Judas Maccabaeus, HWV 63, Act III : No. 33, Aria, "So shall the lute and harp awake" (Israelitish Woman)

Name: Judas Maccabaeus, HWV 63, Act III : No. 33, Aria, "So shall the lute and harp awake" (Israelitish Woman)
Description: Judas Maccabaeus, HWV 63, Act III : No. 33, Aria, "So shall the lute and harp awake" (Israelitish Woman) a song by George Frideric Handel on BeMusic

Judas Maccabaeus, HWV 63, Act III : No. 33, Aria, "So shall the lute and harp awake" (Israelitish Woman) a song by George Frideric Handel on BeMusic

Exsultate, jubilate, K. 165/158a: I. Aria, "Exsultate, jubilate" (Allegro) - Recitative, "Fulget amica dies" - II. Aria, "Tu virginum corona" - III. Alleluja (Allegro) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Manon, Act III Tableau 1 Scene 4: "Je marche sur tous les chemins ... Obéissons, quand leur voix appelle" (Manon, Jeunes Seigneurs) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
La bohème, SC 67, Act IV: "Sono andati? Fingevo di dormire ... La mia cuffietta!" (Mimi, Rodolfo, Schaunard, Marcello, Musetta) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Mefistofele, Act III: "L'altra notte in fondo al mane" (Margherita) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Tannhäuser, WWV 70, Act II Scene 1: "Dich, teure Halle" (Elisabeth) - "Dort ist sie" (Wolfram, Tannhäuser, Elisabeth) - "Gepriesen sei dies Wunder" (Elisabeth) - "Den Gott der Liebe sollst du preisen" (Tannhäuser, Elisabeth) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Simon Boccanegra, Act I Scene 1: "Come in quest'ora bruna" (Amelia) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
La damoiselle élue, L. 69: "Je voudrais qu'il fût déjà près de moi" (La Damoiselle élue) - "Elle regarda, prêta l'oreille et dit" (Chorus, La Damoiselle élue) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Il barbiere di Siviglia, Act I Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Canciones epigramáticas: No. 12, La presumida, "Bautizada en San Andrés" (Allegro moderato) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Canciones epigramáticas: No. 9, El retrato de Isabela, "Óyeme tu retrato, Niña Isabela" (Poco allegretto) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Judas Maccabaeus, HWV 63, Act III : No. 33, Aria, "So shall the lute and harp awake" (Israelitish Woman) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,
Giulio Cesare in Egitto, HWV 17, Act II Scene 2: No. 19, Aria, "V'adoro, pupille" (Cleopatra) - Recitativo, "Non ha in cielo il Tonante" (Cesare) by Bell Telephone Hour Orchestra, John Reardon, Victoria de los Ángeles, Lucine Amara, Radcliffe Choral Society, Arnold Goldsbrough,