Graciela y Buenos Aires (1992)
Graciela y Buenos Aires (1992) a song by José Bragato on BeMusic
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Five Pieces in Folk Style, Op. 102 (1849): I. "Vanitas Vanitatum" - Mit Humor by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Five Pieces in Folk Style, Op. 102 (1849): II. Langsam by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Five Pieces in Folk Style, Op. 102 (1849): III. Nicht Schnell, Mit Viel Ton Zu Spielen by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Five Pieces in Folk Style, Op. 102 (1849): IV. Nicht Zu Rasch by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Five Pieces in Folk Style, Op. 102 (1849): V. Stark Und Markiert by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Milontan by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Adagio Und Allegro, Op. 70 (1849) by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Graciela y Buenos Aires (1992) by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): I. Vorspiel. Im Bolerostempo by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): II. Lied. De Dentro Tengo Mi Mal (Tief Im Herzen Trag' Ich Pein) by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): V. Romanze. Ebro Caudolose (Flutenreicher Ebro) by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): VII. Lied. Sannosa Esta La Ninna (Weh, Wie Zornig Ist Das Mädchen) by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Spanische Liebeslieder, Op. 138 (1849) (Arr. For Cello and Piano): VIII. Lied. La Sierra Es Alta (Hoch, Hoch Sind Die Berge) by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,
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Otoño Porteño (1970) [Arr. For Violin, Cello and Piano] by
José Bragato,
Alica Koyama Müller,
Roger Morelló Ros,