Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting of wrongs

Name: Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting of wrongs
Description: Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting of wrongs a song by Jeremy Siepmann on BeMusic

Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting of wrongs a song by Jeremy Siepmann on BeMusic

Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Introduction, background and perspective by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A gentle, other-worldly start; no sign of the violence to come by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Music as mosaic; the composer as constructor by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Two functions of metrical change: going with the flow... by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): ...or disrupting it: a sample of metrical violence by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A stealthy entry (clarinets) by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Detour: the destabilising properties of chromaticism by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): On melodies, themes and motifs by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): The new cor anglais motif dominates by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): The oboe's rhythmic motif takes over by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A primeval awakening by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A panoply of Stravinskyan birdsong by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A matter of mode by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Cue to Introduction by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Introduction (complete) by Jeremy Siepmann,
Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The 'Rite of Spring' chord by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The great arrival: bitonality by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Putting the boot in: a metrical mugging by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting of wrongs by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Metre restores (briefly) but the 'savage motif' returns by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The musical savages routed by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: An important new arrival (the 'horn motif') by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Another new theme from the horns by Jeremy Siepmann,
Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: A crowded conclusion by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of Abduction: A real study in contrasts by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of Abduction: Panic and pandemonium as timpani open fire by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of Abduction: Climactic melee haunted by 'fear motif' by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: Suddenly another world, as flutes hover over harmonic vapour... by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: ...but a transient one: new movement arises from the deep by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: 'Dragging feet motif' over ostinato violins, twice interrupted by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: 'Marching motif' developed further by flutes and horns by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: A trilling commentary from piccolo and high clarinet by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: 'Marching motif' theme goes polymetric in huge crescendo by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: An unexpected change of pace as tempo doubles by Jeremy Siepmann,
Part I: The Adoration of the Earth: Spring Rounds: And an unexpected reversion, to a quiet close by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Violent onslaught from brass and timpani launches the 'Rival Tribes' by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Rival Tribes, rival motifs by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Sensational violence comes close to chaos by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Effects, impressions and alteration by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: A surprise re-entry and a change of instrumental clothing by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: A thinning of texture, a new idea, and a rude interruption by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: The new idea developed: A Minor earthquake by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: The use of tone colour as an agent of rhythm by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: An unusual climax... by Jeremy Siepmann,
Part I: The Adoration of the Earth: Ritual of the Rival Tribes: ...and a sinister transition by Jeremy Siepmann,
Part I: The Adoration of the Earth: Procession of the Sage: Across the threshold into an instrumental population explosion by Jeremy Siepmann,
Part I: The Adoration of the Earth: Procession of the Sage: A sudden silence and then another world by Jeremy Siepmann,
Part I: The Adoration of the Earth: Procession of the Sage: Catapulted into the 'Dance of the Earth' by Jeremy Siepmann,
Part I: The Adoration of the Earth: Dance of the Earth: Tiny changes, unyielding ostinatos, massive tension by Jeremy Siepmann,
Part I: The Adoration of the Earth: Dance of the Earth: Cue to Part I complete by Jeremy Siepmann,