Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488")

Name: Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488")
Description: Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488") a song by Hughes De Courson on BeMusic

Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488") a song by Hughes De Courson on BeMusic

Ikhtitaf fi Assaraya (After the "Overture" from "Die Entführung aus dem Serail, K. 384") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
O'stravaganza (After Vivaldi's Sinfonia, RV 168) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Al Sahm al Taéh (After Mozart's "Soave sia il vento" from Così fan tutte, K. 588) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Sankanda (traditionnel arr. P Akendengué) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
A Chlàrsioch (After Vivaldi's In furore iustissimae irae, RV 626) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Ya Shady Symphony (After Mozart's Symphony No. 40, K. 550) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Pepa Nzac Gnon Ma (traditionnel arr. P. Akendengué): Prélude de la Partitia pour violon no3 by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Yaman Hawa (After the "Overture" from "Thamos, König in Aegypten, K. 345") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Ceol Cuàine (Dances of the Wolves) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
La reine des mille et une nuits (After Mozart's The Magic Flute, K. 620) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Cantate 147 by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Symphonie Egyptienne (After Mozart's "Symphony No. 25 in G Minor, K. 183/173dB") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Eirin Sonata (After Vivaldi's Cello Concerto, RV 407) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Layla Misriya (After Mozart's Serenade No. 13, K. 525 "A Little Night Music") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Mayingo (traditionnel arr. P. Akendengue): Fugue sur Mayingo (T. Gubitsch) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Mahdiyat (After Bernhard Flies's "Wiegenlied", attributed to Mozart as "K. 350") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Estro-Reel (After Vivaldi's Violin Concerto, Op. 3 No. 3, RV 310) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
La querelle au sérail (After Mozart's "Marten aller Arten" from The Abduction from the Seraglio, K. 384) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Was Mir Behagt, Ist Nur Die Muntre Jagd (Chorus "La Chasse" - J.S.Bach arr. P. Akendengué et H. de Courson) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Hamilu Lhawa Tahibou (After Papageno's Aria, No. 20, from Mozart's "Magic Flute, K. 620") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Damhsaigh (After Vivaldi's Lute Concerto, RV 93) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Marche égyptienne (After Mozart's Piano Sonata, K. 331 "Alla turca") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Agnus Dei (Messe en si BWV 232 - arr. P. Akendengué) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Double Quartet in E-Flat Major (After Mozart's "6 Variations, K. 360/374b") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Il sonno (After Vivaldi's Flute Concerto, RV 439 "La notte" and Concerto for Two Violins, Op. 3 No. 2, RV 578) by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Al Bedaya by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Inongo (traditionnel arr. P. Akendengué et H. de Courson): Invention à trois voix No3 en ré majeur BWV 789 by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
Double Quartet in F Major (After Mozart's "Piano Trio No. 2 in G Major, K. 496") by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,
La ciaconna rossa by Henri Agnel, Johann Sebastian Bach, Antonio Vivaldi, Hughes De Courson, Wolfgang Amadeus Mozart,