Jeremy Siepmann
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Jeremy Siepmann (16 January 1942 – 6 April 2016), born in America and living in Britain for most of his career, was a broadcaster and writer on music.
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- Life and Works: Music: Piano Quintet in A Major ('Trout'), D. 667 (mvt 4: Theme with variations: Andantino) / Speech: Home and away: Schubert's boyhood - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Escape to Hungary - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Romantic visions and inner turmoil - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: New serenity - and a misanthropic tirade - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: String Quartet No. 1 in mixed keys, D. 18 (mvt 1: Andante-Presto vivace) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Marche Militaire No. 1 in D, D. 733 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Die Verschworenen, D. 787 (Duet: 'Sie ist's! Er ist's!') - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Winterreise, D. 911 (Rückblick, No. 8) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Homesickness and the death of his mother - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Mayrhofer, misanthropy and melancholy; his first instrumental masterpiece - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: A dream and a terrible discovery - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Schubert and Beethoven - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Piano Trio (in one movement) in B flat, D. 28 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: String Quartet in C Minor ('Quartettstaz'), D. 703 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: String Quartet in D Minor ('Death and the Maiden'), D. 810 (mvt 1: Allegro) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Growing circle of friends and a change of direction - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: A belated adolescence, and the black-winged demon - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Syphilis, Schober, dissipation and sublimation - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Symphony No. 1 in D, D. 82 (finale) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Der Strom, D. 565 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Die schöne Müllerin, D. 795 (Halt!, No. 3) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: In school and out; the first flowering of genius - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: No happy music? - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: The Schubert Circle - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Gretchen am Spinnrade, D. 118 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Piano Quintet in A Major ('Trout'), D. 667 (mvt 3: Scherzo: Presto) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Incidental Music to 'Rosamunde', D. 797 (Ballet Music No. 2) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: First love, and the unwelcome realities of adulthood - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Joys, sorrows and perspective - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: 'The most unhappy and miserable creature on earth' - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Erlkönig, D. 328 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Symphony No. 8 in B Minor ('Unfinished'), D. 759 (mvt 1: Allegro moderato) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Octet in F, D. 803 (mvt 4: Andante with variations - variation 2) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Speed demon and diarist / Music: Mozart - String Quintet in G Minor, K. 516 (mvt 4) / Speech: Destiny - the advent of Schober & Vogl - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Death, suffering, redemption and arrogance - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: The 'life' in the 'music' - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Mass No. 5 in A flat, D. 678 (Gloria) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Piano Sonata in A Major, D. 959 (mvt 2: Andantino) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: String Quartet in A Minor, D. 804 (mvt 1: Allegro ma non troppo) - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: The child in the man: the testimony of friends - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Drama on and off the stage - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: In and out of pain; a lovelorn and melancholy Hungarian summer - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Auf der Bruck, D. 853 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Fantasy in C ('Wanderer' Fantasy), D. 760 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Fantasy in F Minor for piano duet, D. 940 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Curtain - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Curtain - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Musical Vienna in decline - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Music: Impromptu No. 8 in F Minor, Op. 142/4, D. 935 No. 4 - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works: Speech: Curtain - Life and Works: Schubert (Siepmann) - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 92 in G ('Oxford', Mvt 4: Presto) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Finding his feet at the Esterhazy court - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Haydn and opera - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Return to Vienna (and an unusual new pupil) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Missa brevis Santic Joannis de Deo: 'Kleine Orgelmesse' (Kyrie) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Cello Concerto in C Major, Hob. VIIb: 1 (Mvt 3: Allegro molto) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: La fedelta premiata (Act One: Finale - 'Aiutatemi, son morta'; 'Ah, che duolo disperato') - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Beethoven: Piano Trio in G, Op. 1 No. 2 (Finale: Presto) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Pranks, a narrow escape and expulsion - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Reprimand, overwork, illness and inspiration - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: An affair and a friendship: Polzelli and Mozart - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Once more to England - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Poverty, hunger and determination - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Piano Sonata L. 33 in C Minor, Hob. XVI: 20 (Mvt 1: Moderato) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Mozart: String Quartet in C, K. 465 ('Dissonance', Mvt 1: Adagio-Allegro) - Going to bat for Mozart - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 100 in G ('Military', Mvt 2: Allegretto) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: C.P.E. Bach: Keyboard Sonata in A, Wq. 65/37 (Mvt 3: Allegro di molto) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: 'Sturm und Drang' - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: String Quartet in F, Op. 55 No. 2 (Mvt 4: Finale: Presto) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: The homecoming hero - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Further pranks, apprenticeship and a helping hand - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 45 in F-Sharp Minor ('Farewell', Mvt 1: Allegro assai) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Fame, servitude and loyalty: the unseen celebrity - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: String Quartet in G, Op. 76 No. 3 (Mvt 2: Poco adagio, cantabile) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: String Quartet in E flat, Op. 33 No. 2 (Mvt 4: Finale) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Mastery, history and profundity: a genius in full flower - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 88 in G (Mvt 4: Finale: Allegro con spirito) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Early fame and first sonatas - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: String Quartet in F Minor, Op. 20 No. 5 (Mvt 3: