The Beneficent Dervish, Act II: March
The Beneficent Dervish, Act II: March a song by Johann Baptist Henneberg on BeMusic
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The Impresario, K. 486: Overture by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Impresario, K. 486: Da schlägt die Abschiedsstunde by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Impresario, K. 486: Rondo. Bester Jüngling! by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Impresario, K. 486: Trio. Ich bin die erste Sängerin! by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish: Sinfonia by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act I: Aria. Welche nie empfund'ne Freude by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act I: Duet. Liebes Weib by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act I: Chorus. O Abdallah by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act I: March by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act II: Wind Music by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act II: March by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act II: The Sea Battle by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich! by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn! by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Chorus. Vino pani by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,
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The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl by
Sharon Baker,
Cyndia Sieden,
Franz Xaver Gerl,
Boston Baroque,
Benedikt Schack,
Johann Baptist Henneberg,
Martin Pearlman,
Kevin Deas,
Alan Ewing,
John Aler,
Deanne Meek,