston Baroque’s 26 acclaimed commercial recordings are frequently heard by millions on classical radio stations in North America and Europe, as well as on Boston Baroque Radio, Boston Baroque’s streaming channel. Boston Baroque’s recordings have received six GRAMMY® Award Nominations: its 1992 release of Handel’s Messiah, 1998 release of Monteverdi’s Vespers of 1610, 2000 release of Bach’s Mass in B Minor, 2014 release of Monteverdi’s Il Ritorno d’Ulisse in patria (two nominations), and 2017 release of Biber’s Mystery Sonatas.
{
- 3 Gymnopédies: No. 1 in D Major - Calming Classical - Boston Baroque
- 2 Arabesques, L. 66: No. 1 in E Major - Calming Classical - Boston Baroque
- Pavane pour une infante défunte, M. 19 (Version for Orchestra) - Calming Classical - Boston Baroque
- Suite bergamasque, L. 75: III. Clair de lune - Calming Classical - Boston Baroque
- Petite suite, L. 65: I. En bateau (On the Boat) [Transcr. Y. Kondonassis] - Calming Classical - Boston Baroque
- 4 Dance Episodes from Rodeo: No. 2, Corral Nocturne - Calming Classical - Boston Baroque
- Pavane, Op. 50 - Calming Classical - Boston Baroque
- Come, Gentle Night - Calming Classical - Boston Baroque
- Valse romantique, L. 71 (Transcr. Y. Kondonassis) - Calming Classical - Boston Baroque
- The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846 - Calming Classical - Boston Baroque
- Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Calming Classical - Boston Baroque
- L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto - Calming Classical - Boston Baroque
- Ancient Airs and Dances, Suite No. 3, P 172: II. Arie di corte - Calming Classical - Boston Baroque
- Pelléas et Mélisande Suite, Op. 80: III. Sicilienne - Calming Classical - Boston Baroque
- Rêverie, L. 68 (Transcr. Y. Kondonassis) - Calming Classical - Boston Baroque
- Prélude à l'après-midi d'un faune, L. 86 - Calming Classical - Boston Baroque
- Otello, Act IV: Ave Maria, piena di grazia - Calming Classical - Boston Baroque
- Madama Butterfly, SC 74, Act II: Humming Chorus - Calming Classical - Boston Baroque
- Carmen Suite No. 1: Intermezzo (Prelude to Act III) - Calming Classical - Boston Baroque
- 3 Gymnopédies: No. 3 in A Minor - Calming Classical - Boston Baroque
- Danses sacrée et profane, L. 103 - Calming Classical - Boston Baroque
- Ancient Airs and Dances, Suite No. 3, P 172: III. Siciliana - Calming Classical - Boston Baroque
- Serenade for Strings in C Major, Op. 48, TH 48: III. Élégie. Larghetto elegiaco - Calming Classical - Boston Baroque
- String Quartet No. 2 in D Major: III. Nocturne (Played by String Orchestra) - Calming Classical - Boston Baroque
- Fantasia on Greensleeves - Calming Classical - Boston Baroque
- Serenade for Strings in C Major, Op. 48, TH 48: II. Walzer. Moderato - Tempo di valse - Calming Classical - Boston Baroque
- Marche slav, Op. 31, TH 45 - Calming Classical - Boston Baroque
- The Nutcracker, Op. 71, TH 14 Act I Scene 3: Children's Galop & Arrival of the Guests - Calming Classical - Boston Baroque
- Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance - Calming Classical - Boston Baroque
- Peer Gynt Suite No. 1, Op. 46: I. Morning Mood - Calming Classical - Boston Baroque
- Peer Gynt Suite No. 1, Op. 46: II. Åse's Death - Calming Classical - Boston Baroque
- Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance - Calming Classical - Boston Baroque
- Summa - Calming Classical - Boston Baroque
- Fantasy on a Hymn by Justin Morgan - Calming Classical - Boston Baroque
- Voyage - Calming Classical - Boston Baroque
- The Lark Ascending - Calming Classical - Boston Baroque
- Suite No. 3 in D Major, BWV 1068: II. Air - Calming Classical - Boston Baroque
- Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato - Calming Classical - Boston Baroque
- Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II - The Masters: Spring - Boston Baroque
- Suite No. 3 in D Major, BWV 1068: II. Air - The Masters: Spring - Boston Baroque
- Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double - The Masters: Spring - Boston Baroque
- The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo - The Masters: Spring - Boston Baroque
