Britten: A Midsummer Night's Dream, Op. 64, Act 3: "Now the Hungry Lion Roars" (Fairies, Puck, Oberon, Tytania)
Britten: A Midsummer Night's Dream, Op. 64, Act 3: "Now the Hungry Lion Roars" (Fairies, Puck, Oberon, Tytania) a song by Benjamin Britten on BeMusic
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Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, Aria. "By Beauteous Softness" by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Admeto, HWV 22, Act 1: Aria. "Se l'arco avessi e i strali" (Trasimede) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Admeto, HWV 22, Act 2: Aria. "Da te più tosto partir vogl'io" (Trasimede) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Admeto, HWV 22, Act 2: Aria. "Chi è nato alle sventure" (Trasimede) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Admeto, HWV 22, Act 3: Aria. "Armati, oh core, di cieco sdegno!" (Trasimede) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Bernstein: Chichester Psalms: II. Psalm XXIII. "Adonai ro-i, lo ehsar" - Psalm II. "Lamah rag'shu goyim" (Version for Choir, Organ, Harp and Percussion) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Charpentier: Messe de minuit pour Noël, H. 9: II. Gloria by
Paul Elliott,
Jill Gomez,
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Trinity Boys Choir,
Lillian Watson,
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Charpentier: Messe de minuit pour Noël, H. 9: VI. Agnus Dei by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Messiah, HWV 56, Pt. 2: Aria. "He Was Despised and Rejected of Men" by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Messiah, HWV 56, Pt. 3: Duet. "O Death, Where Is Thy Sting?" by
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Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
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Des Prez: El grillo by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Ghizeghem: De tous biens plaine by
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Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen" by
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Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Orff: Carmina Burana, Pt. 2 "In taberna": Olim lacus colueram by
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Purcell: O God, Thou Art My God, Z. 35 by
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Jill Gomez,
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Trinity Boys Choir,
Lillian Watson,
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Purcell: O God, Thou Hast Cast Us Out, Z. 36 by
Paul Elliott,
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Trinity Boys Choir,
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Britten: Rejoice in the Lamb, Op. 30: III. For the Mouse Is a Creature of Great Personal Valour by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Morley: O Mistress Mine by
Paul Elliott,
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Trinity Boys Choir,
Lillian Watson,
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Wilson: Take, O Take Those Lips Away by
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Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Anonymous: The Willow Song by
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Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: The Choice of Hercules, HWV 69: Air. "Yet Can I Hear That Dulcet Lay" (Hercules) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: The Choice of Hercules, HWV 69: Air. "Lead, Goddess, Lead the Way" (Hercules) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Frescobaldi: Primo libro d'arie musicali: No. 15, Se l'aura spira by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Pietragrua: Tortorella by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria with Choir. "He Shall Feed His Flock" by
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Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Handel: Messiah, HWV 56, Pt. 2, Scene 5: Aria. "Thou Art Gone up on High" by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Barbireau: Ein fröhlich Wesen by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
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Busnois: Fortuna desperata by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
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Lillian Watson,
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Britten: A Midsummer Night's Dream, Op. 64, Act 3: "Now the Hungry Lion Roars" (Fairies, Puck, Oberon, Tytania) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Purcell: Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 7, Duet. "Many Such Days May She Behold" by
Paul Elliott,
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Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Purcell: Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 9, Verse with Chorus. "As Much as We Below Shall Mourn" by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Del Encina: Triste España sin ventura (No. 317 from Cancionero de Palacio) by
Paul Elliott,
Jill Gomez,
Bournemouth Symphony Chorus,
Trinity Boys Choir,
Lillian Watson,
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Paul Elliott,
Jill Gomez,
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Trinity Boys Choir,
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Byrd: The Noble Famous Queen by
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Jill Gomez,
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Lillian Watson,
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Dowland: First Book of Songs: No. 6, Now, O Now I Needs Must Part by
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