Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works

Name: Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works
Description: Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works a song by Lucy Scott on BeMusic

Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works a song by Lucy Scott on BeMusic

Introduction by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Prélude à l'après-midi d'un faune, L. 86 (Bars 1-5) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
For the 20th-Century Composer and Conductor Pierre Boulez by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Children's Corner, L. 113: VI. Golliwogg's Cake-Walk (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
That Was an Extract from Debussy's Six-Movement Piano Suite by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Nuit d'étoiles, L. 4 (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
The Extent to Which Debussy's Love Affair with Mme Vasnier by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
L'enfant prodigue, L. 57: IV. Cortège et air de danse (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Though He Had Gained the Highest Honours for "The Prodigal Son" by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Printemps, L. 61: II. Modéré (1912 Version) [Orch. H. Büsser] [Excerpt] by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Back in Paris, Debussy's Relationship with Mme Vasnier Gradually Fizzled Out by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
5 Poèmes de Baudelaire, L. 64: No. 2, Harmonie du soir (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
If His Old Musical Comrades Seem to Have Deserted Him by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Prélude à l'après-midi d'un faune, L. 86 (Bars 51-64) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
"Faune" Was First Performed, with Debussy at the Piano by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
During This Time, Debussy Was Also Busy Composing Two Large-Scale Works by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Nocturnes, L. 91: No. 3, Sirènes (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Debussy's "Nocturnes" Received Both Warm Applause and Frosty Criticism by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Pelléas et Mélisande, L. 88: Une forèt (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
That Was an Extract from the Beginning of Debussy's First and Only Completed Opera by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Danse sacrée et danse profane, L. 103: No. 2, Danse profane (Version for Harp & Solo Strings) [Excerpt] by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
It Was Also During This Post-"Pelléas" Period That Debussy Was Decorated by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Images, Book 1, L. 110: No. 1, Reflets dans l'eau (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Also About Water Is the Third Movement by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Images, Book 2, L. 111: No. 3, Poissons d'or (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
A New Period of Debussy's Life Was Soon to Begin by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Images pour orchestre, L. 122, No. 2, Ibéria: I. Par les rues et les chemins (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
In 1909 a Group of Artists and Musicians from Russia Arrived by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Jeux, L. 126 (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Syrinx, L. 129 (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
In 1914, Having Returned to Paris by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
12 Études, L. 136, Book 2: No. 3, Pour les quartes (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
In 1915, Debussy Once Again Departed Paris by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,
Préludes, Book 2, L. 123: No. 10, Canope (Excerpt) by Antonio Ballista, Cheng-zong Yin, Various Artists, Lorna Windsor, Paavali Jumppanen,