Alles hat ein ende, nur die Wurst hat zwei - Piece for Two Woodblocks (Each Played Through Three Discrete Spaces) and a Bank of Six Sine Wave Oscillators

Name: Alles hat ein ende, nur die Wurst hat zwei - Piece for Two Woodblocks (Each Played Through Three Discrete Spaces) and a Bank of Six Sine Wave Oscillators
Description: Alles hat ein ende, nur die Wurst hat zwei - Piece for Two Woodblocks (Each Played Through Three Discrete Spaces) and a Bank of Six Sine Wave Oscillators a song by Neil Quigley on BeMusic

Alles hat ein ende, nur die Wurst hat zwei - Piece for Two Woodblocks (Each Played Through Three Discrete Spaces) and a Bank of Six Sine Wave Oscillators a song by Neil Quigley on BeMusic

Arryhtmic Patterns to Help Infants Accept Complex Temporal Relations by Neil Quigley,
Early Impulse Study 1 - St. Mary's Cathedral by Neil Quigley,
The Golden Apples of the Sun by Neil Quigley,
Androgynous Vowel Choir Experiment No. 3 by Neil Quigley,
Water, Bottle, Father, Mother by Neil Quigley,
Alles hat ein ende, nur die Wurst hat zwei - Piece for Two Woodblocks (Each Played Through Three Discrete Spaces) and a Bank of Six Sine Wave Oscillators by Neil Quigley,
Meascán - For Violin, Viola and Cello Each with Automated Ring Modulators (Extract) by Neil Quigley,
The Foggy Foggy Dew by Neil Quigley,
An English Country Garden by Neil Quigley,
Experiment No. 36c by Neil Quigley,
Experiment No. 37a by Neil Quigley,
Tuvahompi (Second Movement) by Neil Quigley,
The Nore by Neil Quigley,
The Suir by Neil Quigley,
The Barrow by Neil Quigley,
Piece for Recorder Quartet and Two Synchronised Delay Lines, Made of Fragments from Planxty Eleanor Plunkett, In Celebration of the Opening of the Teletext Conference, Kilkenny '89 by Neil Quigley,