Bitter Music: June 17

Name: Bitter Music: June 17
Description: Bitter Music: June 17 a song by Harry Partch on BeMusic

Bitter Music: June 17 a song by Harry Partch on BeMusic

I'm going to start right off by giving you some sounds… by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
I am Harry Partch by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: June 11, 1935 — Santa Rosa, California by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
By the Rivers of Babylon by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
2 Settings from Finnegans Wake: No. 1. Isobel by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: June 12 — Federal Shelter, Stockton by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: June 13 by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Texts and Music: A Wagnerian Wrestling Match by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: June 14 by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: A Dream by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Dark Brother by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: An Encounter in the Field by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: June 17 by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: On Hearing the Flute by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Bitter Music: July 4 by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: The Intruder by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic) by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: I am a Peach Tree by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: With a Man of Leisure by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: A Midnight Farewell by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: Before the Cask of Wine by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: On the Ship of Spicewood by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
17 Lyrics of Li Po: By the Great Wall by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Close Degrees by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
The Use of English in Serious Music by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Barstow: 8 Hitchhikers' Inscriptions by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…" by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
Life is too precious to spend it with important people by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…" by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
US Highball: a Musical Account of a Transcontinental Hobo Trip by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
My Heart Keeps Beating Time by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy." by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
San Francisco II by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation by Lee Hoiby, Harry Partch, Horace Schwartz, John Garvey, Danlee Mitchell, Keith Johnson,