Thomas Morley
{
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of late Renaissance music. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare.
Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent (a type of monopoly). He used the monopoly in partnership with professional music printers such as Thomas East.
{
- Bach: Notebook for Wilhelm Friedemann Bach: No. 8, Prelude in F Major, BWV 927 - Baroque Revolution - Thomas Morley
- Bach: Canon a 2 perpetuus in D Minor, BWV 1075 - Baroque Revolution - Thomas Morley
- Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: I. Larghetto - Baroque Revolution - Thomas Morley
- Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: II. Allegro - Baroque Revolution - Thomas Morley
- Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: III. Alla siciliana - Baroque Revolution - Thomas Morley
- Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: IV. Allegro - Baroque Revolution - Thomas Morley
- Bach, JS: Goldberg Variations, BWV 988: Aria - Baroque Revolution - Thomas Morley
- Bach, JS: Goldberg Variations, BWV 988: Variation I - Baroque Revolution - Thomas Morley
- Bach, JS: Goldberg Variations, BWV 988: Variation II - Baroque Revolution - Thomas Morley
- Bach, JS: Goldberg Variations, BWV 988: Variation III. Canone all'unisono - Baroque Revolution - Thomas Morley
- Bach, JS: Goldberg Variations, BWV 988: Variation IV - Baroque Revolution - Thomas Morley
- Bach, JS: Goldberg Variations, BWV 988: Variation V - Baroque Revolution - Thomas Morley
- Couperin: L'art de toucher le clavecin: Premier prélude - Baroque Revolution - Thomas Morley
- Couperin: L'art de toucher le clavecin: Troisième prélude - Baroque Revolution - Thomas Morley
- Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. — - Baroque Revolution - Thomas Morley
- Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo - Baroque Revolution - Thomas Morley
- Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Baroque Revolution - Thomas Morley
- Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: I. Prélude - Baroque Revolution - Thomas Morley
- Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: II. Tendrement - Baroque Revolution - Thomas Morley
- Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: III. Vite - Baroque Revolution - Thomas Morley
- Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: IV. Gaiment - Baroque Revolution - Thomas Morley
- Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: V. Modérément - Baroque Revolution - Thomas Morley
- Telemann: Nouveaux quatuors "Paris Quartets": No. 1 in D Major, TWV 43:D3: VI. Vite - Baroque Revolution - Thomas Morley
- Bach, JS: Suite in E Minor, BWV 996: I. Prelude - Baroque Revolution - Thomas Morley
- Bach, JS: Suite in E Minor, BWV 996: II. Allemande - Baroque Revolution - Thomas Morley
- Bach, JS: Suite in E Minor, BWV 996: III. Courante - Baroque Revolution - Thomas Morley
- Bach, JS: Suite in E Minor, BWV 996: IV. Sarabande - Baroque Revolution - Thomas Morley
- Bach, JS: Suite in E Minor, BWV 996: V. Bourrée - Baroque Revolution - Thomas Morley
- Bach, JS: Suite in E Minor, BWV 996: VI. Gigue - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 1, Sinfonia - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 7, Aria. "Bid the Virtues" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 8, Aria. "These Are the Sacred Charms" - Baroque Revolution - Thomas Morley
- Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9, Duet and Chorus. "See Nature Rejoicing" - Baroque Revolution - Thomas Morley
- Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: I. Adagio - Baroque Revolution - Thomas Morley
- Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: II. Allegro - Baroque Revolution - Thomas Morley
- Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: III. Andante - Baroque Revolution - Thomas Morley
- Bach, JS: Violin Sonata No. 1 in B Minor, BWV 1014: IV. Allegro - Baroque Revolution - Thomas Morley
- Frescobaldi: Il secondo libro di toccate: Gagliarda prima - Baroque Revolution - Thomas Morley
- Frescobaldi: Il secondo libro di toccate: Gagliarda seconda - Baroque Revolution - Thomas Morley
- Frescobaldi: Il secondo libro di toccate: Gagliarda terza - Baroque Revolution - Thomas Morley
- Frescobaldi: Il secondo libro di toccate: Gagliarda quarta - Baroque Revolution - Thomas Morley
- Frescobaldi: Il secondo libro di toccate: Gagliarda quinta - Baroque Revolution - Thomas Morley
- Mondonville: Sonata for Violin and Harpsichord in F Major, Op. 3 No. 2: I. Allegro - Baroque Revolution - Thomas Morley
- Mondonville: Sonata for Violin and Harpsichord in F Major, Op. 3 No. 2: II. Aria - Baroque Revolution - Thomas Morley
- Mondonville: Sonata for Violin and Harpsichord in F Major, Op. 3 No. 2: III. Giga - Baroque Revolution - Thomas Morley
- Bach: O Herzensangst, o Bangigkeit und Zagen!, BWV 400 - Baroque Revolution - Thomas Morley
- Rameau: Troisième livre de pièces de clavecin, Suite en la: La triomphante - Baroque Revolution - Thomas Morley
