The Symphomaniac, Part I: Symphonic or Bust - Live At Cornell University, December 1948
The Symphomaniac, Part I: Symphonic or Bust - Live At Cornell University, December 1948 a song by Duke Ellington Orchestra on BeMusic
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Black, Brown & Beige: Black - Work Song by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown & Beige: Black - Come Sunday by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown & Beige: Black - Light by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown & Beige: Brown - West Indian Dance by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown & Beige: Brown - Emancipation Proclamation by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown & Beige: Brown - the Blues by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown & Beige: Beige by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Three Black Kings (Les Trois Rois Noirs): King Of The Magi, King Solomon, Martin Luther King - orchestrated by Luther Henderson by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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New World a-Comin' for solo piano and orchestra - orchestrated by Maurice Peress by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Tattooed Bride - Live, Cornell University, December 1948 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Harlem - Live, London, England, February 20, 1964 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Reminiscing In Tempo - Live, December 10, 1948, Cornell University, New York by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Symphomaniac, Part I: Symphonic or Bust - Live At Cornell University, December 1948 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Symphomaniac, Part II: How You Sound - Live At Cornell University, December 1948 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Come Sunday; Work Song - Two Excerpts from Black, Brown & Beige - Live, January 20, 1946, Chicago, Illinois by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Tonal Group: Mello Ditty (Meloditty) - Live, Chicago, Illinois, January 20, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Tonal Group: Fugue (Fugaditty) - Live, Chicago, Illinois, January 20, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Tonal Group: Jam a Ditty - Concerto for Jam Band - Live, Chicago, Illinois, January 20, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Deep South Suite: There Was Nobody Looking - Live, Chicago, Illinois, November 10, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Deep South Suite: Magnolias Just Dripping with Molasses - Live, Chicago, Illinois, November 10, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Deep South Suite: Hearsay - Live, Chicago, Illinois, November 10, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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The Deep South Suite: Happy-Go-Lucky Local - Live, Chicago, Illinois, November 10, 1946 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Black, Brown And Beige Suite: Work Song, Come Sunday, Light by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Music Is My Mistress, Movement I, Part 1 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Music Is My Mistress, Movement I, Part 2 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Music Is My Mistress, Movement 2 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Music Is My Mistress, Movement 3 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Music Is My Mistress, Movement 4 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Music Is My Mistress, Movement 5 by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,
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Harlem by
Gerald Wiggins,
Ed Neumeister,
American Composers Orchestra,