Adagio) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Sprung from a gilded cage: Haydn goes to London - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Piano Sonata L. 11 in B flat, Hob. XVI: 2 (Mvt 1: Moderato) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: 'Exile' at Esterhazy and enforced originality - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 96 in D ('The Miracle', Mvt 1: Adagio-Allegro) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Patronage, marriage and first symphonies - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 22 in E flat ('The Philosopher', Mvt 1: Adagio) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: The naked face of genius: triumph, glamour, depression and resilience - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 6 in D ('Le Martin', Mvt 1: Adagio-Allegro) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: A diplomat of genius - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 94 in G ('The Surprise', Mvt 2: Andante) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Haydn as servant and diplomat - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 45 in F-Sharp Minor ('Farewell', Mvt 4: closing Adagio) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Haydn as foreign correspondent - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 72 in D (Mvt 1: Allegro) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Fire endured and commemorated - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Six English Canzonettas: Piercing Eyes - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Curtain - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Symphony No. 70 in D (Mvt 4: Allegro con brio) - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Haydn as statistical historian - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Curtain - Life and Works: Haydn - Jeremy Siepmann
- Life and Works - Haydn: Piano Trio in G, Hob. XV: 25 (Mvt 3: Rondo all'ongarese) - Life and Works: Haydn - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Introduction, background and perspective - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A gentle, other-worldly start; no sign of the violence to come - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Music as mosaic; the composer as constructor - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Two functions of metrical change: going with the flow... - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): ...or disrupting it: a sample of metrical violence - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A stealthy entry (clarinets) - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Detour: the destabilising properties of chromaticism - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): On melodies, themes and motifs - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): The new cor anglais motif dominates - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): The oboe's rhythmic motif takes over - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A primeval awakening - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A panoply of Stravinskyan birdsong - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A matter of mode - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Cue to Introduction - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Introduction (complete) - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The 'Rite of Spring' chord - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The great arrival: bitonality - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Putting the boot in: a metrical mugging - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting of wrongs - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Metre restores (briefly) but the 'savage motif' returns - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The musical savages routed - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: An important new arrival (the 'horn motif') - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Another new theme from the horns - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: A crowded conclusion - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of Abduction: A real study in contrasts - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of Abduction: Panic and pandemonium as timpani open fire - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of Abduction: Climactic melee haunted by 'fear motif' - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: Suddenly another world, as flutes hover over harmonic vapour... - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: ...but a transient one: new movement arises from the deep - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: 'Dragging feet motif' over ostinato violins, twice interrupted - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: 'Marching motif' developed further by flutes and horns - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: A trilling commentary from piccolo and high clarinet - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: 'Marching motif' theme goes polymetric in huge crescendo - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: An unexpected change of pace as tempo doubles - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Spring Rounds: And an unexpected reversion, to a quiet close - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Violent onslaught from brass and timpani launches the 'Rival Tribes' - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Rival Tribes, rival motifs - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Sensational violence comes close to chaos - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Effects, impressions and alteration - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: A surprise re-entry and a change of instrumental clothing - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: A thinning of texture, a new idea, and a rude interruption - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: The new idea developed: A Minor earthquake - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: The use of tone colour as an agent of rhythm - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: An unusual climax... - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Ritual of the Rival Tribes: ...and a sinister transition - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Procession of the Sage: Across the threshold into an instrumental population explosion - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Procession of the Sage: A sudden silence and then another world - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Procession of the Sage: Catapulted into the 'Dance of the Earth' - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Dance of the Earth: Tiny changes, unyielding ostinatos, massive tension - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- Part I: The Adoration of the Earth: Dance of the Earth: Cue to Part I complete - Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Introduction, origins - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Imagery, analogy and the shape of the things to come; the opening flourish - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The unusual presence of the double-bass - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A palette of tone colours and the emergence of a theme - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Trouble getting off the ground, but the key Is not in doubt. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Jumping the queue: Schubert takes a lesson from Mozart. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Mozart demonstrates a traditional transition. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Destination clarified - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Mozart confirms our arrival. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A Schubertian shocker from a later work - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Rejoining the 'Trout', with a reminder - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The piano joins the strings with yet a third variant of the theme. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A rhythmic motto: The 'triplet motif' - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": We get It here. