The Merry Widow, Act II: March Septet - "Wie die Weiber man behandelt"

Name: The Merry Widow, Act II: March Septet - "Wie die Weiber man behandelt"
Description: The Merry Widow, Act II: March Septet - "Wie die Weiber man behandelt" a song by Franz Lehár on BeMusic

The Merry Widow, Act II: March Septet - "Wie die Weiber man behandelt" a song by Franz Lehár on BeMusic

The Merry Widow, Act I: Introduction - "Verehrteste Damen und Heren" by Laszlo Kote,
The Merry Widow, Act I: Duet "So kommen Sie" - "Ich bin eine anständige Frau" by Laszlo Kote,
The Merry Widow, Act I: Entree and Hanna's Song - "Bitte, meine Herren" by Laszlo Kote,
The Merry Widow, Act I: Danilo's Song - "Da geh ich in's Maxim" by Laszlo Kote,
The Merry Widow, Act I: Finale - "Damenwahl" by Laszlo Kote,
The Merry Widow, Act II: Introduction and Vilja's Song - "Es lebt eine Vilja" by Laszlo Kote,
The Merry Widow, Act II: Duet Hanna & Danilo - "Heia, Mädel, aufgeschaut" by Laszlo Kote,
The Merry Widow, Act II: March Septet - "Wie die Weiber man behandelt" by Laszlo Kote,
The Merry Widow, Act II: Duet and Romance Valencienne & Camille - "Wie eine Rosenknospe" by Laszlo Kote,
The Merry Widow, Act II: Finale - "Ha! Ha! Wir fragen" by Laszlo Kote,
The Merry Widow, Act III: Grisetten Chanson - "Ja, wir sind es, die Grisetten" by Laszlo Kote,
The Merry Widow, Act III: Duet Hanna & Danilo - "Lippen schweigen" by Laszlo Kote,
The Merry Widow, Act III: Finale - "Ja, das Studium der Weiber" by Laszlo Kote,
Paganini, Act I: Violin Solo by Laszlo Kote,
The Land of Smiles: Overture by Laszlo Kote,
Eva: Waltz by Laszlo Kote,
The Count of Luxembourg: Melodies by Laszlo Kote,
Frasquita: Introduction by Laszlo Kote,
Gypsy Love: Overture by Laszlo Kote,
Gold and Silver Waltz by Laszlo Kote,