- Aïda, Act I: Grand Entrance - "Su! Del Nilo al sacro lido" - "Ritorna vincitor!" - "L'insana parola" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Aïda, Act I: "Celeste Aïda" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Aïda, Act II: "Gloria all'Egitto" - Egyptian March - "Vieni, o guerriero vindice" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Otello, Act IV: "Ave Maria" - Final Scene (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Il Trovatore, Act II: "Vedi! Le fosche nolturne spogile" (Anvil Chorus) [Arr. E. Kunzel & C. Beck] - The Masters: Spring - Boston Baroque
- Il trovatore, Act III: "Dì quella pira" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata: Prelude (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata, Act I: Introduction (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata, Act I: "Brindisi" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata, Act I: Waltz (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata, Act I: "Sempre libera degg'io" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- La traviata, Act II: "Di provenza il mar, il suol" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Rigoletto, Act I: "Questa o quella" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Rigoletto, Act IV: "La donna è mobile" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Rigoletto, Act IV: "Un di, se ben rammentomi" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Falstaff, Act III: Finale. "Tutto nel mondo è burla" (Arr. E. Kunzel & C. Beck) - The Masters: Spring - Boston Baroque
- Nabucco, Act III: "Va, pensiero" (Prisoners' Chorus) [Arr. E. Kunzel & C. Beck] - The Masters: Spring - Boston Baroque
- Messiah, HWV 56, Pt. 1: Sinfonia - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: Comfort Ye, My People - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: Every Valley Shall Be Exalted - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: And the Glory of the Lord - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: Thus Saith the Lord - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: But Who May Abide - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: And He Shall Purify - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: O Thou That Tellest Good Tidings to Zion - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: For Behold, Darkness Shall Cover the Earth - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: The People That Walked in Darkness - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: For unto Us a Child Is Born - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: Pifa (Pastoral Symphony) - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: There Were Shepherds - And Lo, the Angel of the Lord Came Upon Them - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: And the Angel Said unto Them - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: Glory to God - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: Rejoice Greatly, O Daughter of Zion - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: He Shall Feed His Flock Like a Shepherd - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 1: His Yoke Is Easy - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Behold the Lamb of God - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: He Was Despised - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Surely He Hath Borne Our Griefs - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: And with His Stripes We Are Healed - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: All We Like Sheep - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: All They That See Him - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: He Trusted in God - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Thy Rebuke Hath Broken His Heart - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Behold, and See If There Be Any Sorrow - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: But Thou Didst Not Leave His Soul in Hell - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Lift Up Your Heads - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Let All the Angels of God Worship Him - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Thou Art Gone Up on High - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: The Lord Gave the Word - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: How Beautiful Are the Feet - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56 / Pt. 2: "Their Sound Is Gone Out" - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Why Do the Nations? - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Let Us Break Their Bonds Asunder - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Thou Shalt