Sissonne ouvert 3/4 (‘Seligkeit’, D.433 by F.Schubert)
Sissonne ouvert 3/4 (‘Seligkeit’, D.433 by F.Schubert) a song by Franz Schubert on BeMusic
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Révérence (`I Know Whom I Have Believed’ by J.McGranahan) by
Luigi Arditi,
Yoonjeong Kim,
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Warm up 2/4 (Symphony No. 9 in E minor, Op. 95 ‘From the New World’ II. Largo by A.Dvořák) by
Luigi Arditi,
Yoonjeong Kim,
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Plié 3/4 (Suite bergamasque No. 3 ‘Clair de lune’ by C.Debussy) by
Luigi Arditi,
Yoonjeong Kim,
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Battement tendu 2/4 (Piano Sonata No. 16 in C Major, K.545 I. Allegro by W.A.Mozart) by
Luigi Arditi,
Yoonjeong Kim,
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Battement jeté 2/4 (Piano Sonata No. 6 in D Major, K.284 III. Andante by W.A.Mozart) by
Luigi Arditi,
Yoonjeong Kim,
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Rond de jambe par terre-Port de bras 2/4 (Trois mélodies Op. 18, No. 1 ‘Nell’ by G.Fauré) by
Luigi Arditi,
Yoonjeong Kim,
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Battement fondu 2/4 (2 Canciones mexicanas No. 2 ‘Estrellita’ by M.Ponce) by
Luigi Arditi,
Yoonjeong Kim,
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Battement frappé 2/4 (‘Hunter’s Chorus’ by C.M.v.Weber) by
Luigi Arditi,
Yoonjeong Kim,
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Rond de jambe en l’air 2/4 (‘Don Quixote’ Act I:Don Quixote Invites Quiteria To A Minuet by L.Minkus) by
Luigi Arditi,
Yoonjeong Kim,
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Petit battement 2/4 (Sonatina in F Major Anh.5 II. Rondo by L.v.Beethoven) by
Luigi Arditi,
Yoonjeong Kim,
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Battement développé 3/4 (Violin Concerto Op. 35 I. Allegro moderato by P.I.Tchaikovsky) by
Luigi Arditi,
Yoonjeong Kim,
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Grand battement 2/4 (Le Ballet de Faust IV. Moderato maestoso by C.F.Gounod) by
Luigi Arditi,
Yoonjeong Kim,
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Adagio 3/4 (4 Lieder, Op. 27 IV. ‘Morgen’ by R.Strauss) by
Luigi Arditi,
Yoonjeong Kim,
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Battement tendu-Passé pirouette 2/4 (Harpsichord Concerto No. 5 in F minor, BWV1056 II. Largo by J.S.Bach) by
Luigi Arditi,
Yoonjeong Kim,
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Battement jeté 2/4 (Etude Op. 25, No. 9 ‘Butterfly’ by F.Chopin) by
Luigi Arditi,
Yoonjeong Kim,
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Pirouette 3/4 (‘Il bacio’ by L.Arditi) by
Luigi Arditi,
Yoonjeong Kim,
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Rond de jambe par terre & Fondu-Port de bras 2/4 (‘Si mes vers avaient des ailes’ by R.Hahn) by
Luigi Arditi,
Yoonjeong Kim,
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Rond de jambe en l’air & Pas de bourrée 2/4 (Variations on a Theme by Mozart by M.Glinka) by
Luigi Arditi,
Yoonjeong Kim,
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Battement frappé-Petit battement 2/4 (‘Annen polka’, Op. 117 by J.Strauss II) by
Luigi Arditi,
Yoonjeong Kim,
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Grand battement & Balancé 3/4 (Waltz from the Opera Faust by F.Liszt/Gounod ) by
Luigi Arditi,
Yoonjeong Kim,
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Pas sauté & Pas changement & Pas échappé 2/4 (‘Don Pasquale’ by G.Donizetti) by
Luigi Arditi,
Yoonjeong Kim,
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Pas assemblé & Sissonne simple 2/4 (‘La Sylphide’ Act II:Sylfiden 2. Solo by J.M.Schneitzhoeffer) by
Luigi Arditi,
Yoonjeong Kim,
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Pas jeté 2/4 (‘La fioraia fiorentina’ by G.A.Rossini) by
Luigi Arditi,
Yoonjeong Kim,
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Sissonne ouvert 3/4 (‘Seligkeit’, D.433 by F.Schubert) by
Luigi Arditi,
Yoonjeong Kim,
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Pas de basque 3/4 (’Le Corsaire’ Act I:No. 21 Variation of Medora by A.Adam) by
Luigi Arditi,
Yoonjeong Kim,
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Sissonne fermé 3/4 (‘Don Quixote’ Act II, Quiteria And Basilio by L.Minkus) by
Luigi Arditi,
Yoonjeong Kim,
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Grand allegro 3/4 (Ballet Suite Op. 57 ‘Raymonda’ III. Grande Valse by A.Glazunov) by
Luigi Arditi,
Yoonjeong Kim,
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Boy’s grand allegro 2/4 (Lyric Pieces, Op. 65 No. 6 ‘Wedding-day at Troldhaugen’ by E.Grieg) by
Luigi Arditi,
Yoonjeong Kim,
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En pointe-Pas échappé 2/4 (String Quartet in D Major, Op. 64, No. 5 ‘The Lark’, Hob.III:63 I. Allegro moderato by F.J.Haydn) by
Luigi Arditi,
Yoonjeong Kim,
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En pointe-Pas de bourrée 2/4 (Piano Sonata No. 3 in B flat Major, K.281 III.Rondo by W.A.Mozart) by
Luigi Arditi,
Yoonjeong Kim,
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En pointe-Pas assemblé & Pas glissade en tournant 2/4 (Ballet Suite ‘Raymonda’ Op. 57, 2.‘Pizzicato’ by A.Glazunov) by
Luigi Arditi,
Yoonjeong Kim,
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En pointe-Sissonne ouvert & Ballonné 2/4 (‘Grand pas Classique’ Female variation by D.F.Auber) by
Luigi Arditi,
Yoonjeong Kim,
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En pointe-Pas jeté 2/4 (’La Bayadère’ Act III:46 Variation 3. Soloist shade by L.Minkus) by
Luigi Arditi,
Yoonjeong Kim,
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En pointe-Pas jeté fondu 3/4 (’Swan lake’ Op. 20, Act II, 13. Dances of the swan by P.I.Tchaikovsky) by
Luigi Arditi,
Yoonjeong Kim,