Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie
Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie a song by Igor Stravinsky on BeMusic
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Prelude: "Te Deum laudamus" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Melodrama: "In a Worm's Likeness Will He Wend" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Building of the Ark (Choreography) by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Catalogue of the Animals: "The Lord Bade That I Should Bring" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Comedy (Noah and His Wife): "Wife, Come in!" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Flood (Choreography) by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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The Flood - A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Covenant of the Rainbow: "A Covenant, Noah, With Thee I Make" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Les Noces (1923): Part I, Scene 1: Chez le mariée "Kosal moya ko" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Les Noces (1923): Part I, Scene 2: che le marié "Prechistaya Mat, khodi" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Les Noces (1923): Part I, Scene 3: Le départ de la mariée "Blagoslavyalsya svetyol mesyats" by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Les Noces (1923): Part II, Scene 4: Le repas de noces by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Mass for Mixed Chorus and Double Wind Quintet: II. Gloria by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Mass for Mixed Chorus and Double Wind Quintet: III. Credo by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,
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Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei by
John Reardon,
Gregg Smith Singers,
The Ithaca College Concert Choir,
Jack Litten,
Robert Craft,
William Metcalf,
Adrienne Albert,
Mildred Allen,
Columbia Symphony Winds and Brass,
Gregg Smith,
Columbia Percussion Ensemble,
Igor Stravinsky,
Columbia Chamber Ensemble,