Break Them - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 2: Hallelujah - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: I Know That My Redeemer Liveth - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: Since by Man Came Death - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: Behold, I Tell You a Mystery - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: The Trumpet Shall Sound - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: O Death, Where Is Thy Sting? - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: But Thanks Be to God - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: If God Be for Us - Classical Voices: Easter & Lent - Boston Baroque
- Messiah, HWV 56, Pt. 3: Worthy Is the Lamb... Amen. - Classical Voices: Easter & Lent - Boston Baroque
- Mass in C Minor, K. 427 "Great": I. Kyrie - Classical Voices: Easter & Lent - Boston Baroque
- Mass in C Minor, K. 427 "Great": II. Gloria - Classical Voices: Easter & Lent - Boston Baroque
- Mass in C Minor, K. 427 "Great": III. Credo - Classical Voices: Easter & Lent - Boston Baroque
- Mass in C Minor, K. 427 "Great": IV. Sanctus - Classical Voices: Easter & Lent - Boston Baroque
- Mass in C Minor, K. 427 "Great": V. Benedictus - Classical Voices: Easter & Lent - Boston Baroque
- Russian Easter Overture, Op. 36 - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: Ia. Missa. Kyrie - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: Ib. Missa. Gloria - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: II. Symbolum Nicenum - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: III. Sanctus - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: IVa. Osanna in Excelsis - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: IVb. Benedictus - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: IVc. Osanna in Excelsis - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: IVd. Agnus Dei - Classical Voices: Easter & Lent - Boston Baroque
- Mass in B Minor, BWV 232: IVe. Dona Nobis Pacem - Classical Voices: Easter & Lent - Boston Baroque
- The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846 - slow living (a quiet life mix) - Boston Baroque
- Orfeo ed Euridice, Wq. 30: Mélodie (Arr. G. Sgambati) - slow living (a quiet life mix) - Boston Baroque
- Woodland Sketches, Op. 51: No. 1, To a Wild Rose - slow living (a quiet life mix) - Boston Baroque
- Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis] - slow living (a quiet life mix) - Boston Baroque
- 3 Gymnopédies: No. 1 in D Major - slow living (a quiet life mix) - Boston Baroque
- The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo (Arr. Y. Kondonassis & R. Werthen) - slow living (a quiet life mix) - Boston Baroque
- Nocturne No. 2 in C Minor. Moderato e molto espressivo - slow living (a quiet life mix) - Boston Baroque
- Gianni Schicci, SC 88: O mio babbino caro - slow living (a quiet life mix) - Boston Baroque
- Feather Theme (From “Forrest Gump”) - slow living (a quiet life mix) - Boston Baroque
- Madama Butterfly, SC 74, Act II: Humming Chorus - slow living (a quiet life mix) - Boston Baroque
- Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis] - slow living (a quiet life mix) - Boston Baroque
- Cantata, BWV 147: X. Choral "Jesu, Joy of Man's Desiring" (Arr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- 5 Preludes for Harp Alone: No. 2, Quietude - slow living (a quiet life mix) - Boston Baroque
- Petite suite, L. 65: I. En bateau (On the Boat) [Transcr. Y. Kondonassis] - slow living (a quiet life mix) - Boston Baroque
- Canon & Gigue in D Major, P. 37: I. Canon (Transcr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis] - slow living (a quiet life mix) - Boston Baroque
- Songs Without Words, Book 6, Op. 67: 1. Meditation, MWV U 180 (Transcr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- Sonata in B Minor, L. 449: Sonata in B Minor, L. 449 (Transcr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- Suite No. 7 in G Minor, HWV 432: VI. Passacaille (Transcr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto - slow living (a quiet life mix) - Boston Baroque
- The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro (Arr. Y. Kondonassis & R. Werthen) - slow living (a quiet life mix) - Boston Baroque
- Suite No. 3 in D Major, BWV 1068: II. Air - slow living (a quiet life mix) - Boston Baroque
- Chorale Prelude in E-Flat Major, BWV 645 "Wachet auf, ruft uns die Stimme" - slow living (a quiet life mix) - Boston Baroque
