La pietra del paragone (the Touchstone), Act II: Quell'al nee pupille i'o serbo
La pietra del paragone (the Touchstone), Act II: Quell'al nee pupille i'o serbo a song by Gioachino Rossini on BeMusic
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Prologue by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Orlando, HWV 31, Act III: Finale by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Rodelinda, HWV 19, Rodelinda, HWV 19, Act I: Prigioniera ho l'alma in pene (Sung in German) by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Orphée et Eurydice, Orfeo ed Euridice, Act I Scene 2 - Act II Scene 1 by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Alceste, Alceste, Act I: Divinities du Styx (Sung in Swedish) [Sung in Swedish] by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Saper bramate - Recitative. Serrata ha la finestra - Duet. Nun dubitar, o Figaro by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Die Entführung aus dem Serail, K. 384, Die Entführung aus dem Serail, K. 384, Act III: Ha, wie will ich triumfieren (Abduction from the Seraglio) by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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La canterina, Hob. XXVIII:2, La canterina, Hob. XXVIII:2, Act II: Non v'e chi mi aiuta by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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L'honesta negli amori, Act I: Vo cercado by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Dido & Aeneas, Z. 626: Dido and Aeneas, Z. 626: Dido's Farewell by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Il fanatico burlato, Act I, Tutto afette e tutti'amore, Il fanatico burlato, Act I: Tutto afette e tutti'amore by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Il mondo della luna, Hob. XXVIII:7, Il mondo della luna, Hob. XXVIII:7, Act III: Un certo ruscelletto per vi by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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L'elisir d'amore (the Elixir of Love), Act I: Voglio dire lo stupendo by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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La pietra del paragone (the Touchstone), Act II: Quell'al nee pupille i'o serbo by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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L'incoronazione di Poppea, L'incoronazione di Poppea, Act II: Octavia's Farewell (Sung in Swedish) [Sung in Swedish] by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Il Pastor fido, HWV 8, Act II: Scherzo in mar la naviella by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Scipione affricano, Act III Scene 8 by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,
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Don Giovanni, K. 527: Là ci darem la mano by
Royal Swedish Orchestra,
Anita Soldh,
Laila Andersson-palme,
Claude Genetay,
Karin Langebo,
Arnold Östman,
Carl-Axel Hallgren,