Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden)

Name: Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden)
Description: Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden) a song by Francesco da Milano on BeMusic

Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden) a song by Francesco da Milano on BeMusic

Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXVIII. Si bon amour by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: X. – Des chansons reduictz en tabulature de Luth, Paris, 1545/6: XXIII. En espoir davoir mieulx (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: XX. Elle veult donc by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: XVIIII. Le printemps faict florir (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Intavolatura di Lauto del Divino Francesco da Milano…, Milan, 1548: XXIV. Fantasia 62 by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXIII. Hayne et amour by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: VII. Si par fortune (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Intavolature de Lauto di Vincenzo Galileo Fiorentino…, Rome, 1563: XXX. Ricercar 73 by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Intabulatura di Lauto del divino Francesco da Milano…, Venice, 1546: XIX. Hors envieulx by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: XIII. Hors envieulx (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXVI. Je navoys point by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: XXIV. Pourquoy donc ne fringuerons nous by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: XXVIIII. Souvent amour (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: XIV. – Des chansons reduictz en tabulature de Luth, Paris, 1545/6 : XLIV. Sur tous regretz (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: V. Je lay ayme (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: XIII. Pren de bon cueur by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Chansons musicales à quatre parties, Paris, 1533: XV. Vostre beaulte (Reconstructed by Nancy Hadden) by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Ein new künstlich Lauten Buch, 1546: LXV. Vostre beaulte by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: VII. Amours amours vous me faictes grant tort by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: III. Parle qui veult by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,
Vingt et sept chansons musicales à quatre parties, Paris, 1533: XVI. Jectes moy sur lherbette by Jean Richafort, Pierre Certon, Benedictus Appenzeller, Jacob Heringman, Didier Lupi, Pierre Passereau,