Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt)

Name: Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt)
Description: Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt) a song by Antonín Dvořák on BeMusic

Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt) a song by Antonín Dvořák on BeMusic

Introduction by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Slavonic Dances, Op. 72, B. 147 (Version for Orchestra): No. 1 in B Major (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Bits and pieces are all we may know about the music of Antonín Dvořák by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
10 Biblical Songs, Op. 99, B. 185: No. 4, Hospodin jest můj pastýř (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
The fourth of Dvořák's Ten Biblical Songs, titled "The Lord is my shepherd" and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
10 Biblical Songs, Op. 99, B. 185: No. 6, Slyš, ó Bože, volání mé (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Antonín Leopold Dvořák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, approximately 28km north of Prague by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Symphony No. 6 in G Major, Op. 116 "Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte": IV. Allerneueste Periode, 1840. Allegro vivace (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": II. Adagio molto (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": I. Maestoso - Allegro (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
String Quartet No. 4 in E Minor, B. 19: I. Assai con moto ed energico (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Moravské dvojzpěvy, Op. 32, B. 62: No. 2, Veleť vtáčku (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Slavonic Dances, Op. 46, B. 83: No. 1 in C Major (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Piano Trio No. 3 in F Minor, Op. 65, B. 130: I. Allegro ma non troppo (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Stabat Mater, Op. 58, B. 71 (1876 Version): Stabat mater dolorosa (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
In 1891, the same year Dvořák completed the "Dumky" Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Te Deum, Op. 103, B. 176: Te Deum laudamus (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Andante - Allegro vivo (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
The Water Goblin, Op. 107, B. 195 (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
During his final years, Dvořák became the recipient of various honours… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Armida, Op. 115, B. 206, Act I Scene 1: Jak z dervišových prstů řinou (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague… by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,
Hymnus ad laudes in festo Sanctae Trinitatis, B. 82 (Excerpt) by Robert Shafer, Orquesta Sinfónica de Navarra, Washington Orchestra, Alon Goldstein, Amit Peled, Nicholas Boulton, Manuel Lange,