- Summa - slow living (a quiet life mix) - Boston Baroque
- Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato - slow living (a quiet life mix) - Boston Baroque
- Suite bergamasque, L. 75: III. Clair de lune - slow living (a quiet life mix) - Boston Baroque
- 2 Arabesques, L. 66: No. 1, Andante con moto (Transcr. Y. Kondonassis) - slow living (a quiet life mix) - Boston Baroque
- Pelléas et Mélisande Suite, Op. 80: III. Sicilienne - slow living (a quiet life mix) - Boston Baroque
- 8 Etudes, Op. 42: No. 4 in F-Sharp Major - slow living (a quiet life mix) - Boston Baroque
- Rhapsody on a Theme of Paganini, Op. 43: Var. 18, Andante cantabile (From "Somewhere in Time") - slow living (a quiet life mix) - Boston Baroque
- Piano Concerto No. 23 in A Major, K. 488: II. Adagio - slow living (a quiet life mix) - Boston Baroque
- Nocturne No. 9 in E-Flat Major. Andantino - slow living (a quiet life mix) - Boston Baroque
- Stimmungsbilder, Op. 9, TrV 128: No. 4, Träumerei - slow living (a quiet life mix) - Boston Baroque
- Prelude and Fugue No. 1 in C major (Arr. for Jazz Trio from Well-Tempered Clavier, Book 1, BWV 846) - slow living (a quiet life mix) - Boston Baroque
- Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (Arr. D. Russell) - slow living (a quiet life mix) - Boston Baroque
- Symphony No. 15 in G Major, K. 124: II. Andante - slow living (a quiet life mix) - Boston Baroque
- Symphony No. 17 in G Major, K. 129: II. Andante - slow living (a quiet life mix) - Boston Baroque
- Symphony No. 18 in F Major, K. 130: II. Andantino grazioso - slow living (a quiet life mix) - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act I Scene 2: March - slow living (a quiet life mix) - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act I Scene 6: The Magic Spell Begins - slow living (a quiet life mix) - Boston Baroque
- Fantasia on Greensleeves - slow living (a quiet life mix) - Boston Baroque
- 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major - slow living (a quiet life mix) - Boston Baroque
- Six Piano Pieces, Op. 118: No. 2, Intermezzo in A Major - Live At Seiji Ozawa Hall, Tanglewood - slow living (a quiet life mix) - Boston Baroque
- Nocturne No. 1 in E-Flat Major. Molto moderato - slow living (a quiet life mix) - Boston Baroque
- Kinderszenen, Op. 15: No. 7, Träumerei - slow living (a quiet life mix) - Boston Baroque
- Big My Secret (From "The Piano") - slow living (a quiet life mix) - Boston Baroque
- 24 Preludes, Op. 28, No. 6 Lento allegro – B minor - slow living (a quiet life mix) - Boston Baroque
- Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin - slow living (a quiet life mix) - Boston Baroque
- Nocturne No. 5 in B-Flat Major. Andantino - slow living (a quiet life mix) - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act II Scene 14: Variation I (Tarantella) - Chillout Classical III - Boston Baroque
- Carmen Suite No. 2: V. The Changing of the Guard (Children's Chorus from Act I) - Chillout Classical III - Boston Baroque
- Carmen Suite No. 1: IV. Seguidilla (Act I) - Chillout Classical III - Boston Baroque
- Swan Lake Suite, Op. 20a, TH 219, Act II: No. 10, Scene - Chillout Classical III - Boston Baroque
- 4 Dance Episodes from Rodeo: No. 2, Corral Nocturne - Chillout Classical III - Boston Baroque
- The Sleeping Beauty Suite, Op. 66a, TH 234: V. Valse - Chillout Classical III - Boston Baroque
- Giselle, Act II: Grand pas de deux - Chillout Classical III - Boston Baroque
- Ma mère l'oye (Cinq pièces enfantines), M. 62: IV. Les entretiens de la Belle et de la Bête - Chillout Classical III - Boston Baroque
- Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant - Chillout Classical III - Boston Baroque
- Carmen Suite No. 2: I. March of the Smugglers (Act III) - Chillout Classical III - Boston Baroque
- Pelléas et Mélisande Suite, Op. 80: II. Fileuse - Chillout Classical III - Boston Baroque
- Ma mère l'oye (Cinq pièces enfantines), M. 62: II. Petit Poucet - Chillout Classical III - Boston Baroque
- La vida breve, G. 35, Act II, Tableau I: Spanish Dance - Chillout Classical III - Boston Baroque
- The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo (Transcr. A. Romero) - Chillout Classical III - Boston Baroque
- Carmen Suite No. 2: IV. Song of the Toreador (Act II) - Chillout Classical III - Boston Baroque
- The Comedians, Op. 26: Galop - Chillout Classical III - Boston Baroque
- Come, Gentle Night - Chillout Classical III - Boston Baroque