- Bach, JS: Concerto for Four Harpsichords in A Minor, BWV 1065: II. Largo - Baroque Revolution - Thomas Morley
- Bach, JS: Concerto for Four Harpsichords in A Minor, BWV 1065: III. Allegro - Baroque Revolution - Thomas Morley
- Schütz: Erbarm dich mein, o Herre Gott, SWV 477 - Baroque Revolution - Thomas Morley
- Scheidt: Ludi musici I: No. 5, Paduan a 4 - Baroque Revolution - Thomas Morley
- April Is in My Mistress' Face - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Clorinda False - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Why Sit I Here, Alas, Complaining - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Since My Tears And Lamenting - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Help I Fall - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Lady, Why Grieve You Still Me - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- In Dew Of Roses - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- In Ev'ry Place - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Now Is The Gentle Season - First Part, Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- The Fields Abroad - Second Part, Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Come, Lovers, Follow Me - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- O No, Thou Dost But Flout Me - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- I Will No More Come To Thee - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Besides A Fountain - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Sport We My Lovely Treasure - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Hark, Jolly Shepherds - Arranged for Guitar by Noël Akchoté - Morley - Madrigals to Four Voices (1594, for Guitar) - Thomas Morley
- Cooke: Alma proles regina (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dunstable: Crux fidelis - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer) - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dunstable: O crux gloriosa - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Pycard: Gloria II (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Damett: Salve porta paradisi (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dunstable: Gaude virgo salutata - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Power: Credo II (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dunstable: Albanus roseo rutilat - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Chirbury: Agnus Dei (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Weelkes: Madrigals to 3-6 Voices: No. 15, Those Sweet Delightful Lilies - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 3, Some Men Desire Spouses - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Ward: The First Set of English Madrigals: No. 19, Retire, My Troubled Soul - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Byrd: Psalmes, Songs, and Sonnets: No. 19, Come Woeful Orpheus - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 6, Come, Sirrah Jack, Ho! - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Morley: Madrigals to Four Voices: No. 18, Die Now, My Heart - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Tomkins: Songs of 3-6 Parts: No. 8, O Let Me Die for True Love - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Wilbye: The First Set of Madrigals: No. 10, Lady, When I Behold - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 1, Come, Let's Begin to Revel't Out - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Pilkington: Second Set of Madrigals and Pastorals: No. 19, Care for Thy Soul - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Wilbye: The Second Set of Madrigals: No. 15, As Matchless Beauty - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Morley: Canzonets or Little Short Aers: No. 16, You Black Bright Stars - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Tomkins: Songs of 3-6 Parts: No. 9, Oyez, Has Any Found a Lad? - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Pilkington: The First Booke of Songs or Ayres: No. 17, Diaphenia Like the Daffdowndilly - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Jones: Ultimum vale: No. 12, Thinkst thou Kate to Put Me Downe - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Pilkington: The First Booke of Songs or Ayres: No. 16, Down-a-Down - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: The Second Booke of Songs or Ayres: No. 17, A Shepherd in a Shade - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 20, Jack and Jone - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: The Third and Last Booke of Songs or Aires: No. 17, I Must Complain - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Campion: Second Book of Ayres Contayning Light Conceits of Lovers: No. 19, A Secret Love - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: A Pilgrims Solace: No. 2, Sweet, Stay Awhile - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: Mr. Dowland's Midnight, P. 99 - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
- Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs - Thomas Morley
Similar Artists