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": We get It there. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": We find It everywhere, even in the double-bass. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The strings' answer to the piano's opening flourish - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The two-part structure of the 'answering motif'... - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": ...But scarcely ever the same way twice - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The piano and strings now share the material for the first time. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Conversation as the first principle of chamber music - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Opening (introductory) section heard complete - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The violin and double-bass in partnership - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The violin and piano swap roles. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Transition to second main theme; triplets now everywhere - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": On the threshold of the new theme - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Second main theme (a 'love duet'), shared by cello and viola - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The abandonment of octaves in the piano changes the tone colour. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A surprising change of tone and a premonition - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A return to lyricism, but the cello jumps the gun - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A buoyant, skipping new theme Is given to the solo piano. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Re-entry of the strings as the violin takes up the new theme - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A transitional theme, and another Schubertian key-jump - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": We sense the imminent arrival of the closing theme. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A sudden, hushed key-change introduces part two of the closing theme. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The exposition comes to an end. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Cue to complete exposition - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Music: Exposition complete - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Introduction to the development; the genetic code of 'key' - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The contrasting aural properties of piano and violin - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The ponderous double-bass Is featured in the first main theme - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The strings Are liberated from servitude, but Are a long way from home. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A joyful conversation and a change of pace in the piano - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The piano takes the melodic lead again. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": A conversation between violin and piano leads to the exposition... - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": ...But Schubert gets It 'wrong'. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Music: First movement (complete) - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": Introduction to second movement - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The violin now takes theme one. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- An Introduction to … SCHUBERT, Piano Quintet "Trout": The piano regains the theme. - Classics Explained: Schubert - Piano Quintet in A Major, 'Trout' - Jeremy Siepmann
- Life and Works of Brahms: Destiny, Birth, and Childhood - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Young Messiah - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Road to the Requiem - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: A Watershed in Brahm's Career - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: From Brothel to Beethoven - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Concerto No. 1 in D Minor, Op. 15(opening) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: A German Requiem ('Denn alles Fleisch es ist wie Gras') - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Symphony No. 2 in D, Op. 73 (third movement) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Hungarian Dance No. 1 - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Virtuoso Takes Flight - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Wanderer - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The External Brahms - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: A Life-changing Tour - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Variations on a Theme by Paganini, Op. 35 - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Waltz in E, Op. 39 No. 2 - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: A Free Man at Last - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Meeting with Joachim - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Detmold and Distraction - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Consummate Performer - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Violin Concerto in D, Op. 77 (slow movement) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Sonata No. 3 in F Minor, Op. 5(Scherzo) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Serenade No. 1 in D, Op. 11 - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Five Studies for Piano (No. 3: Presto in G Minor, after Bach) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Composer at Work - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Joachim Weighs In - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Birth of the D Minor Concerto - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Paradox Personified: the Tender Savage - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Enter the Schumanns - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Concerto No. 1 in D Minor, Op. 15(Finale) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Concerto No. 2 in B flat, Op. 83 (Andante) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Sonata No. 3 in F Minor, Op. 5(first movement) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Taste of Failure - and of New Love - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: A Demanding Friend - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Prophecy and Tragedy: a Double Yoke - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: String Sextet in B flat, Op. 18 (Andante) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Variations on a Theme by Haydn (or Variations on the St Antony Chorale), Op. 56a - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Trio No. 2 in C, Op. 87(Scherzo) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Love, Folly, and a New Calling - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Eternal Child - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Brahms and Clara - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Motet 'Ich aber bin elend', Op. 110 No. 1 - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Ghost Exorcised - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Piano Sonata No. 1 in C, Op. 1(Finale) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Brahms and Wagner - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Symphony No. 1 in C Minor, Op. 68 (Finale) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: A Triangular Bond - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Variations and Fugue on a Theme by Handel, Op. 24 (Fugue) - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: The Death of Schumann - and a Fateful Decision - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Frustrated Hopes and a Mother's Death - Life and Works: Brahms - Jeremy Siepmann
- Life and Works of Brahms: Trio for Horn, Violin and Piano, Op. 40 (Finale) - Life and Works: Brahms - Jeremy Siepmann
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