- Coppélia, Act I: Waltz - Chillout Classical III - Boston Baroque
- L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto - Chillout Classical III - Boston Baroque
- Pavane pour une infante défunte, M. 19 - Chillout Classical III - Boston Baroque
- Daphnis et Chloé Suite No. 2, M. 57b: III. Danse générale - Chillout Classical III - Boston Baroque
- Swan Lake Suite, Op. 20a, TH 219, Act III: No. 20, Hungarian Dance - Chillout Classical III - Boston Baroque
- Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin - Chillout Classical III - Boston Baroque
- Carmen Suite No. 2: II. Habañera (Act I) - Chillout Classical III - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act II Scene 14: Variation II (Dance of the Sugar-Plum Fairy) - Chillout Classical III - Boston Baroque
- Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour - Chillout Classical III - Boston Baroque
- Madama Butterfly, SC 74, Act II: Humming Chorus - Chillout Classical III - Boston Baroque
- Concerto grosso in D Major, Op. 6 No. 5, HWV 323: V. Allegro - Chillout Classical III - Boston Baroque
- Otello, Act IV: Ave Maria, piena di grazia - Chillout Classical III - Boston Baroque
- Les sylphides: Finale. Grand valse brilliante, Op. 18 (Arr. C. Dragon) - Chillout Classical III - Boston Baroque
- Sylvia, Act III: Cortège de Bacchus - Chillout Classical III - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act II Scene 12: Trepak - Chillout Classical III - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act II Scene 13: Waltz of the Flowers - Chillout Classical III - Boston Baroque
- Carmen Suite No. 1: I. Prélude to Act I - Chillout Classical III - Boston Baroque
- The Sleeping Beauty Suite, Op. 66a, TH 234: II. Adagio. Pas d'action (Rose Adagio) - Chillout Classical III - Boston Baroque
- 3 Gymnopédies: No. 1 in D Major - Chillout Classical III - Boston Baroque
- Quatre motets pour le temps de Noël, FP 152: No. 3, Videntes stellam - Chillout Classical III - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act I Scene 2: March - Chillout Classical III - Boston Baroque
- The Nutcracker, Op. 71, TH 14: Overture - Chillout Classical III - Boston Baroque
- Ma mère l'oye (Cinq pièces enfantines), M. 62: V. Le jardin féerique - Chillout Classical III - Boston Baroque
- Rêverie, L. 68 (Transcr. Y. Kondonassis) - Chillout Classical III - Boston Baroque
- 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major - Chillout Classical III - Boston Baroque
- The Sleeping Beauty Suite, Op. 66a, TH 234: IV. Panorama - Chillout Classical III - Boston Baroque
- La vie parisienne: Galop - Chillout Classical III - Boston Baroque
- The Sleeping Beauty Suite, Op. 66a, TH 234: III. Pas de caractere (Puss-in-Boots and the White Cat) - Chillout Classical III - Boston Baroque
- Carmen Suite No. 1: III. Intermezzo (Entr'acte to Act III) - Chillout Classical III - Boston Baroque
- The Sleeping Beauty, Op. 66, TH 13, Act III: Polacca - Chillout Classical III - Boston Baroque
- Pas de quatre: Finale No. 8 (Orch. W. McDermott) - Chillout Classical III - Boston Baroque
- The Nutcracker, Op. 71, TH 14, Act II Scene 12: Coffee (Arabian Dance) - Chillout Classical III - Boston Baroque
- 3 Gymnopédies: No. 1 in D Major - Chillout Classical III - Boston Baroque
- Nocturne No. 1 in E-Flat Major. Molto moderato - Chillout Classical III - Boston Baroque
- Pelléas et Mélisande Suite, Op. 80: III. Sicilienne - Chillout Classical III - Boston Baroque
- 12 Danzas Españolas: No. 2, Oriental (Arr. A. Romero for 2 Guitars) - Chillout Classical III - Boston Baroque
- Orpheus in the Underworld: Can-Can - Chillout Classical III - Boston Baroque
- Gayane: Sabre Dance - Chillout Classical III - Boston Baroque
- The Firebird: Finale - Chillout Classical III - Boston Baroque
- The Sleeping Beauty Suite, Op. 66a, TH 234: I. Introduction. The Lilac Fairy - Chillout Classical III - Boston Baroque
- The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846 - Chillout Classical III - Boston Baroque
- Music As Popularized in "Kismet": Pt. 1, Symphony No. 2 - In the Steppes of Central Asia - String Quartet No. 2 - Symphony No. 1 (Excerpts) [Arr. E. Kunzel] - Chillout Classical III - Boston Baroque
- Music As Popularized in "Kismet": Pt. 2, String Quartet No. 2 - Overture to "Prince Igor" - Petite Suite - Polovtsian Dances from "Prince Igor" (Excerpts) [Arr. E. Kunzel] - Chillout Classical III - Boston Baroque
Similar Artists