L'Italiana in Algeri: Ai capricci della sorte...Donna Isabella (Recorded 1927)
L'Italiana in Algeri: Ai capricci della sorte...Donna Isabella (Recorded 1927) a song by Gioachino Rossini on BeMusic
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L'Italiana in Algeri: Ai capricci della sorte...Donna Isabella (Recorded 1927) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Il barbiere di Siviglia: Una voce poco fa…Io son docile (Recorded 1927) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Il barbiere di Siviglia: Contro un cor…Cara immagine ridente (Lesson scene) (Recorded 1928) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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La Cenerentola: Nacqui all'affanno…Non più mesta (Recorded 1927) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Faust: Il était un roi de Thulé (Recorded 1931) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Mignon: Connais-tu le pays? (Recorded 1931) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Samson et Dalila: Printemps qui commence (Recorded 1931) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Bonjour, Suzon (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Églogue Viens, une flûte invisible (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Siete canciones populares españolas: El paño moruno (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Siete canciones populares españolas: Seguídilla marciana (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
-
Siete canciones populares españolas: Asturiana (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Siete canciones populares españolas: Jota (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Siete canciones populares españolas: Nana (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Siete canciones populares españolas: Canción (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Siete canciones populares españolas: Polo (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Meus Amores (Balada gallega) (Recorded 1929) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
-
L'Alegria del Batallon: A una gitana preciosa (Dolores' gypsy song) (Recorded 1932) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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El Mal de Amores: Canción de la gitanita (Recorded 1932) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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La Paloma (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Clavelitos (Recorded 1927) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Carmen: L'amour est un oiseau rebelle (Habañera) (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Carmen: Pres des remparts de Séville (Séguedille) (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
-
Carmen: Les tringles des sistres tintaient (Chanson bohème) (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
-
Carmen: Attends un peu, Carmén (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
-
Carmen: La fleur que tu m'avais jetée (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Carmen: Non, tu ne m'aimes pas (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Carmen: Melons! Coupons…En vain pour éviter (Card scene) (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,
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Carmen: C'est toi! c'est moi…Mais moi, Carmen, je t'aime encore (Recorded 1930) by
Baldomir,
Carlo Scattola,
Conchita Supervia,
Angelo Albergoni,
Gustave Cloez,
Pacual Godes,
Frank Marshall,
Modesto Romero,
Antonio Capdevila,