Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer)
Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer) a song by John Forest on BeMusic
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Cooke: Alma proles regina (From British Library MS 57950 "Old Hall Manuscript") by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dunstable: Crux fidelis by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer) by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dunstable: O crux gloriosa by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Pycard: Gloria II (From British Library MS 57950 "Old Hall Manuscript") by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Damett: Salve porta paradisi (From British Library MS 57950 "Old Hall Manuscript") by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dunstable: Gaude virgo salutata by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Power: Credo II (From British Library MS 57950 "Old Hall Manuscript") by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dunstable: Albanus roseo rutilat by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Chirbury: Agnus Dei (From British Library MS 57950 "Old Hall Manuscript") by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Weelkes: Madrigals to 3-6 Voices: No. 15, Those Sweet Delightful Lilies by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 3, Some Men Desire Spouses by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Ward: The First Set of English Madrigals: No. 19, Retire, My Troubled Soul by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Byrd: Psalmes, Songs, and Sonnets: No. 19, Come Woeful Orpheus by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 6, Come, Sirrah Jack, Ho! by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Morley: Madrigals to Four Voices: No. 18, Die Now, My Heart by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Tomkins: Songs of 3-6 Parts: No. 8, O Let Me Die for True Love by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Wilbye: The First Set of Madrigals: No. 10, Lady, When I Behold by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 1, Come, Let's Begin to Revel't Out by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Pilkington: Second Set of Madrigals and Pastorals: No. 19, Care for Thy Soul by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Wilbye: The Second Set of Madrigals: No. 15, As Matchless Beauty by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Morley: Canzonets or Little Short Aers: No. 16, You Black Bright Stars by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Tomkins: Songs of 3-6 Parts: No. 9, Oyez, Has Any Found a Lad? by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Pilkington: The First Booke of Songs or Ayres: No. 17, Diaphenia Like the Daffdowndilly by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Jones: Ultimum vale: No. 12, Thinkst thou Kate to Put Me Downe by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Pilkington: The First Booke of Songs or Ayres: No. 16, Down-a-Down by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: The Second Booke of Songs or Ayres: No. 17, A Shepherd in a Shade by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 20, Jack and Jone by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: The Third and Last Booke of Songs or Aires: No. 17, I Must Complain by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
-
Campion: Second Book of Ayres Contayning Light Conceits of Lovers: No. 19, A Secret Love by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: A Pilgrims Solace: No. 2, Sweet, Stay Awhile by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: Mr. Dowland's Midnight, P. 99 by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,
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Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part by
Bruno Turner,
Pro Cantione Antiqua,
John Dowland,
John Dunstable,
John Wilbye,
Leonel Power,
Thomas Morley,
Thomas Tomkins,
William Byrd,
Thomas Damett,
Alan Cuckston,
John Ward,
Robert Chirbury,
Francis Pilkington,
Christopher Wilson,
Thomas Ford,