Le nuove musiche: No. 11. Dovrò dunque morire?

Name: Le nuove musiche: No. 11. Dovrò dunque morire?
Description: Le nuove musiche: No. 11. Dovrò dunque morire? a song by Giulio Caccini on BeMusic

Le nuove musiche: No. 11. Dovrò dunque morire? a song by Giulio Caccini on BeMusic

Le nuove musiche: No. 3. Dolcissimo sospiro - Version from the British Museum, MS. Egerton 2971 by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The First Part of Ayres, French, Pollish and Others: No. 107. What Greater Griefe by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The First Part of Ayres, French, Pollish and Others: No. 39. Touch Me Lightly - No. 38. Tickle Me Quickly - No. 35. Tickell, Tickell by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Le nuove musiche: No. 11. Dovrò dunque morire? by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The First Part of Ayres, French, Pollish and Others: No. 48. Love's Farewell by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Cruda Amarilli - Version from the British Museum, MS. Egerton 2971 by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
A Musicall Dreame, or the Fourth Booke of Ayres: No. 21. S'amor non è che dunque by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The Dark Is My Delight by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
A Musicall Dreame, or the Fourth Booke of Ayres: No. 19. In Sherwood livde stout Robin Hood by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Robin Hood by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Praeludium (No. 32, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 288) by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Paven (No. 46, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 302) by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Galliard Corant by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The Second Booke of Songs and Ayres: No. 9. Now What Is Love by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Allman Coranto by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Le nuove musiche: No. 4. Amor, io parto by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Why Stays the Bridegroom (Part 1) by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Bonny Sweet Robin by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Pavan No. 4 - Version from the Bodleian Library, Manuscript D.245 by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
Why Stays the Bridegroom (Part 2) by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The First Part of Ayres, French, Pollish and Others: No. 9. Adue Sweete Loue by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,
The Second Set of Madrigals: No. 23. Weep, Weep Mine Eyes - Version from the British Museum, MS. Egerton 2971 by Philippe Pierlot, Céline Scheen, Alfonso Ferrabosco II, Tobias Hume, John Wilbye,