Semele, HWV 58, Act II Scene III: No. 35, How engaging, how endearing (Chorus)

Name: Semele, HWV 58, Act II Scene III: No. 35, How engaging, how endearing (Chorus)
Description: Semele, HWV 58, Act II Scene III: No. 35, How engaging, how endearing (Chorus) a song by George Frideric Handel on BeMusic

Semele, HWV 58, Act II Scene III: No. 35, How engaging, how endearing (Chorus) a song by George Frideric Handel on BeMusic

Semele, HWV 58: No. 1, Ouverture by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act III: No. 45, Sinfonia. Larghetto e piano per tutto by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II: No. 24, Sinfonia. Presto by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58: Allegro - Adagio by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act III Scene I: No. 46, Somnus, awake (Juno) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene I: No. 25, Iris, impatient of thy stay (June) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act III Scene I: No. 47, Leave me, loathsome light (Somnus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58: Gavotte by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene I: No. 26, There, from mortal cares retiring (Iris) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act III Scene I: No. 48, Dull God, canst thou attend the water's fall (Iris) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 2, Behold! auspicious flashes rise! (Cadmus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene I: No. 27, No more - I'll hear no more (Juno) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act III Scene I: No. 49, More sweet is that name (Somnus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene I: No. 28, Hence, Iris, hence away (Juno) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 3, Lucky omens bless our rites (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene II: No. 30, O sleep, why dost thou leave me? (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 4, Daughter, obey (Cadmus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 5, Ah me! What refuge now is left me? (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 31, Let me not another moment (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 32, Lay your doubts and fears aside (Jupiter) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 6, The morning lark to mine accords his note ( Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 7, See, she blushing turns her eyes (Athamus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 33, You are mortal, and require (Jupiter) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 8, Hymen, haste, thy torch prepare (Athamus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 34, With fond desiring (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 9, Alas! she yields (Ino) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 35, How engaging, how endearing (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 36, Ah me! (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 10, Why does thou thus untimely grieve (Cadmus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 37, I must with speed amuse her (Jupiter) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 11, Avert those omens, all ye pow'rs! (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 38, Now Love that everlasting boy invites (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 12, Again auspicious flashes rise (Cadmus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 39, By my command' (Jupiter) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 13, Thy aid, pronubial Juno, Athamus implores (Athamus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene I: No. 14, Cease, cease your vows, 'tis impious to proceed (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene III: No. 40, Where'er you walk, cool gales shall fan the glade (Jupiter) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene IV: No. 41, Dear sister, how was your passage hither? (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene II: No. 15, O Athamus, what torture hast thou borne! (Athamus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene IV: No. 42, But hark! the heav'nly sphere turns round (Ino) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene II: No. 16, Turn, hopeless lover, turn thy eyes (Ino) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene II: No. 17, She weeps! The gentle maid, in tender pity (Athamus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene IV: No. 43, Prepare then, ye immortal choir (Ino and Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene II: No. 18, Your tuneful voice my tale would tell (Athamus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act II Scene IV: No. 44, Bless the glad earth with heav'nly lays (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene II: No. 19, Too well I see (Ino) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene II: No. 20, You've undone me (Ino) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene III: No. 21, Ah, wretched Prince, doom'd to disastrous love! (Cadmus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene IV: No. 22, Hail, Cadmus, hail! Jove salutes the Theban King (Chorus) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,
Semele, HWV 58, Act I Scene IV: No. 23, Endless pleasure, endless love (Semele) by Rosemary Joshua, George Frideric Handel, Christian Curnyn, Early Opera Company, Hilary Summers, Brindley Sherratt, Stephen Wallace, Richard Croft,